Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work. Written by
Col Needham <email@example.com>
The legendary on-again, off-again kiss between Cary Grant and Ingrid Bergman was designed to skirt the Hayes Code that restricted kisses to no more than three seconds each. See more »
Early in the movie an intoxicated Alicia Huberman asks to go driving with T.R. Devlin. They are then seen driving in a 1941 Cadillac Series 62 Deluxe convertible in Miami Florida (top down). Current year of the movie is 1946. The 1941 Cadillac Series 62 Convertible is a rare model with only 3100 units built. Later in the movie Alicia Huberman and T.R. Devlin fly to Brazil. Once in Rio de Janeiro Alicia and T.R. are again seen driving in a 1941 Cadillac Series 62 Convertible (top up) which would have been extremely rare in Brazil. Less then 500 were built for export. The same car is used in both scenes. This would have been impossible in real life as the flight would have taken hours to Rio where shipping the car would have taken weeks. Both Rio scenes and Miami scenes were shot in either country using the same car. See more »
Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
[reporters and photographers converse amongst themselves outside the courtroom]
Is there any legal reason why sentence should not be pronounced?
No, your honor.
Yes, I have something to say. You can put me away, but you can't put away what's going to happen to you, and to this whole country next time. Next time we are going...
I wouldn't say any more. We'll need that for the ...
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Opening credits prologue: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six... See more »
As a young woman, back in the "olden days" days before video, DVD and TCM, I was always fascinated by this film, though it came and went on more obscure T.V. channels, with no clue of when it would return. Notorious has everything...inimitable Hitchcock moments, mystery, suspense, personal drama, high romance, passion, great character development, international espionage, nuanced acting, a visually stunning foreign locale, post-war period mystique, patriotism, fine supporting cast, a charmingly evil Claude Rains, a most sinister Mme. Konstantin, Grant at his most enigmatic and romantic, and Bergman her most alluring and luminous. As in all great films, it is a spot-on rendering of its own unique story in the ambiance of its own time, but timeless in its portrayal of human character and emotion. Like a handful of others, it is as satisfying a movie experience now as it was 40 years ago...probably more so...whether on first viewing or 40th.
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