A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond 007 is on the search for a Russian decoding machine, known as Lektor. Bond needs to find this machine, before the evil SPECTRE organization discovers it first. Whilst being romantically linked with Russian girl, Tatiana Romanova, Bond sneaks his way around Istanbul, whilst each SPECTRE agent tries to pick him off, including the over powering Donald 'Red' Grant and ex-KGB agent Rosa Klebb who knows all the tricks in the books and even possesses an incredible poison tipped shoe! Written by
In the first appearance of the Ernst Stavro Blofeld villain character in a James Bond movie. His part is uncredited in the credits, which are attributed to a question mark. Dawson had previously appeared in Dr. No (1962) as Professor Dent and again would return as Blofeld in Thunderball (1965). He is the only actor to have ever played Blofeld more than once. The voice of Blofeld in this film was dubbed by an uncredited Eric Pohlmann. See more »
Bond shoots the fuel barrels twice and there are two explosions. They all blow up both times. See more »
[after Grant kills a look-a-like Bond]
Exactly one minute, fifty-two seconds. That's excellent.
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Monty Norman's name is misspelled as Monte Norman in the closing credits. See more »
Hard to believe, but the movie is actually an improvement on Fleming's novel. Rather than have the Lektor operation be a simple Russian scheme to discredit Bond as Fleming did, SPECTRE takes a hand here in their first on-screen appearance as an organization. The plot is improved considerably because of this. The movie thrives on its supporting actors and Sheybal. Connery is somewhat outshone by these greater lights, but gives a credible performance. From Russia... is a different pace of movie: no one here is intent on wiping out the world's population, or destroying the gold supply, or stealing submarines. Basically, it's a quiet little plot focusing on an elaborate "sting" operation. Until the end, the pace is kind of slow, and might lose more "modern" audiences, particularly those used to incredible stunt sequences every 20 minutes.
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