Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel. Written by
Stewart M. Clamen <email@example.com>
The "Diamonds Are A Girl's Best Friend" number was later re-shot in CinemaScope, to be used as part of a CinemaScope demonstration held on the Fox lot in March of 1953. Producer Darryl F. Zanuck told "Daily Variety" that it only took 3-1/2 hours to shoot the number in CinemaScope versus four days for the original film version. The public finally saw the CinemaScope version ten years later when it closed Fox's documentary tribute to Marilyn Monroe: Marilyn (1963), See more »
Lorelei's hair before and just after she performs "Diamonds are a Girl's Best Friend" is different to the style that she wears during her performance. See more »
A kiss on the hand may be quite continental, / But diamonds are a girl's best friend. / A kiss may be grand, but it won't pay the rental on your humble flat. / Or help you at the automat. / Men grow cold as girls grow old, and we all lose our charm in the end. / But square-cut or pear-shaped, these rocks won't lost their shape. / Diamonds are a girl's best friend.
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I think some people are too harsh on this movie. No, it doesn't saying anything revelatory about the human condition but that's not its intent. It is very good escapist fare. Monroe and Russell keep us enthralled with their glamor, song and dance numbers, and the occasional sharp one-liner. The plot is perfunctory. While Monroe is obviously the one most associated with the film in the public's consciousness, I personally think Russell is just as good if not better (I'm not saying that because I'm a brunet as well!) A question many Monroe fans ask is whether at this point onward in her career Monroe was playing Lorelei or whether in real life she 'was' Lorelei? Whatever the case, I recommend this movie if one is in the mood for glitzy glamorous Hollywood spectacle, 7/10.
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