American expatriate John Robie living in high style on the Riviera is a retired cat burglar. He must find out who a copy cat is to keep a new wave of jewel thefts from being pinned on him. High on the list of prime victims is Jessie Stevens, in Europe to help daughter Frances find a suitable husband. The Lloyds of London insurance agent is using a thief to catch a thief. Take an especially close look at scene where Robie gets Jessie's attention, dropping an expensive casino chip down the décolletage of a French roulette player. Written by
Dale O'Connor <email@example.com>
According to Paramount production files contained at the AMPAS Library, Alec Coppel worked on the script for about a week in mid-November 1954, shortly before the final set of retakes was done. See more »
When Francie is retiring to her room after the party, it is obviously still nighttime, but the matte paintings (painted to look like the real outdoors) behind the villa windows in the hallway are representing daytime with blue skies and cypress trees clearly visible. See more »
Even in this light, I can tell where your eyes are looking.
Look, John. Hold them. Diamonds... The only thing in the world you can't resist. Then tell me you don't know what I'm talking about.
Ever had a better offer in your whole life? One with everything?
I've never had a crazier one.
Just as long as you're satisfied!
You know as well as I do: this necklace is imitation.
[...] See more »
With the magnificent setting of the French Riviera, "To Catch a Thief" is beautiful to look at. Alfred Hitchcock, the absolute master of suspense, appears to be having a lot of fun with this playful account of the rich and famous in their playground. The film is greatly enhanced by the magnificent photography of Robert Burke whose camera does wonders to show us that beautiful part of France.
The film begins with a teasing sequence where one sees a black cat running wildly on the roofs of villas, and later on, hysterical ladies are seen screaming when they realize they have been burglarized. The police links John Robie to the robberies since it appears it's his own modus operandi. In order to fool the authorities that are following him, John boards a bus full of ordinary people bringing things to the market and we catch a glimpse of Hitchcock himself, sitting in the back of the bus, next to John. This is the amazing opening for this film, which shows a lighter Hitchcock, out for a good time.
We then meet the rich Stevens, mother and daughter, who are vacationing at the posh Carlton Hotel in Cannes. The insurance agent, Hughson, introduces Robie to them. Hughson wants the Stevens women to be careful with their jewelry; at least, have them keep their gems in the hotel's safe, which they will not hear of. This seems to be an excuse for bringing together John and Frances, a beautiful and elegant woman who makes a point to show how much she hates having even a conversation with Robie, who will display all his charm and ultimately win her over.
The best asset in the film is the elegant and ravishing Grace Kelly, at the height of her beauty. Ms. Kelly was one of the most beautiful women ever to grace the screen. In a way, it seems almost as though this film was prophetic in what would happen in her life. First, becoming the fairy tale princess of Monaco, and later on, to die in the same highway one sees her racing her car. Ms. Kelly, dressed by the incomparable Edith Head shows an innate elegance and a great flair to carry clothes in such a wonderful manner.
Cary Grant, as John Robie, was at his best portraying the debonair former jewelry thief, a man with a past that had not committed a robbery for many years now, but whose fame preceded him everywhere. Mr. Grant and Ms. Kelly make a great romantic couple whenever we see them. Mr. Hitchcock got a lot out of these two actors and in the process, gives his fan something to care for.
John Williams is excellent as the insurance agent trying to protect his clients. Mr. Williams was a superb actor who almost seems not to be acting at all. The same can be said for the chic Jessie Royce Landis, who always showed she was a smart and elegant actress.
While this is a film so different from most of his other films, Mr. Hitchcock shows a great affinity for comedy in it. This proved to be a pause in his distinguished career to amuse his public. How well he succeeded!
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