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Notorious (1946)

Approved  |   |  Drama, Film-Noir, Romance  |  6 September 1946 (USA)
8.1
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Ratings: 8.1/10 from 66,491 users  
Reviews: 279 user | 148 critic

A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?

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Title: Notorious (1946)

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Top 250 #226 | Nominated for 2 Oscars. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Leopoldine Konstantin ...
Mme. Sebastian (as Madame Konstantin)
Reinhold Schünzel ...
'Dr. Anderson' (as Reinhold Schunzel)
Moroni Olsen ...
Walter Beardsley
Ivan Triesault ...
Eric Mathis
Alexis Minotis ...
Joseph (as Alex Minotis)
Wally Brown ...
Mr. Hopkins
Charles Mendl ...
Commodore (as Sir Charles Mendl)
Ricardo Costa ...
Dr. Barbosa
E.A. Krumschmidt ...
Hupka (as Eberhard Krumschmidt)
Fay Baker ...
Ethel
Edit

Storyline

Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Plot Keywords:

uranium | spy | wine | german | wine cellar | See All (91) »

Taglines:

Deep their love! Great the risk! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1946 (USA)  »

Also Known As:

Alfred Hitchcock's Notorious  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The scene of Alicia drunkenly speeding along a South Florida road with Devlin as her passenger was shot in the studio with rear projection. The projected shots had a motorcycle cop gaining on them. As he gets closer to the car, he goes out of frame to the right, and the film cuts to him riding next to the car, this time in the studio. Hitchcock suggested to cinematographer Ted Tetzlaff that he shine light on the backs of Cary Grant's and Ingrid Bergman's necks as the projected motorcyclist moves off to their side. According to Alfred Hitchcock, Tetzlaff was irritated that the director thought of this instead of him and snapped, "Getting a bit technical, aren't you, Pop?" See more »

Goofs

When Alicia picks up Alex's keys off the dresser, it is a round key she is after. However, the key we see in her fingers immediately after removing it from the ring is not round. See more »

Quotes

[first lines]
[Title card]: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
[reporters and photographers converse amongst themselves outside the courtroom]
Judge: Is there any legal reason why sentence should not be pronounced?
District Attorney: No, your honor.
John Huberman: Yes, I have something to say. You can put me away, but you can't put away what's going to happen to you, and to this whole country next time. Next time we are going...
Defense Counsel: [whispering] I wouldn't say any more. We'll need that for the ...
See more »

Crazy Credits

Opening credits prologue: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six... See more »

Connections

Spoofed in Pretty Little Liars: Misery Loves Company (2013) See more »

Soundtracks

Carnaval, Op. 9, Scènes mignonnes sur quatre notes: 'Chopin'
(uncredited)
Written by Robert Schumann
Performed in the distance as Alicia enters Alex's house for the first time
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of Hitchcock's best!
28 October 2004 | by (Western New York) – See all my reviews

Notorious is absolutely one of Hitchcock's best films. The suspense sneaks up on you, and I found myself on the edge of my seat. Cary Grant is in love with Ingrid Bergman, (but who wouldn't be) caught in a triangle of love, deceit and lies. They both shine as the super stars they are in this meticulously filmed masterpiece. Hitchcock's hand is all over this film. And as is usual for the master, he never misses a beat, never puts in a sloppy scene, and sees it all in his mind's eye (and on paper) before committing it to film. This is why he is The Master of his craft. Bergman is at her lovely best, that sometimes smiling, sometimes pouty mouth, that cute nose, and those stupendously beautiful eyes. This film, which I've just seen for the first time (why, oh why, did I wait so long?) is up there, near the top, I have to see it again and again.


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