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My Man Godfrey (1936)

Not Rated | | Comedy, Drama, Romance | 6 September 1936 (USA)
A scatterbrained socialite hires a vagrant as a family butler...but there's more to Godfrey than meets the eye.

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(screen play), (screen play) | 1 more credit »
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Nominated for 6 Oscars. Another 1 win. See more awards »

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Cast

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Robert Light ...
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Storyline

In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past... Written by Rod Crawford <puffinus@u.washington.edu>

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Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

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Details

Country:

Language:

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Release Date:

6 September 1936 (USA)  »

Also Known As:

Al servicio de las damas  »

Box Office

Budget:

$656,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (2005 DVD release)

Sound Mix:

(Western Noiseless Recording Electric)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The Bullock mansion is located at 1101 Park Avenue, Manhattan, New York City, New York. 1101 Park Avenue is at East 89 Street, just behind the famed Museum Mile section of Fifth Avenue, just a few blocks north and east of the Metropolitan Museum of Art at East 82 Street and Fifth Avenue. See more »

Goofs

When Cornelia & Faithful George return to the scavenger hunt at the Waldorf Ritz, Cornelia addresses Godfrey by name, even though she had not actually learned it by that point in the film. See more »

Quotes

Alexander Bullock: I've just been going over last month's bills, and I find that you people have confused me with the Treasury Department.
Cornelia Bullock: Oh, don't start that again, Dad.
Alexander Bullock: I don't mind giving the government 60% of what I make. But I can't do it when my family spends 50%!
Irene: Well, why should the government get more money than your own family?
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Crazy Credits

The opening credits features a darkened city skyline and the names of the cast and crew appear as the camera pans across lighted billboards and neon signs. See more »

Connections

Referenced in One of the Hollywood Ten (2000) See more »

Soundtracks

Ochi Chyornye (Dark Eyes)
(1843) (uncredited)
Alternately spelled "Ochi (or Otchi) Tchornya (or Chornya, Choirni, Tchorniya)
Lyrics by Yevhen Hrebinka
Played on piano and sung often by Mischa Auer
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Frequently Asked Questions

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User Reviews

 
Scavenger hunt
3 November 2005 | by (New York) – See all my reviews

The great depression of the 30s, in a way, created inequality in this country. On the one hand, great fortunes were made and many more were lost. In those days Hollywood's idea for escapism was the screwball comedy, with an emphasis in presenting how the privileged classes lived. This was in sharp contrast with what the majority of regular citizens were experiencing.

With that background, Gregory La Cava, a man who knew how to entertain an audience, took the direction of "My Man Godfrey". In the film we are given, on the one hand, what appears to be a city dump near to Sutton Place, one of the richest areas in Manhattan. We are shown a destitute man, Godfrey, who comes in contact with a couple of rich girls out on a scavenger hunt. Godfrey will change their lives forever.

"My Man Godfrey" gathered a distinguished cast. William Powell and Carole Lombard were at the pinnacle of their popularity. Both actors exuded charisma in any film they graced with their charming presence. They both left a mark of distinction in this comedy. Both are elegant and sophisticated, and they make us care about the characters they are playing.

The best thing about those 30s comedies were the marvelous ensemble casts assembled to support the stars. Thus, one is treated to delicious performances by Gail Patrick, Eugene Palette, Alice Brady, Micha Auer, Jean Dixon and Alan Mowbray.

This is a classic film that will live forever.


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