The Philadelphia Story (1940)

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Director:

George Cukor

Writers:

Donald Ogden Stewart (screen play), Philip Barry (based on the play by),

Stars:

Cary Grant, Katharine Hepburn, James Stewart

Won 2 Oscars. Another 3 wins & 4 nominations.

Cast

Complete credited cast:
Cary Grant	...	C.K. Dexter Haven
Katharine Hepburn	...	Tracy Lord
James Stewart	...	Macaulay Connor
Ruth Hussey	...	Elizabeth Imbrie
John Howard	...	George Kittredge
Roland Young	...	Uncle Willie
John Halliday	...	Seth Lord
Mary Nash	...	Margaret Lord
Virginia Weidler	...	Dinah Lord
Henry Daniell	...	Sidney Kidd
Lionel Pape	...	Edward
Rex Evans	...	Thomas

Storyline

Philadelphia socialites Tracy Lord and C.K. Dexter Haven married impulsively, with their marriage and subsequent divorce being equally passionate. They broke up when Dexter's drinking became excessive, it a mechanism to cope with Tracy's unforgiving manner to the imperfect, imperfections which Dexter admits he readily has. Two years after their break-up, Tracy is about to remarry, the ceremony to take place at the Lord mansion. Tracy's bridegroom is nouveau riche businessman and aspiring politician George Kittredge, who is otherwise a rather ordinary man and who idolizes Tracy. The day before the wedding, three unexpected guests show up at the Lord mansion: Macaulay Connor (Mike to his friends), Elizabeth Imbrie - the two who are friends of Tracy's absent brother, Junior - and Dexter himself. Dexter, an employee of the tabloid Spy magazine, made a deal with its publisher and editor Sidney Kidd to get a story on Tracy's wedding - the wedding of the year - in return for Kidd not ...

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Plot Keywords:

wedding | reporter | socialite | love | marriage | 

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Taglines:

Uncle Leo's bedtime story for you older tots! The things they do among the playful rich - Oh, boy!

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Genres:

Comedy | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English French

Release Date:

26 December 1940 (USA)

Also Known As:

Die Nacht vor der Hochzeit

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM), Loew's

Technical Specs

Runtime:

112 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

James Stewart never felt he deserved the Best Actor Oscar for his performance in this film, especially since he had initially felt miscast. He always maintained that Henry Fonda should have won instead for The Grapes of Wrath, and that the award was probably "deferred payment for my work on Mr. Smith Goes to Washington".

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Goofs

When George pays his first call upon the Lord home, he bounds down the "stone" steps, landing very heavily on the bottom one, which makes a hollow wooden noise.

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Quotes

C. K. Dexter Haven: Of course, Mr. Connor, she's a girl who is generous to a fault.
Tracy Lord: To a fault.
C. K. Dexter Haven: Except to other people's faults.

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Connections

Featured in Some of the Best (1943)

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Soundtracks

"Lydia, the Tattooed Lady"
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Performed by Virginia Weidler (vocal and piano)

User Reviews

Plays your heart strings in a masterful glissando.

That this brilliant story originated on stage is obvious. The stage requires personas of epic and electric beauty. Philadelphia Story boasts three of the brightest stars that ever burned to occupy these personas, which they do with miraculous luminance.

The play, of course, was written for Hepburn by Phillip Barry, and after over 400 performances on Broadway she cleverly bought the film rights right out from under the noses of Hollywood moguls who fancied themselves smarter than Dear Kate. This came at a time when Hepburn was tops on the list of stars who had been labeled box office poison by producers.

The dynamics between the stars are legendary. Finer actors never lived, and these are the performances of a lifetime for each of them. Stewart is funny, smoldering, passionate and moving and he has moments, many of them, of stunning brilliance in each of those emotions. Grant is his typical stilted and elegant self, funny, gracious, urbane and, yes, beautiful. And then there is Hepburn. She is breathtaking to look at, and she plays your heart strings in a masterful glissando plucking at every emotion as she moves effortlessly across her entire unmatched range.

The supporting cast is worthy of the surplus of talent that surrounds them, and offer a few unforgettable moments of their own. And the presence of George Cukor, the greatest director of women in history, and the best director of Hepburn as well, coaxes every brilliant word of the script to its full potential.

You must not miss this treasure simply because it is from another era. It depicts that era with insight and irreverence that expose it, and the rarified world of old Philadelphia Money (yes, with a capital "M") like few films of its time, or any time, could. Every time I watch this movie, and the frequency would embarrass me if I were honest about it, I love it more.

Watch it. Study it. Assimilate every second of it and your understanding and appreciation of cinema will be enriched for it. And you'll have a great time doing it!