Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be... See full summary »
William A. Wellman
A fresh young beauty becomes an old maid waiting for her suitor to return from the Napoleonic wars. When he returns, clearly disappointed, she disguises herself as her own niece in order to test his loyalty.
Helen Jerome Eddy
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Lonely in his English country estate, Sir Basil decides to gather his grown (albeit illegitimate) children around him in his declining years. He uses a ledger which keeps track of the ... See full summary »
Robert Z. Leonard
C. Aubrey Smith
Walter Burns, editor of a major Chicago newspaper, is about to lose his ace reporter and former wife, Hildy Johnson, to insurance salesman Bruce Baldwin, but not without a fight! The crafty editor uses every trick in his fedora to get Hildy to write one last big story, about murderer Earl Williams and the inept Sheriff Hartwell. The comedy snowballs as William's friend, Molly Malloy, the crooked Mayor, and Bruce's mother all get tied up in Walter's web. Written by
Steve Fenwick <firstname.lastname@example.org>
(at around 35 mins) In the news room the reporters are playing poker and one of them calls out to the reporter McCue, played by Roscoe Karns, who's sitting by a window that looks on a staircase. "Hey Mac (no response)... Hey Stairway Sam, would you mind turning on some lights." If you back up the DVD a minute or two you'll see why he's "Stairway Sam". In the background of these newsroom scenes McCue (or "Stairway Sam") is trying to look up the womens' dresses as they go up the stair case (at 27:30, 35:20 and 39:00). Even during one of the few serious moments in the film just after Molly Molloy confronts the newsmen with their lies Stairway Sam can't help himself. Not to mention he's flirting with and chatting up every woman who walks by. This was probably something that got by the Hayes office censors of the time. See more »
When Bruce Baldwin comes to the press room late in the movie, an electric fan and small shelf on the wall to the left of the door both completely disappear. Both have been there in all previous scenes and both reappear after this scene. See more »
I suppose I proposed to you?
Well, you practically did, making goo-goo eyes at me for two years until I broke down.
[impersonates Hildy, flutters his eyelashes]
"Oh, Walter." And I still claim I was tight the night I proposed to you. If you had been a gentleman, you would have forgotten all about it. But not you!
[hurls her purse at him]
Why, you - !
[ducks and her purse barely misses him]
You're losing your eye. You used to be able to pitch better than that.
See more »
As if creating one comedic masterpiece with 1938's BRINGING UP BABY was not enough, director Howard Hawks returned to the same genre a scant two years later - and he somehow managed to rival even his own previous masterwork. Nominally a reworking Ben Hecht and Charles MacArthur's play THE FRONT PAGE, HIS GIRL Friday manages to surpass it's classic source material and emerge as one of the screen's finest comedies. The film is also perhaps the perfect example of Hawks' trademarked rapid-fire, overlapping dialogue, which has never been as fast nor as furious anywhere else before or since. This is certainly one of the fastest moving comedies ever filmed, and the whole cast never misses a beat.
Walter Burns, the conniving, self-serving newspaper editor, is a character that could have easily come off as a tyrannical jerk. As portrayed by the suave Cary Grant, however, the pompous, arrogant Burns actually becomes (gasp!) likable! It is a difficult balancing act that Grant must perform as teetering between the two extremes of the character, and he is arguably the only actor imaginable with the skill and charisma to pull such a tricky characterization off this successfully. And the one-and-only Rosalind Russell is every bit his match - full of verve and aplomb, Russell's Hildy is an independent career woman, brimming with intelligence and class, that impressively pre-dates the major feminist movement of the mid-sixties by a good 25 years.
The film's supporting cast is no less impressive, with every single role cast to perfection. This is particularly true of Ralph Bellamy, who (along with his Oscar-nominated performance in 1937's THE AWFUL TRUTH) proves once again that he is the ultimate straight man. The film contains some grim subject matter that may seem like unlikely fodder for a screwball comedy (murder, attempted suicide, and public execution are all touched upon), although the film somehow manages to deal with such topics respectfully and without sacrificing any laughs. In the end, HIS GIRL Friday is an absolutely unbeatable romantic comedy that remains wildly hilarious and comes as close to sheer perfection as any motion picture could ever hope to.
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