Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story. Written by
According to a New York Times article dated Feb. 23rd, 1934, the Silly Symphonies short "The China Shop" was featured after this film. See more »
When on the bus, singing the trapeze song, the bus is moving and the driver is moving the wheel as though steering, but throughout the entire song, the scenery outside never moves. See more »
[as he walks Ellie down the aisle, Mr. Andrews talks to her]
You're a sucker to go through with this. That guy Warne is OK. He didn't want the reward. All he asked for was $39.60, what he spent on you. Said it was a matter of principle. You took him for a ride. He loves you, Ellie. He told me so. You don't want to be married to a mug like Westley; I can buy him off for a pot of gold. And you can make an old man happy and you won't do so bad for yourself. If you change your mind, your car's ...
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This is a pleasant, funny classic that shows it age only slightly, and that has a lot of scenes you can look forward to each time that you see it. Gable and Colbert each get roles that are nicely suited to them, and are well-remembered for their performances. The supporting cast also rounds out the picture with some good character acting.
The cross-country trip on the bus and via other assorted methods is fun to watch, with several nice vignettes that complement the main story line. (The atmosphere on the long bus trip is done especially well.) The plot is of course not meant to be taken too seriously in itself, but it comes in very handy for setting up good characters and comedy.
It all comes across as effortlessly entertaining romantic comedy, with some classic scenes and characters you learn to care for in spite of their mistakes.
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