A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. ... See full summary »
Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ... Written by
The play that this movie was based on ("The Front Page") had a famous last line: "The son-of-a-bitch stole my watch!" While the line and the plot points leading up to it didn't fit into "His Girl Friday", they did pay homage to it by having the first crime that Burns framed Baldwin for be the theft of a watch. See more »
When Walter goes to take Hildy and Bruce to lunch, his hat jumps from his right hand to his left hand between shots. See more »
Mighty nice little town, Albany. They've got the state capitol there, you know.
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Opening credits are shown over a newspaper background. See more »
I just finished watching the DVD of this first-class, semi-Screwball comedy in Columbia Classics beautiful transfer, and it absolutely made my day! What a movie! What a screenplay! The dialogue is better - more modern - in fact, than a in lot of contemporary movies. It's incredibly funny, too, and my teenage sons kept laughing right along with me at the smart come-backs. Cary Grant is, of course, as good (if not better) than ever, and I've never seen Rosalind Russel in a role that suited her more perfectly. And that's just for starters: The timing of the thing is still awe- inspiring after sixty-odd years; the supporting actors, down to the bit-players, are all memorable, convincing and hilarious; the camera work (this IS the forties, though) is inventive and the editing superb. I can safely confess now that I hadn't ever seen it before, but that's no reason for you to make the same mistake: Go buy/rent it NOW! Hats off to the great Howard Hawks, his cast and crew for pulling this comedy masterpiece off. And thank you, thank you, thank you Columbia Pictures, for
making it possible for me to watch it in such pristine condition! (I've got the 2002 edition, and from what I've heard you should beware of earlier DVD issues).
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