6.7/10
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Something's Gotta Give (2003)

A swinger on the cusp of being a senior citizen with a taste for young women falls in love with an accomplished woman closer to his age.

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Nominated for 1 Oscar. Another 7 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Zoe
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Leo
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Dave
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Dr. Martinez (as Rachel Ticoti)
Paige Butcher ...
Beauty
Tanya Sweet ...
Beauty
Kristine Szabo ...
Beauty
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Beauty
Tamara Spoelder ...
Beauty
Sonja Francis ...
Beauty
Vanessa Trump ...
Beauty (as Vanessa Haydon)
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Storyline

Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape. Written by Keanuette

Plot Summary | Plot Synopsis

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Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, brief nudity and strong language | See all certifications »

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Details

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Release Date:

12 December 2003 (USA)  »

Also Known As:

Untitled Nancy Meyers Project  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$16,064,723 (USA) (12 December 2003)

Gross:

$124,590,960 (USA) (26 March 2004)
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Company Credits

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Technical Specs

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Sound Mix:

(Dolby Digital 5.1) (5.1 Surround Sound)| (8 channels) (5.1 Surround Sound)| (DTS 5.1) (5.1 Surround Sound)

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

" Taken" director Pierre Morel is the 2nd Unit Director of Photography here. See more »

Goofs

When Erica emails Harry, she spells the plural of PJs, 'PJ's', with an incorrect apostrophe. See more »

Quotes

Erica Barry: What are you doing here, Harry?
Harry: Turns out the heartattack was easy to get over. You... were something else. I finally get it. I'm 63 years old... and I'm in love for the first time in my life.
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Crazy Credits

Jack Nicholson sings "La Vie en Rose" during the closing credits. See more »

Connections

Referenced in The Reel Thing (2008) See more »

Soundtracks

It's On Tonight
Written by Jesse Perez
Performed by Johnny Rourke
Courtesy of Riverbottom Entertainment
By Arrangement with Maryatt Music Group, Inc.
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User Reviews

 
'Something's' Gotta Go
15 January 2004 | by See all my reviews

Diane Keaton can't cry. In Something's Gotta Give, there is a period where she has to cry in brief scene after scene, and either she can't cry or the direction was very, very poor (I kind of think it was the latter). For me, her crying symbolizes everything that was bad about this movie. In the crying scenes, she just wails and wails - loudly. After awhile, it is supposed to be somewhat funny (I think), but it's really just kind of annoying. The crying is supposed to convey that she is getting over what is hurting her and channelling it into a more productive activity. But it just feels so disingenuous because of the brazen way it is portrayed. There is a way to get crying to be sad at first and then funny (see Broadcast News), but this ain't it. This crying is more like "Ooh, look. It's Diane Keaton trying to ball her eyes out."

And that's what's wrong with Something's Gotta Give. Most of the scenes feel fake and like obvious attempts to manufacture the emotions that the director/screenwriter is trying to elicit. The very final scene (and I'm not ruining anything here) is the perfect example. It's basically a scene with the main characters looking cute and funny while music plays. Kodak moments to be sure, but they're manufactured Kodak moments.

Additionally, all of the major performances disappointed me. Jack Nicholson's character is barely introduced before he has a heart attack, and the story gets thrown into motion. We're supposed to believe that he's Joe Cool Sr. - hip and attractive to much younger women. We're supposed to believe that not because of how his character is developed, but because...well...because he's Jack Nicholson.

Diane Keaton wasn't particularly disappointing, because I've never been a big fan of hers, anyway. However, her character never seemed to be anchored to any particular way of being. It's the film's version of character development that her character evolves from an uptight recluse to a self-actualized, fully-empowered woman, but to me that transition was just too easy.

Amanda Peet, playing Keaton's daughter, gives a one note performance that, while consistent with the rest of the movie, relies more on her beauty than on substance to get the audience to care about her. She smiles a lot, and is very definitely easy on the eyes, but she's basically another pretty face. In a movie like this, which suggests that Jack dates young women because he sees them as merely pretty faces, it's almost criminal to not prove to the audience that Peet is anything but.

Finally, France McDormand, in a smaller role, seems to exist solely for the purpose of directly verbalizing the movie's thesis at the beginning of the movie. And we're supposed to respect her character's opinion - she's a professor. Her speech is another good example of the way this movie tries to get the message across - by telling the audience what the message is instead of showing it.

Rating: 3/10


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