A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Bond is back and his next mission takes him to Fort Knox, where Auric Goldfinger and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats and avoid Goldfinger's personal pilot, the sexy Pussy Galore. She might not have feelings for Bond, but will 007 help her change her mind? Written by
Shirley Eaton, gilded completely in gold, featured on the cover of Life Magazine on 6 November 1964. The headline read: "A Matter for James Bond - Shirley Eaton, Gilded Victim in Goldfinger, Funniest and Money-Makingest of the OO7 Movies". See more »
When Bond drives his Aston Martin between the buildings of Goldfinger's facility, the studio roof is visible instead of a clear night sky. See more »
Mr. Ramirez and his friends will be out of business.
At least they won't be using heroin flavored bananas to finance revolutions.
See more »
The original UK release ended with "James Bond will return in 'On Her Majesty's Secret Service'" but by the time the film was released in America the decision had been made to make Thunderball next so the credits were changed accordingly. See more »
First of all, I must state for the record, Sean Connery is THE James Bond. Even though the first Bond film I ever saw was "For Your Eyes Only" with Roger Moore. I was very young and very much drawn in. I have seen every one of the Bond films and without a doubt, "Goldfinger" is the finest the 007 saga has to offer.
Before I had begun an appreciation of the Connery films, i.e. before I'd seen them, a good friend and cartooning mentor, Ross Paperman, sorted me out. He helped me see how Connery's Bond was suave and sophisticated but also demonstrated a quality the other Bonds do not portray: fear. Not a panicky soil-your-pants kind of fear, mind you. But Connery's Bond actually has a few anxious, sweat-soaked-brow moments. A perfect example is when Bond is strapped to a table as Goldfinger's captive with a laser beam primed to cut him in half. 007 has to think fast. "Do you expect me to talk?" "No, Mr. Bond, I expect you to die!" A famous scene and line from Bond's most enjoyable film.
Perhaps what makes the earlier films more enjoyable is that they had fresh, innovative elements that have now become cliché and gimmicky. The new films are often stale and already covered ground and they don't even appear to be trying anymore.
But it's more than that. Even watching "Goldfinger" today, having seen all the latest in special effects and technology that Hollywood has to offer, it still is riveting and thoroughly entertaining. That is also without the added advantage of being overly nostalgic about "Goldfinger". How could I? I hadn't even been born when it first hit theaters, and it was far from my first 007 experience. The story, the characters and the fun of "Goldfinger" is timeless and if given a chance could probably rope in a whole new generation of fans. It just doesn't seem likely to happen.
Much of the satire from the Austin Powers films is directly derived from the Connery films, especially "Goldfinger" and "Dr. No", proving their lasting effect on popular culture. As well, John Barry's scores from the Connery films are finding their way into the ears of a new generation through pop music as snippets from his soundtracks are sampled by such artists as Robbie Williams, Mono and Curve, to name a few.
But if by some fluke you read this and you haven't seen "Goldfinger" yet, do yourself right and acquaint yourself with the real James Bond. You'll probably be hooked by the time you hear Shirley Bassey's voice in the famous opening theme.
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