Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work. Written by
Col Needham <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on January 26, 1948 with Ingrid Bergman reprising her film role. See more »
When Alicia and Devlin are riding their horses (and about to meet up with Sabastian), the shadow of the microphone boom can clearly be seen as it passes over Alicia's face when they ride out from under the trees. See more »
Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
[reporters and photographers converse amongst themselves outside the courtroom]
Is there any legal reason why sentence should not be pronounced?
No, your honor.
Yes, I have something to say. You can put me away, but you can't put away what's going to happen to you, and to this whole country next time. Next time we are going...
I wouldn't say any more. We'll need that for the ...
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Opening credits prologue: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six... See more »
Bergman and Grant are the true romantics of cinema. They move throughout the film as if they were acting naturally toward one another. Hitchcock puts them both in closeups especially the illuminating Bergman, capturing the power of the medium.
When Bergman says "Oh, you love me-you love me" in that wonderful close up I have to think to myself, how much I look forward to becoming a film maker. Why can't Hollywood capture moments like these in today's features?
Note how long the kiss lasts as Bergman and Grant move from the balcony to the living room. The lighting and camera positioning are phenomenal. Do not expect the typical Hitchcock here but then again it is hard to say what a typical Hitchcock is. Each of his films contain so many different elements yet, at the same time possess the true signature of an auteur.
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