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The Philadelphia Story (1940)

Not Rated | | Comedy, Romance | 17 January 1941 (USA)
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

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(screen play), (based on the play by)
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Won 2 Oscars. Another 3 wins & 5 nominations. See more awards »

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Cast

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Lionel Pape ...
Rex Evans ...
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Storyline

Philadelphia socialites Tracy Lord and C.K. Dexter Haven married impulsively, with their marriage and subsequent divorce being equally passionate. They broke up when Dexter's drinking became excessive, it a mechanism to cope with Tracy's unforgiving manner to the imperfect, imperfections which Dexter admits he readily has. Two years after their break-up, Tracy is about to remarry, the ceremony to take place at the Lord mansion. Tracy's bridegroom is nouveau riche businessman and aspiring politician George Kittredge, who is otherwise a rather ordinary man and who idolizes Tracy. The day before the wedding, three unexpected guests show up at the Lord mansion: Macaulay Connor (Mike to his friends), Elizabeth Imbrie - the two who are friends of Tracy's absent brother, Junius- and Dexter himself. Dexter, an employee of the tabloid Spy magazine, made a deal with its publisher and editor Sidney Kidd to get a story on Tracy's wedding - the wedding of the year - in return for Kidd not ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Uncle Leo's bedtime story for you older tots! The things they do among the playful rich - Oh, boy! See more »

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

17 January 1941 (USA)  »

Also Known As:

Die Nacht vor der Hochzeit  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film made its New York television debut on WCBS (channel 2) on Saturday 25 June 1960. See more »

Goofs

In the first scene featuring Mike (Jimmy Stewart) and Liz (Ruth Hussey), they are having a discussion in which Liz keeps repeating, "Just that." But right before they go into Sidney Kidd's office, you can see her mouth saying, "Just that," yet there's no sound. See more »

Quotes

Tracy Lord: Aren't you coming Liz?
Elizabeth (Liz) Imbrie: Well, it seems I've got to commit suicide first.
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Connections

Referenced in Yanks Go Home: Somewhere in England (1976) See more »

Soundtracks

Sobre las olas (Over the Waves)
(1887) (uncredited)
Music by Juventino Rosas
Hummed by Dexter while "playing" the candles
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Frequently Asked Questions

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User Reviews

Great dialogue, great performances and a real fun, urgent pace to the material make this a delightfully fun film
27 December 2005 | by (United Kingdom) – See all my reviews

It is the wedding of the year with socialite Tracy Lord due to marry George Kittredge behind closed doors, with no press allowed. However the editor of Spy Magazine is set to run an exposé of Tracy's philandering father and a New York dancer and strikes a deal with her ex husband CK Dexter Haven if he can get a couple of journalists into the wedding and the reception. Keen to get back at Tracy, Dexter agrees to help and escorts writer Mike Conner and photographer Liz Imbrie into the Lord home in the days before the wedding. With tensions high between Dexter and Tracy, everyone playing games and relationships equally confused and confusing anything could happen and surprises are in store.

Shot in about 8 weeks with a low number of takes and some impressive adlibbed and one-shot scenes this is a movie worth seeing even before you look at the cast list and the professional reviews. The plot is partly a comedy, partly a character drama and partly a romance (albeit a rather tidy one) and each aspect pretty much works in tandem with the others. The comic tension between the characters is really well written and, although it is a cliché, it does fizz and spark across the screen and is regularly hilarious and consistently a delight to the ears. With such superficial energy it would be easy to ignore the fact that it is interesting below this; specifically I liked the character of Tracy and the way that parts of the film show her character being stripped back as she in particular learns something about how she comes across, softening her character a little bit in later scenes. However to suggest that this has great depths is to give it more praise than it deserves, because it doesn't run deep and it isn't a great drama. Likewise the romance isn't a main part of it but it does still work because it is all delivered at such a fresh and funny pace that it draws you in, even to the point where I gratefully accepted the film's conclusion with a smile rather than a sneer.

The cast are a delight, but then that pretty much goes without saying, and they work with the dialogue like a surgeon uses a scalpel. In fact that is a good example because the dialogue is normally almost as sharp as said instrument. Grant may have got top billing and the big money (which he then donated away) but it is very much a shared effort between the three stars, with Grant in fact having the least showy character. If anything the film belongs to Hepburn who is a delight whether spitting back at her father with tears in her eyes or a barbed comment sliding in like a greased knife. Stewart is just as good and is reaction shots show a real comic timing, but he also gives good dialogue and he is fun. Like Stewart, Grant has a great chemistry with Hepburn, which means that he can deliver convincing tension and trade insults without undermining the ending which otherwise would have maybe been an ask too far. Hussey is good and it is easy to forget that she must have felt a bit out of her depth but it never shows in her performance. Support is roundly strong from Young, Nash, Halliday and even Weildler.

Overall this is a delightful film that is such fun and has such a good pace and spark that it is easy to buy into the weaker elements of the narrative and not only forgive them but get into them. The dialogue is sparky and funny while the delivery of same is just what the material deserved. The cast have chemistry and help inject urgency to the story that keeps it all moving forward. A wonderfully delightful film that is fun to watch and surprisingly engaging.


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