A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
American expatriate John Robie living in high style on the Riviera is a retired cat burglar. He must find out who a copy cat is to keep a new wave of jewel thefts from being pinned on him. High on list of prime victims is Jessie Stevens, in Europe to help daughter Frances find a suitable husband. Lloyds of London insurance agent is using a thief to catch a thief. Take an especially close look at scene where Robie gets Jessie's attention, dropping an expensive casino chip down decolletage of French roulette player. Written by
Dale O'Connor <firstname.lastname@example.org>
Cary Grant had announced his retirement from acting in February 1953, stating that since the rise of Method actors like Marlon Brando, most people were no longer interested in seeing him. He was also angry at the way Charles Chaplin had been treated by the HUAAC. He was lured out of his retirement to make this film, and thereafter continued acting for a further 11 years. See more »
When Francie grabs John's right arm on her car at the funeral, she's shown gripping him at the wrist, but in the close-up immediately following her hand is holding him near his elbow. See more »
For what it's worth, I never stole from anybody who would go hungry.
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A bit of a departure for Alfred Hitchcock, somewhat lighter and with less of the trademark suspense. Thoroughly enjoyable, though. Cary Grant was playing Cary Grant by this time, and no one could do it better. And Grace Kelly, what eye-candy! The snappy dialog with the sexual innuendo was done perfectly. And huge kudos to Brigitte Auber, who was gorgeous and very good. An interesting aside was that Grant's character, while pretending to be someone else, claimed to have been an American circus acrobat, which Grant sort of was early in life (albeit English, not American.) Grant (with his accent) could really never be mistaken for an American, even though he usually played one. Also it was a little eerie to see Grace Kelly driving so fast on those French Riviera cliffside roads, in light of what happened to her later. (Of course, she obviously wasn't doing so, they were using back-projection) Anyway, this film is a must for fans of Hitchcock, Kelly or Grant. Grade: A
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