Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel. Written by
Stewart M. Clamen <email@example.com>
When told she was not the star of the film, Marilyn Monroe was quoted: "Well whatever I am, I'm still the blonde." See more »
When the ship is shown docking, the tops of the funnels have a wide red band but, seconds later, when the whistle is shown blowing, they are entirely black. See more »
[Dorothy is admiring some athletes]
Dorothy Shaw. I want you to remember you're supposed to be the chaperone on this trip.
Now lets get this straight, Gus. The chaperone's job is to see that nobody else has any fun. Nobody chaperone's the chaperone. That's why I'm so right for this job.
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Lorelei and Dorothy may well claim to just be two little girls from Little Rock, but if that's the case then they certainly have no intention to remain that way. Lorelei wants a rich man regardless of looks or age while Dorothy wants good looks and a body to match. On board a transatlantic cruise on their way to Paris, the pair find plenty of both types of men but, despite temptation Lorelei genuinely intends to remain faithful to the millionaire she has already hooked Gus Esmond. Meanwhile Dorothy gets the attention of quite a nice gentleman who seems like he really likes her.
Opening with a great bit of a sassy musical number this film goes into the credits with an atmosphere and approach that it pretty much keeps consistent throughout the whole film. The story is very much driven by the gold-digging female stereotypes of Lorelei and Dorothy and, although quite light, it does enough to keep things moving and interesting. It is greatly helped by the delivery, which is superficial, sparky and fun. The musical numbers (and indeed the whole film) are colourful and engaging thanks to the good direction from Hawks. The script provides plenty of amusing material and although it does lack depth and massive laughs, it is generally very entertaining.
The cast are a big part in it and I was surprised by how good the lead pair were. I've never really rated Russell or Monroe in terms of being good actresses but here they suit their character and work off one another well. Their characters are not anything other than exaggerated cliché but they are fun none the less; they have slightly different characters but each seems to be to their strengths and they deliver the script well. The male characters are very much a side issue but generally they are well played by Reid, Coburn, Noonan and a couple of others.
Generally then this is not the film to come to if you are looking for real substance and depth but it delivers the goods in regards fizz and fun. The musical numbers are colourful and entertaining, while the script is lively and benefits from good delivery from a well cast Monroe and Russell. A "classic" film that is fun over 50 years later and accordingly is well worth seeing.
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