September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and revenge her brother) and aims high as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave... Written by
Because the boat used in the film was too small to carry cameras and equipment, portions of the boat were reproduced on a large raft, in order to shoot close-ups of Humphrey Bogart and Katharine Hepburn. Interior and water-tank scenes were filmed in London, as were most of the scenes containing secondary characters. Robert Morley shot all of his scenes in London, including footage of him preaching, which was edited together with shots of the natives praying, which was filmed in Africa. See more »
As 'Charlie Allnut' taunts the hippos swimming toward The African Queen, a very distinct white edge can be seen around the boiler and pressure gauge behind him. In addition, Allnut is in focus, the boiler and pressure gauge behind him are out of focus, and the trees in the distance are sharply in focus. This is all evidence of an imperfectly executed matte shot, with Allnut and boiler in the foreground image and the trees in the background plate. See more »
[as Charlie tries to stop her from revealing their plan]
Oh stop it, Charlie, we've been through all that. I'm certainly not going to outlive you and that's all there is to it!
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This is one of those films whose special effects and scenery must have been astounding at the time (1951), but which seem mediocre at best today. BUT, and that's a big 'but', this does not detract from the greatness of the movie overall. The scenery truly is beautiful, for one thing--and the direction and cinematography is great.
However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.
The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.
Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)
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