James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
A vengeful British spy goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. agent, and left him for dead and murdered his bride after he helped capture him.
Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by
First James Bond movie to take its title from an original Ian Fleming short story since The Living Daylights (1987), a gap of twenty-one years. It is also the first time since this movie that James Bond has visited the opera. See more »
When Camille is talking with Greene while looking at the dead geologist, she wraps her arms around Greene's neck. Seen from behind, her arms are hanging at her sides, then back around his neck in the closeup. See more »
[Interrupting the opera house conversation]
Can I offer an opinion? I really think you people should find a better place to meet.
See more »
This is my first review in IMDb (my first port-of-call for movie opinions) and unfortunately it's simply a reaction to what has been, this morning, a disappointing experience.
Unlike Casino Royale, which was as direct as a bullet from a gun, QoS spends a sizeable chunk of it's running time meandering aimlessly.
Firstly though, the intro car chase is in the style of an agitated, edit-obsessed director which means the entire scene is viewed in short random bursts from a multitude of angles - Fine, if that's your bag.
What follows is a series of action set pieces which are at turns exciting, manic and messy, but after which the film becomes flat and a little direction-less. That's not to say that there is little in the way of bullets and babes but the simple facts are that the set pieces are really not very exciting, and worse still the characters are pretty bland, in comparison to those in Casino Royale.
You'll struggle to think of a main bond villain that is less interesting than Dominic Greene, and agent Fields is utterly pointless in every aspect other than brief eye-candy.
As is mentioned in other reviews it is Judy Dench and Daniel Craig that keep this movie from leaving the tracks entirely but it doesn't bode well for future outings if this is to be the new template.
In short Casino Royale rejuvenated the franchise but Quantum Of Solace has gone some way to spoiling it's success.
The theme song isn't too good either, and just like the film it gets a tad messy at times. Get Chris Cornell back for the next one.
639 of 978 people found this review helpful.
Was this review helpful to you?