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Gentlemen Prefer Blondes (1953)

Not Rated | | Comedy, Crime, Musical | August 1953 (USA)
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.

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(screen play), (based on the musical comedy by) | 1 more credit »
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Cast

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Howard Wendell ...
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Hotel Manager
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Storyline

Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel. Written by Stewart M. Clamen <clamen@cs.cmu.edu>

Plot Summary | Add Synopsis

Taglines:

You've never seen so much fun! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

August 1953 (USA)  »

Also Known As:

Howard Hawks' Gentlemen Prefer Blondes  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The role of Lorelei Lee was given to Marilyn on her 26th birthday(June 1, 1952) while she was filming Niagara(1953). See more »

Goofs

When Lorelei is seeing Mr. Esmond off at the ship, she says "Bye, lover!" but her lips do not move. See more »

Quotes

Lorelei Lee: Dorothy, please, a lady never admits her feet hurt.
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Connections

Referenced in Outrageous! (1977) See more »

Soundtracks

Anyone Here for Love?
(1953)
Music and Lyrics by Hoagy Carmichael and Harold Adamson
Performed by Jane Russell (uncredited) and the Olympic Team
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Frequently Asked Questions

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User Reviews

 
Great spectacle!
4 November 2003 | by See all my reviews

I think some people are too harsh on this movie. No, it doesn't saying anything revelatory about the human condition but that's not its intent. It is very good escapist fare. Monroe and Russell keep us enthralled with their glamor, song and dance numbers, and the occasional sharp one-liner. The plot is perfunctory. While Monroe is obviously the one most associated with the film in the public's consciousness, I personally think Russell is just as good if not better (I'm not saying that because I'm a brunet as well!) A question many Monroe fans ask is whether at this point onward in her career Monroe was playing Lorelei or whether in real life she 'was' Lorelei? Whatever the case, I recommend this movie if one is in the mood for glitzy glamorous Hollywood spectacle, 7/10.


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