As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the black widow, to battle a new threat from old history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Yucca Mountain Nuclear Waste Repository is more than 100 miles from Las Vegas, but a character at the mountain looks through binoculars and gets a clear view of a MUTO attacking the city. See more »
Dr. Serizawa? Jerry Boyd. Just to warn you, it's a mess. A total mess.
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The opening credits are a montage of Monarch documents and 1950s videos. All text on these documents are blacked out except for the names cast/crew members. The montage ends with a nuclear bomb going off, which causes a white-out in which the film title appears. See more »
The Weathered Man
Written by Coltan Fisher, Jason Rabinowitz, James Katalbas, and Jaron Lamot
Performed by The Holy Bridge Orchestra
Courtesy of The Math Club
Under license by Music Asset Management, Inc. See more »
I followed this film for several months before it's release and my expectations were sky high. What I was hoping for was a fresh new take on the original Godzilla film; a grittier, darker, and far more complex film. What I got instead was a cookie cutter military action film that horrendously segued into a pseudo super hero film.
Unfortunately the ending of the film completely ruined it for me. The film blatantly asks the viewer to choose whether or not Godzilla is the hero, when in fact Godzilla is not a hero nor a villain. What Godzilla represents is sheer chaos and destruction; Godzilla is "a force of nature" and that's how things should be left off. Unlike the atomic bomb, Godzilla cannot be controlled by man, and the beast operates on it's own terms. Thus this is where the main problem of the film lies. The film teeters between this idea that Godzilla, somehow, is our savior, but for the first 90 minutes of the film the viewers are lead to believe that Godzilla must be stopped at all costs. But this problem mainly stems from the poorly contrived military plot.
Which brings me to my second biggest flaw, which are the human characters. The only redeeming characters to the film are Joe Brody, portrayed by Bryan Cranston, and Dr. Ishiro Serizawa, portrayed by Ken Watanabe. Unfortunately their time on screen are severely lacking and any possible resemblance of character development goes out the window once we are introduced to the dry military portrayal of Ford Brody, played by Aaron Taylor-Johnson.
Instead of going the military/action route the film would have benefited from taking a more detective/mystery/thriller path, which the trailers so falsely advertised. But back to the subject at hand. The characters, besides the previously mentioned two, are dull and lack any redeeming qualities that the viewer can latch on to, which causes us to simply not care about what is happening to them. The film tries so desperately to establish a tone, but that's all the film does. There are no layers or complexities to the situations that are presented, which go hand in hand with the simplistic and boring characters.
My third gripe about this film is that it struggles to identify itself. Is it a disaster movie? A hero film? A monster movie? A thriller? A horror? A science fiction? Well in case you couldn't figure it out, it tries to blend all of these different genres and more. But you often see that in military action films that strive to be more than what it is. If the filmmakers simply went 100% the monster/action genre route then the film would succeeded in delivering it's message and concept. Instead this film appears to have been bogged down by multiple script revisions and having too many hands at the wheel.
And in regards to the elephant in the room, the film is advertised as Godzilla when it really should have been advertised as "The People vs Godzilla." Godzilla is only featured in about 20 mins of this 122 min film. While the human characters, excluding Cranston performances, are featured for a good 60 mins. Try to keep yourself awake during long dialogues between bone-headed military superiors and soldiers not listening to the scientists, a boring and shoe horned love interest and blah blah blah...
Overall the film was over-hyped with expertly crafted trailers and advertisements to lead viewers, like me, to believe that this iteration of Godzilla was going to take this franchise to the next level. Like the name itself, Godzilla is a "God" like creature that does not play by mankind's rules, vice-versa, mankind must learn that Godzilla is something that we cannot control and we must adapt to live in his realm of destruction and chaos, essentially hell on earth. Godzilla is not a figure that should be labeled as hero or villain, unless that's the initial purpose. Taking cues from films such as Alien and Jurassic Park would have greatly benefited this film in the long run and would have established not just a franchise but a bonafide contender for many Summers to come.
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