In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his ... Written by
When George comes back to Gower's drugstore and faces Gower on the telephone he's got his hand to his hair, but in the following shot it's not. See more »
Mr. Emil Gower:
I owe everything to George Bailey. Help him, dear Father.
Joseph, Jesus and Mary. Help my friend, Mr. Bailey.
Help my son, George, tonight.
He never thinks about himself, God, that's why he's in trouble.
George is a good guy. Give him a break, God.
I love him, dear Lord. Watch over him tonight.
Please, God, something's the matter with Daddy.
Please bring Daddy back.
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A church bell forms the backdrop for the studio logo, and the opening credits are in a scrapbook with Christmas decorations. The bell reappears before the end credits, and the end credits have a Christmas card picture as a backdrop. See more »
No movie ever made has influenced me more than this classic. I had the honor of doing a play version of it about 5 years ago. I had seen the film thousands of times, had loved it, but I never really knew what it meant. During the course of the production, I suddenly felt alive. I felt that I wasn't having enough fun. I felt that I wasn't doing enough in my life. Crazy things, like kissing my mother or my father. I hadn't really hugged one of them in a while. It makes you think. It's more of a thinking person's film than a mere Christmas film. If you think it's just a Christmas film, I insist you watch it again and again, until you get the message.
Stewart gives the finest performance of his career, in one of the most difficult characters ever portrayed. A character all of us are familiar with...a person looking to find himself/herself. It's the great struggle for finding what it is in life you really want to do. George Bailey teaches us so lessons throughout the film and in the end he teaches us the most important lesson of all, that life, although a long and winding road, truly is (for lack of a better word) wonderful...
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