In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his ... Written by
James Stewart was nervous about the phone scene kiss because it was his first screen kiss since his return to Hollywood after the war. Under Frank Capra's watchful eye, Stewart filmed the scene in only one unrehearsed take, and it worked so well that part of the embrace was cut because it was too passionate to pass the censors. See more »
When George and Clarence are drying off in the bridge keeper's shack the postcard hanging by the thermometer on the wall, next to the door repeatedly disappears and reappears between shots. See more »
Mr. Emil Gower:
I owe everything to George Bailey. Help him, dear Father.
Joseph, Jesus and Mary. Help my friend, Mr. Bailey.
Help my son, George, tonight.
He never thinks about himself, God, that's why he's in trouble.
George is a good guy. Give him a break, God.
I love him, dear Lord. Watch over him tonight.
Please, God, something's the matter with Daddy.
Please bring Daddy back.
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A church bell forms the backdrop for the studio logo, and the opening credits are in a scrapbook with Christmas decorations. The bell reappears before the end credits, and the end credits have a Christmas card picture as a backdrop. See more »
This film has become a Christmas tradition in my family. We watch it every year and never tire of it. Frank Capra is a master of creating films with a message that reinforce strong values. This is probably his greatest film in that regard. Both he and Stewart have publicly stated that this is their favorite film.
The message in this film is one of courage and sacrifice for the greater good as George Bailey, a man with big ideas about seeing the world, continually forsakes his own desires to do what is right for the town. The second message is that each life important. No matter how insignificant we feel we are, we are all inextricably linked to each other and play an important part in the fabric of one another's lives.
Capra's direction is brilliant. His genius is bringing human stories to life in a ways that not only make a point, but that totally involve the audience in the lives of the characters. He is always extremely optimistic about the human condition. He is known for testing his characters with overwhelming adversity to make them struggle to triumph in a way that causes the world to change and the character to grow. For this reason his films were always crowd pleasers and this film was the best of all in that regard.
Led by Capra's understanding hand, the actors all did a magnificent job. Stewart's wide-eyed enthusiasm and boyish charm, coupled with an unbending strength of character made him the perfect folk hero. Donna Reed was lovely and charming and attained the right balance between being supportive and inspirational. The romantic chemistry between her and Stewart was subtle and charming. Lionel Barrymore was towering as the greedy old skinflint who was trying to take over the town. Thomas Mitchell plays one of my favorite characters, as the bumbling Uncle Billy in probably his most memorable role.
This film is number eleven on AFI's list of best films of the century. It was nominated for five academy awards and won none. It was swept in 1947 by `The Best Years of Our Lives', a great film that won seven Oscars that year but in my opinion was the lesser film. History has corrected that minor injustice by rendering `It's a Wonderful Life' an enduring classic that is viewed and loved by generation after generation. Of course, I rated it a 10/10. I can't wait to see it again this Christmas.
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