In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his ... Written by
George and Mary back up five times before falling in the pool. See more »
When Mary (Donna Reed) throws her rock at an upstairs window of the dilapidated old house, the rock disappears a split second after leaving her hand, and then reappears in the distance just before crashing through the glass. The roof of the house was a matte painting, added after principal photography by the visual effects department. When Ms. Reed threw her rock (and it was her throwing it, not a stand-in), the arc of its flight was a bit too high, and it crossed the matte line for most of its travel. Consequently, it was covered up by the painting, which was added later. Apparently the live-action crew did not notice the potential problem when filming the shot. See more »
Mr. Emil Gower:
I owe everything to George Bailey. Help him, dear Father.
Joseph, Jesus and Mary. Help my friend, Mr. Bailey.
Help my son, George, tonight.
He never thinks about himself, God, that's why he's in trouble.
George is a good guy. Give him a break, God.
I love him, dear Lord. Watch over him tonight.
Please, God, something's the matter with Daddy.
Please bring Daddy back.
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A church bell forms the backdrop for the studio logo, and the opening credits are in a scrapbook with Christmas decorations. The bell reappears before the end credits, and the end credits have a Christmas card picture as a backdrop. See more »
"To My Big Brother George, The Richest Man In Town"
I've always thought that the reason It's A Wonderful Life has had such enduring popularity is that more than in any other film it shows what can be the value of a single individual and the contribution to the greater good they can make.
George Bailey as portrayed by James Stewart is the kind of every man hero we can all identify with. He's got the every day problems to be sure, raising and providing for a family, but he's got bigger problems than that. Fate has made him the rallying point of opposition in his small town of Bedford Falls to the "richest and meanest man in town", embodied in Lionel Barrymore.
It's a real David vs. Goliath battle. Barrymore seems to have unlimited resources at his disposal. Samuel S. Hinds as Peter Bailey put it so well to him in asking what are you doing all this for? Barrymore does have more money than he could ever possibly use. A little charity wouldn't hurt him.
Remember the basic plot outline. A whole lot of people in Bedford Falls one post World War II Christmas Eve see that their friend George is toting a heavy load of mysterious origins. Their prayers reach the heavens where an angel is dispatched to aid.
But before Henry Travers the angel arrives, he's given the story of George Bailey's life. And we see the kind of struggles he's had, the sacrifices he's made for the good of a whole lot of others. We've also seen a greedy and grasping Potter, grabbing everything that George Bailey cannot save.
Something happens that day before Christmas through no fault of his own, Bailey is in big trouble. It's driven him to the brink of despair. That's why the angel is sent down. He shows him the alternate universe that would have been had he never existed. It's something each and every one of us should try to do, step outside ourselves see just what our contributions can be.
But I think what Frank Capra is trying to say in this greatest of his films is that having done that and we realize we haven't contributed to the greater good of humankind, we resolve to do so. It's a simple, but profound lesson.
What if Potter got the same opportunity? In a sense Charles Dickens did just that in A Christmas Carol. Would Lionel Barrymore change? It's an interesting point of speculation.
In addition to those cast members already mentioned a whole group of players who worked with Capra before grace this film. Add to that some others and you have a perfectly cast feature picture.
Donna Reed has an interesting part as well. Your choice of mate is real important in life. Had she not been as loving and supportive to George Bailey, he might very well have taken a different route in life. Mary Hatch Bailey became a signature part for her, more identified than her role in From Here to Eternity which got her an Oscar. It certainly was the basis for her TV series.
When Todd Karns who plays Harry Bailey toasts his brother he's saying that the riches of the world are not necessarily things that can be quantified. Your life is not measured in material things, but in how you use the material things given you.
And that universal lesson will be taught into eternity as long as It's A Wonderful Life is shown every year. Wouldst we all learn it.
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