A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. ... See full summary »
Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ... Written by
During the 1930s, Howard Hawks was hosting a dinner party when the topic of dialogue was brought up. He pulled out a copy of "The Front Page" to demonstrate the snappy exchanges between characters, taking the role of Burns. A female guest took the role of Hildy. While reading, Hawks realized the dialogue sounded much better with a female reading, and quickly secured the rights for the film from Howard Hughes. Ben Hecht (the author of "The Front Page") approved the gender change and the screenplay was put into production. See more »
During the lunch scene, at one point there is a fly very clearly walking all over the front of Cary Grant's suit. See more »
Bruce, I, uh... let me get this straight. I must have misunderstood you. You mean you're taking the sleeper today and then getting married tomorrow?
Oh, well, it's not like that.
Well, what's it like?
Poor Walter. He'll toss and turn all night. Perhaps we better tell him Mother's coming along, too.
Mother? Why, your mother kicked the bucket!
No, my mother, my mother.
Oh, your mother. Oh, well, that relieves my mind.
It was cruel of us to let you suffer that way.
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Opening credits are shown over a newspaper background. See more »
I just finished watching the DVD of this first-class, semi-Screwball comedy in Columbia Classics beautiful transfer, and it absolutely made my day! What a movie! What a screenplay! The dialogue is better - more modern - in fact, than a in lot of contemporary movies. It's incredibly funny, too, and my teenage sons kept laughing right along with me at the smart come-backs. Cary Grant is, of course, as good (if not better) than ever, and I've never seen Rosalind Russel in a role that suited her more perfectly. And that's just for starters: The timing of the thing is still awe- inspiring after sixty-odd years; the supporting actors, down to the bit-players, are all memorable, convincing and hilarious; the camera work (this IS the forties, though) is inventive and the editing superb. I can safely confess now that I hadn't ever seen it before, but that's no reason for you to make the same mistake: Go buy/rent it NOW! Hats off to the great Howard Hawks, his cast and crew for pulling this comedy masterpiece off. And thank you, thank you, thank you Columbia Pictures, for
making it possible for me to watch it in such pristine condition! (I've got the 2002 edition, and from what I've heard you should beware of earlier DVD issues).
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