September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave... Written by
When you look at the map in the movie, you can find some interesting things concerning the nomenclature. There are towns like OMENA, TALVI, KONNA and HATTU. In Finnish, these names mean AN APPLE, WINTER, CROOK and A HAT respectively. Furthermore, CAMPA is nearly kampa (hair-comb) and even the German fortress, FORT SHONA is pronounced very much like Finnish sauna. Shona itself does not mean anything in German. There are Shona-people who speak Shona language, but they live about 1000 miles south from Fort Shona. The designer of the map must have either been a Finn or he/she was using a Finnish dictionary to find exotic names. See more »
When Charlie climbs back onto the boat after diving under the water to inspect the damage to the propeller and shaft, his hair and upper torso are clearly dry. See more »
Captain of Louisa:
By the authority granted to me by his Imperial Majestey Kaiser Wilhelm the Second I pronounce you man and wife - proceed with the execution.
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The African Queen is an entertaining film done in grand old Hollywood style, and it is probably the most conventional movie John Huston ever made. It's surprising though that people can call this movie one of the greatest of all time considering the hokey (and at times unbelievable) script and the awkward lack of chemistry between Bogart and Hepburn. Actually, that lack of chemistry creates some strangely funny moments which change the tone of this adventure story--sometimes for the better and sometimes for the worse. The two are never really believable as the characters they are playing, but they are still fun to watch as a couple of stars chewing up the scenery. Bogart's Academy Award for this performance is obviously a Revlon choice in that it makes up for his being overlooked for at least 10 better performances that he gave prior to this one. Huston's direction seems to lose focus in the last 10 minutes or so and the ending is very abrupt, but overall the film is briskly paced and painless. Also worth noting is the wonderful use of African locations as photographed by master cinematographer Jack Cardiff. If you want to see a better film with similar themes, check out Huston's far superior Heaven Knows, Mr. Allison.
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