The eccentric Bullock household again need a new butler. Daughter Irene encounters bedraggled Godfrey Godfrey at the docks and, fancying him and noticing his obviously good manners, gets ... See full summary »
Jessie Royce Landis
A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past... Written by
Rod Crawford <email@example.com>
Included among the American Film Institute's 2000 list of the Top 100 Funniest American Movies. See more »
Godfrey is placing roses in a vase while ignoring Irene. In one shot, he has already placed five stems in the vase. The camera cuts away to the rest of the cast but when Godfrey is seen again, there is only one rose in the vase. See more »
Hasn't anyone ever told you about certain proprieties?
You use such lovely big words. I like big words. What does it mean?
Well, I'll try to simplify it. Hasn't your mother or anyone ever explained to you that some things are proper and some things are not?
No she hasn't. She rambles on quite a bit, but then she never has anything to say.
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The opening credits features a darkened city skyline and the names of the cast and crew appear as the camera pans across lighted billboards and neon signs. See more »
"My Man Godfrey" successfully blends the two most prominent schools of film comedy from the 1930's: `sophistication' and `screwball.' It smears the conservative upper-crust milieu with the keen eye of `Dinner at Eight' and the pie-in-your-face irreverence of `You Can't Take It with You,' with as many witticisms as either and probably more sexual innuendos. Occasional predictability keeps it from being on par with "It Happened One Night" or "Trouble in Paradise," but it is still one of the most emblematic films of its era.
William Powell is pitch perfect as Godfrey Parke, the hobo-turned-butler, breezing effortlessly through every scene. Carole Lombard also turns in one of her most cherished performances as Irene Bullock, the spoiled socialite who pretends to enjoy her wealth but really just wants to be around someone human. As their relationship progresses, Godfrey's humility rubs off on Irene and ultimately frees her from her elite family, which offered her security but only made her unstable. `My Man Godfrey' has no mercy on the aristocracy of the 30's, skewing it as socially incompetent and morally bankrupt. `All you need to start an asylum is an empty room and the right kind of people.' How terribly true.
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