A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Bond is back and his next mission takes him to Fort Knox, where Auric Goldfinger and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats and avoid Goldfinger's personal pilot, the sexy Pussy Galore. She might not have feelings for Bond, but will 007 help her change her mind? Written by
In order to simulate the sound of crumpling metal in the car compactor, sound effects editor Norman Wanstall used the sound of crumpling beer cans. See more »
When the crushed Lincoln is being lowered into the bed of the '64 Falcon Ranchero, a protective mat is visible. See more »
Mr. Ramirez and his friends will be out of business.
At least they won't be using heroin flavored bananas to finance revolutions.
See more »
The opening credits include footage from Goldfinger, as well as an unused cut of a helicopter scene in From Russia with Love (1963) (helicopter). One of the Goldfinger scenes shown (Bond visiting Q Branch) isn't actually in the movie. Additionally, a putt shown is from a different POV than actually used. See more »
I first saw GOLDFINGER round about 1977 and it has been shown on British television more times than I can count . In fact it`s somewhat ridiculous the amount of times it`s been repeated and having seen it so many times after more than 25 years I find it impossible to say much on it.
I will say however that future Bond production teams seem to have taken all the lesser bits of GOLDFINGER while completely ignoring all the good elements . The lesser bits are the awful puns like " Shocking " and " He blew a fuse " . How many times have you watched a Bond movie where the hero has dispatched a bad guy and you`ve made your own pun which is ten times better than the one Bond says to camera ? Exactly . Of course in 1964 these one liners might have been ground breaking but after the franchise has gone on you feel that the screenwriters have been ordered to write a sequence so that Bond can make a groan inducing one liner . Oh and I haven`t even mentioned Pussy Galore ( Insert your own joke here ) , this is another thing that the producers seem obsessed with - woman with completely unreal names , everytime someone makes a Bond movie we get a Plenty O Toole or some such weird name . The novelty wears out very quickly .
What I liked about GOLDFINGER is that James Bond is shown as being vulnerable , it`s about the only film in the franchise when he is unable to save the lives of his lovers for example , and lets not forget the classic scene of the lazer beam creeping up the table where he has to use his wits , and has anyone noticed that he doesn`t actually save the day at the Fort Knox climax ? He doesn`t even need to be there . Compare that scenario with the later Bond movies ( Especially the Roger Moore ones ) when he stops the baddies single handed in a ridiculously contrived and OTT manner , such a pity they don`t make Bond films like this anymore .
Despite seeing GOLDFINGER more times than I care to mention I`ll no doubt watch it again next time it`s on British television
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