His Girl Friday (1940)

A newspaper editor uses every trick in the book to keep his ace reporter ex-wife from remarrying.

Director:

Howard Hawks

Writers:

Charles Lederer (screen play), Ben Hecht (play),

Stars:

Cary Grant, Rosalind Russell, Ralph Bellamy

1 win.

Cast

Cast overview, first billed only:
Cary Grant	...	Walter Burns
Rosalind Russell	...	Hildy Johnson
Ralph Bellamy	...	Bruce Baldwin
Gene Lockhart	...	Sheriff Peter B. Hartwell
Porter Hall	...	Murphy
Ernest Truex	...	Roy B. Bensinger
Cliff Edwards	...	Endicott
Clarence Kolb	...	Fred - Mayor
Roscoe Karns	...	McCue
Frank Jenks	...	Wilson
Regis Toomey	...	Sanders
Abner Biberman	...	Louie
Frank Orth	...	Duffy
John Qualen	...	Earl Williams
Helen Mack	...	Mollie Malloy

Storyline

Walter Burns, editor of a major Chicago newspaper, is about to lose his ace reporter and former wife, Hildy Johnson, to insurance salesman Bruce Baldwin, but not without a fight! The crafty editor uses every trick in his fedora to get Hildy to write one last big story, about murderer Earl Williams and the inept Sheriff Hartwell. The comedy snowballs as William's friend, Molly Malloy, the crooked Mayor, and Bruce's mother all get tied up in Walter's web.

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Plot Keywords:

editor | newspaper | reporter | newspaper editor | sheriff | 

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Taglines:

The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!

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Genres:

Comedy | Drama | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English French

Release Date:

18 January 1940 (USA)

Also Known As:

Howard Hawks' His Girl Friday

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company Credits

Production Co:

Columbia Pictures Corporation

Technical Specs

Runtime:

92 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

In the play the film was based on ("The Front Page"), the part of Hildy was played by a man. When director Howard Hawks was planning to make the film, he was going to cast a man. While auditioning actors, a secretary would read the lines belonging to Hildy. Hawks loved the words coming from a woman so much, they decided to rewrite the part for a woman.

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Goofs

Hildy's hand is on/off her chin between shots at lunch.

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Quotes

Walter Burns: Sorta wish you hadn't done that, Hildy.
Hildy Johnson: Done what?
Walter Burns: Divorced me. Makes a fella lose all faith in himself. Gives him a... almost gives him a feeling he wasn't wanted.
Hildy Johnson: Oh, now look, junior... that's what divorces are FOR!

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Connections

Version of The Front Page (1974)

User Reviews

Slapstick comedy that moves faster than the speed of laughter...

This screen adaptation of the Ben Hecht and Charles MacArthur play "The Front Page" was adapted for the talents of Cary Grant and Rosalind Russell -- there is no such character as Hildy Johnson (Russell) in that play.

Director Howard Hawks wanted to show the whirlwind pace of the newsroom in the criminal courts system so he had his actors overlap their lines -- so much so that at times it seems as though everyone is talking at once; it even gets difficult to understand all that is going on.

He also had the cast move FAST so the film looks totally frenetic from scene to scene with no respite -- either from the laughs or from the action.

There are two really good "inside" jokes in the script: The first is where Walter Burns (Grant) is describing Hildy's fiancee and says that "he looks like that guy in the movies -- Bellamy," Well, it WAS Ralph Bellamy playing that part!

The other is when Burns says something about someone he once knew named "Archie Leach" which just happens to be Cary Grant's real name.

This is one of the true gems of Hollywood's most prolific era. It has incredible pacing, acting, photography and an authentic gritty feeling that would be associated with hard-boiled, "anything for a story" newspaper people.

It has long been one of my favorite films and deserves to be watched over and over again -- just for all the dialogue and great acting that may have gone by so fast you missed it the first time.