A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
American expatriate John Robie living in high style on the Riviera is a retired cat burglar. He must find out who a copy cat is to keep a new wave of jewel thefts from being pinned on him. High on list of prime victims is Jessie Stevens, in Europe to help daughter Frances find a suitable husband. Lloyds of London insurance agent is using a thief to catch a thief. Take an especially close look at scene where Robie gets Jessie's attention, dropping an expensive casino chip down decolletage of French roulette player. Written by
Dale O'Connor <firstname.lastname@example.org>
In an early shot, a newspaper article called "Europe's Lighter Side" by Art Buchwald speculates on whether "the Cat" is on the prowl again. Buchwald actually wrote a column by that title for the New York Herald Tribune's European edition early in his career. He left school and moved to Paris in 1948, seven years before this film was released. See more »
John is seen in a motor launch wearing a blue and white horizontal striped jumper, grey/blue slacks and a red kerchief with white spots. He swims ashore wearing tartan shorts and not carrying anything. He's next seen in a flower market wearing his original clothes. See more »
Are you sure you were talking about water skis? From where I sat it looked as though you were conjugating some irregular verbs.
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Fully appreciable, at last on DVD, brightly restored in it's original VistaVision ratio.
This underrated Hitchcock piece is his tribute to his obsession with the dazzling Grace Kelly, who's even more beautiful than the Riviera set pieces. Teamed with Grant, they make a perfect couple, in a mischievous love story that's quite unique for Hitchcock. It's as if he decided to leave well-enough alone, and simply provided a series of grandiose setups for his two leads to cavort in; perhaps too surprisingly for Hitchcock devotees. Nonetheless, this is a sophisticated romp that's punctuated with some fine supporting performances. Sadly, Hitchcock would search for a Kelly substitute for the rest of his career; and his remembrance of this "vacation" picture would be a dominant influence in the creation of his dark masterpiece to come, VERTIGO.
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