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Before their divorce becomes final, Jerry and Lucy Warriner both do their best to ruin each other's plans for remarriage, Jerry to haughty socialite Molly Lamont, she to oil-rich bumpkin Daniel Leeson. Among their strategies: Jerry's court-decreed visitation rights with Mr. Smith, their pet fox terrier, and Lucy sends flamboyant Dixie Belle Lee to impersonate Jerry's brassy "sister" before his prospective bride's scandalized family. Written by
Paul Penna <firstname.lastname@example.org>
Nothing in this movie makes sense, and it really doesn't matter. It succeeds with its self-assured anarchy and the charm of its stars.
Cary Grant, Ralph Bellamy and especially Irene Dunne are in top form. Dunne has been unjustly overlooked for her comic talents. The contrast of her well-bred demeanor and inner wickedness is a delight -- like when she does a "hoochy" dance for a parlor of society snobs. She always appears to be on the edge of bursting out in laughter at the antics of Grant and the buffoonery of Bellamy. A wonderful nonsensical scene is of the musically skilled Dunne at the piano trying to sing "Home on the Range" with the hopelessly off-key Bellamy.
Grant is in the period of his career where he's not afraid of self-parody. He's at his best when he takes nobody and nothing seriously, and he's especially funny at tormenting the slow-witted Bellamy. And Bellamy is so good at playing dumb, you have to wonder if perhaps he's not really in on the joke. (Grant and Bellamy basically repeat their roles, with the same success, in "His Girl Friday," another first-rate comedy).
"The Awful Truth" is the masterpiece of Leo McCarey. There's really nothing else quite like it.
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