Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
James Bond goes on his first ever mission as a 00. Le Chiffre is a banker to the world's terrorists. He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe among the terrorist market. The boss of MI6, known simply as M sends Bond, along with Vesper Lynd to attend this game and prevent Le Chiffre from winning. Bond, using help from Felix Leiter, Mathis and having Vesper pose as his wife, enters the most important poker game in his already dangerous career. But if Bond defeats Le Chiffre, will he and Vesper Lynd remain safe? Written by
Ian Fleming received three offers for the film rights to his "Casino Royale" novel during 1954. Producer and Director Gregory Ratoff bought the rights to the novel in May 1954 for $600. It was a six month option and Ratoff took this to CBS whom produced and broadcast this one hour episode for Climax! (1954) [See: Climax!: Casino Royale (1954)]. CBS purchased the rights to the Ian Fleming novel for $1000. John Shepridge negotiated the sale of the film and television rights in 1954. Before the sale, the "Casino Royale" novel had not been successful, and was even retitled and Americanized for its paperback issue. Fleming also needed money. Twelve months later, and after the TV screening, Ratoff bought "Casino Royale" outright in perpetuity for an additional $6000. Both sales including the option and the buy-out are considered to have been sold too cheaply and were two sales that Ian Fleming later regretted. With the money from the larger sale, Ian Fleming bought a Thunderbird car at the cost of £3000. Gregory Ratoff passed away on 14 December 1960. His widow in 1961 sold the rights to Charles K. Feldman for $75,000. Feldman would go on to make the James Bond parody, Casino Royale (1967) and it would not be made as an EON Productions film for almost another forty years. See more »
When M is explaining the stock market manipulations which coincided with the September 11th terrorist attacks, she states that "the stocks hit bottom on 9/12." In reality the stock market did not reopen after the attacks until Monday 9/17. However the NYSE is only one of several dozen international stock markets. Several of the largest of these were open on 9/12, including the London Stock Exchange, which would, presumably, be the one M was talking about. See more »
M really doesn't mind you earning a little money on the side, Dryden. She'd just prefer it if it wasn't selling secrets.
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The opening credits include the words "Ian Fleming's James Bond." All other Bond movies only have this if it's an original screenplay. When they're based on the novels, regardless of how loosely, they're "Ian Fleming's (name of movie/novel)." See more »
I saw this at a cast and crew screening in London last weekend: I'm not a huge Bond fan, but I do enjoy them on a purely popcorn level and this was definitely one of the best in recent memory. The tone is much edgier and nastier than the Brosnan movies, harking back more to Dr. No or For Your Eyes Only. The action sequences are brilliantly shot and edited for maximum impact and are some of the best out of any Bond movie. Martin Campbell, who also made 'Goldeneye', was an excellent choice and, for me, is one of the best Bond directors. What gives this the lead over recent Bonds is the more realistic feel: the exotic locales, fast cars, spectacular action, beautiful women and many other Bond hallmarks are all here but gone is the campy tone that marred, say, Die Another Day. Yes, the whole franchise is based on an entirely ridiculous and cartoonish notion but the more serious and harder-edged tone works really well here. In this context, Daniel Craig gives an excellent performance as Bond. I'll be the first to admit that I raised an eyebrow when I heard he was cast but he really makes it his own. It's hard to say whether he's better than any of the other Bonds: Connery and Brosnan felt right for the style of Bond movies they were in. Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well. He's charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt. Also, the story is just much more engaging than many a Bond film; the script's not going to win awards but it's consistently inventive and intriguing. Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility. When there isn't a huge action sequence happening, you don't miss it: the film's longest set-piece, the poker game at the Casino Royale, is as (or not more) gripping and entertaining than any of the chases and shoot-outs. The only minor gripes that I have are a slightly too long running time: the film drags a wee bit towards the end and, although it helps the tone of the film, we don't hear enough of the Bond theme tune! However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies.
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