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It Happened One Night (1934)

8.2
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Ratings: 8.2/10 from 52,786 users  
Reviews: 218 user | 110 critic

A spoiled heiress, running away from her family, is helped by a man who's actually a reporter looking for a story.

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(screen play), (based on the short story by)
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Title: It Happened One Night (1934)

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Top 250 #154 | Won 5 Oscars. Another 5 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Jameson Thomas ...
Westley
...
Danker
Arthur Hoyt ...
Zeke
Blanche Friderici ...
Zeke's Wife
Charles C. Wilson ...
Gordon
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Storyline

Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Plot Synopsis

Plot Keywords:

reporter | bus | love | yacht | aviator | See All (188) »

Taglines:

Together for the first time! See more »

Genres:

Comedy | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 February 1934 (USA)  »

Also Known As:

Night Bus  »

Box Office

Budget:

$325,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut TV)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In the Scene where Peter Warne is held up by an SP Train the location was on Santa Anita Avenue in Arcadia, CA just north of Huntington Drive. The tracks where Warne is stopped were part of the SP Day and Night Spur. The tracks and crossing signs seen in the background were the Pacific Electric. Another block north and out of sight were the Santa Fe tracks. Santa Anita was called Double Drive at the time, and the normal southbound lanes are just visible to the left, but the convoy carrying Ellie, Andrews and Westley pass Warne in the northbound lane headed south. The trees in the center median, which was an equestrian path, were cut down in the 1950's. See more »

Goofs

After King lands and taxis in the autogyro, apparently the sole occupant, a man is visible in the cockpit crouching down as King walks around and to the rear of the autogyro. See more »

Quotes

Danker: Oh, I see, young people in love are never hungry.
See more »

Connections

Spoofed in 1941 (1979) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Sung by an offscreen chorus during the wedding
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Travel back in time, to the days when romantic comedies had not yet evolved into chick flicks
28 November 1999 | by (Canberra, Australia) – See all my reviews

I was inspired to think of other films with completely mystifying titles. `The Phantom Menace', obviously. Also: `The Shop Around the Corner' (around the corner from WHERE?), `The Empire Strikes Back' (it doesn't), `The Living Daylights', `True Lies', `Batman Forever', `Species', `The Life and Death of Colonel Blimp' ... if anyone has any more suggestions, please send them to me.

In this case, it happens over several nights, and I'm not sure which particular night is being referred to. Probably one of the candidate nights is less unobvious than the rest; so I guess the title isn't COMPLETELY mystifying. But actually, Capra gives us the feeling that everything is up in the air. Everyone knows that the hero and heroine of romantic comedies are bound to get hitched in the end - in most cases it's simply a question of staying awake. But Capra makes us feel the contingency of it all. I, for one, was convinced that right up until the final moment, it could have gone either way. How did Capra manage this? Was it because he was a complete innocent; or was it because he was remarkably sophisticated? I don't suppose it matters: it's results that count.

I'm glad to see very little mention among the comments about the sexism of it all. The characters have life; their words have life; and if such art as this could only be produced by a sexist society, it's almost worth creating a sexist society (and then dismantling it), in order to get the art. In modern romances I get the feeling that the writers are wearily writing `feisty' lines for the heroine in an attempt to fool feminists, who, by and large, aren't so easily fooled. Claudette Colbert isn't feisty. When she DOES assert her independence, she means it.

(And, of course, when Clark Gable asserts his dominance, HE means it. You don't get sincerity like this these days.)

Anyway, the ideology of a film, if there is one, is always beside the point, except inasmuch as the ideology is AESTHETICALLY attractive or unattractive. This is an attractive film. Two real individuals, a real story, some misunderstanding but no tiresome or pointless misunderstanding, constant wit

  • and, as I expressed amazement at earlier, constant suspense. And if THAT


isn't enough to get you to watch it, note that it was released in 1934. The Hayes code didn't come into effect until 1935. Not a moment too late.


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If this one of your favorite films, what are the other ones? IkuharaKunihiko
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If you love this movie, you MUST get the Criterion version. monty-britton
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