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2 Days in Paris (2007)
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Overview
User Rating:
Director:
Writer:
Julie Delpy (writer)
Release Date:
17 May 2007 (Germany)
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Tagline:
He knew Paris was for lovers. He just didn't think they were all hers.
Plot:
Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents -- and several of her ex-boyfriends. full summary | add synopsis
Plot Keywords:
Awards:
1 win
&
3 nominations
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NewsDesk:
(3 articles)
Netflix To Shutter Indie Investment Unit
(From Studio Briefing - Film News. 23 July 2008, 10:27 AM, PDT)
'I'm Not There' Leads Spirit Nominations
(From WENN. 28 November 2007)
(From Studio Briefing - Film News. 23 July 2008, 10:27 AM, PDT)
'I'm Not There' Leads Spirit Nominations
(From WENN. 28 November 2007)
User Comments:
Smart, funny and not for everyone
more (90 total)
Cast
(Cast overview, first billed only)| Adam Goldberg | ... | Jack | |
| Julie Delpy | ... | Marion | |
| Daniel Brühl | ... | Lukas | |
| Marie Pillet | ... | Anna - Marion's Mother | |
| Albert Delpy | ... | Jeannot - Marion's Father | |
| Aleksia Landeau | ... | Rose - Marion's Sister (as Alexia Landeau) | |
| Adan Jodorowsky | ... | Mathieu | |
| Alexandre Nahon | ... | Manu (as Alex Nahon) | |
| Charlotte Maury-Sentier | ... | Robbed Lady | |
| Vanessa Seward | ... | Vanessa | |
| Thibault De Lussy | ... | Gaël | |
| Chick Ortega | ... | First Taxi Driver | |
| Patrick Chupin | ... | Taxi Driver with Jack Russel | |
| Antar Boudache | ... | Flirtatious Taxi Driver | |
| Ludovic Berthillot | ... | Racist Taxi Driver |
Additional Details
Also Known As:
Parents Guide:
Runtime:
96 min
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Germany:12 |
Hong Kong:IIB |
Singapore:M18 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
USA:R |
Ireland:15A |
Portugal:M/12 |
Taiwan:PG-12 (original rating) |
Sweden:Btl |
Finland:K-11 |
South Korea:18 |
Netherlands:12 |
UK:15 |
Australia:MA |
Malaysia:18PL |
Argentina:13 |
Japan:PG-12 |
Brazil:14 |
New Zealand:M |
Norway:10 (TV rating)
Filming Locations:
Company:
Fun Stuff
Trivia:
Because of his commitment to the film Deja Vu (2006), Julie Delpy was unsure if Adam Goldberg would be available to be in her film. She was forced to push back shooting to accommodate his schedule but he eventually arrived on set, twelve hours late.
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Goofs:
Continuity: When Marion tells Jack she doesn't use that thermometer in the mouth, Jack spits it out and it falls near the side wall, but Marion picks it up from the bed.
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Soundtrack:
Lalala
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FAQ
This FAQ is empty. Add the first question.more (90 total)
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From a study of the movie poster, you might be tempted to think this is another pointless romantic movie about two lovers in France. "Oui," they will fight, love, eat croissants and find meaning. How drearily cliché.
But, surprise of surprises, "Two Days in Paris" is a very funny, very soulful and very interesting look at a slice of the life of two quite interesting characters. On the surface, Marion (Julie Delpy) and Jack (Adam Goldberg) are two irritatingly pretentious neurotics. Both 35 and childless, they have been traveling Europe for 2 weeks, deciding to stop in Paris for a couple days to drop in on Marion's family and friends before flying home to New York. Marion is French, the child of left-wing French artists. Jack is a New Yorker, a political lefty whose shallow grasp of culture (he speaks only English, for instance) is purely American. She had aspirations to be a photographer, though (for reasons the film will make clear) her work is strictly third-class. He takes pictures of everything, but has no eye for form, color or composition.
What's fun about the film is the complexity of the relationships. To Jack's annoyance, Marion keeps bumping into her old boyfriends. And her father seems intent on humiliating or offending him and his American tastes. A dinner scene in which he is offered a rabbit's head is just hilarious. When offered carrots, he says, "So, we're going to eat the bunny's food, too?" For her part, Marion cannot understand why Jack finds her continued casual friendships with exes to be so extraordinary. And Jack, utterly clueless about the nuances (or even the surface content) of Marion's conversations, is getting paranoid that he is not being told everything. At one point, Marion is holding a violent argument with a racist cabdriver. Jack knows something is going on, but can't get past Marion's insistence that everything is fine.
I realize as I write this that I am doing no justice to the joyful sense of voyeurism that the film affords.The film is so smartly written and fast-paced that sometimes you forget you are watching a film and think you are watching dinner with Julie's real family or attending parties with her smug and artsy friends. The film is completely convincing and has a depth of heart I didn't expect. It deal with secrets and the frustration that comes from knowing another person. The language and culture barriers then act as metaphors for the inability of two people, even lovers, to inhabit another's life and experience.
"Two Days in Paris" is not for all. Marion and Jack are exemplars of the worst aspects of US and European artistic classes. Their treatment of a group of Americans on a "Da Vinci Code" tour tells you more than you want to know about the antagonisms between right and left. But their smug, knowing put downs of Bush and Cheney supporters are less political messages by the movie makers than markers of the characters' personalities. This movie about liberals does not necessarily espouse their world view. But, at heart, this is a love story, not a political drama. Secondly, since we are talking about shallow artists, there is an enormous amount of politico-sexual "art" on display in the film. While this may be offensive to the audience, its presence helps to define the characters themselves. It's not there to titillate the viewer, but to describe the actors.
Delpy, who wrote, directed, produced and acted in the movie, has made a master work that is complex, evocative, real and quite beautiful. She has captured aspects of the French national character that seem quite convincing. She has also aptly captured the emotions and dilemmas of 30-something adults who, under it all, are still looking for meaning, belonging and peace. Goldberg gave a powerful and hilarious performance. He's Ben Stiller with a soul.
If you can put up with the film's politics, you will be amply rewarded. Magnifique!