The eccentric Bullock household again need a new butler. Daughter Irene encounters bedraggled Godfrey Godfrey at the docks and, fancying him and noticing his obviously good manners, gets ... See full summary »
Jessie Royce Landis
In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past... Written by
Rod Crawford <firstname.lastname@example.org>
Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies. See more »
In the living room scene just after the PARK AVENUE CHATTER column that appears, Cornelia's magazine changes. At first, Cornelia picks up a magazine having a dark stripe along the top and bottom of the front cover, then the magazine has a lighter front cover and a woman (resembling her) in an ad on the back cover. As Cornelia moves over to the couch, the magazine changes back to the original one; further, it reveals a star shape on the front cover and a non-portrait on the back cover. See more »
The only difference between a derelict and a man is a job.
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The opening credits features a darkened city skyline and the names of the cast and crew appear as the camera pans across lighted billboards and neon signs. See more »
Ochi Chyornye (Dark Eyes)
Alternately spelled "Ochi (or Otchi) Tchornya (or Chornya, Choirni, Tchorniya)
Lyrics by Yevhen Hrebinka
Played on piano and sung often by Mischa Auer See more »
If I was the sort of person who scrutinised every frame of my viewings looking for flaws, then I still wouldn't have issue here because My Man Godfrey has no cracks in its make up. It is perfect cinema from a golden age that we rarely see in this day and age. During a rich peoples socialite scavenger hunt, air head Irene Bullock wins the contest to see who can find a forgotten man, a hobo, and showcase him at the toffs party. She falls for the charisma of down and out Godfrey Parke and gives him the job of Butler to the family Bullock, this of course bemuses the family, even more so when Godfrey turns out to be far more than they originally thought.
My Man Godfrey is one of those old classic comedies that has satire at its heart, here the rich are firmly in the target sights of the makers, for it's they who come across as bumbling buffoons, whilst Godfrey the hobo is the one with tact and grace, he is the one they all should take their markers from. Yet as important as the social message is here, it's the brilliant comedy that comes to the fore, this is an electric script benefiting from great work from all involved. William Powell is Godfrey, it's a perfect performance as he is never flustered yet delivering funny lines with caustic impact. Carole Lombard is just precious as the dopey love sick Irene, her interplay with Powell is comedy gold. My favourite of the bunch tho is Eugene Palette as Alexander, the father of this bizarro family, every mannerism and every line out of his mouth had me in stitches. I must also mention that of the 6 Oscars the film was nominated for, I'm stunned there wasn't one for Gail Patrick as Cornelia, it's devilishly icy and weasel like, and she impacted hard on me to the point that I wanted to strangle her, a great performance from her.
Truth is, they are all great, from the actors to the director, from the editor to the writer, My Man Godfrey is a truly brilliant film that easily entered my top 100 greatest films list today. 10/10
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