James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by
This is a James Bond movie which utilizes an original Ian Fleming title but nothing else from its source material. The first Bond movie to use just the title and zero or little else was You Only Live Twice , then The Spy Who Loved Me, then Moonraker and later A View to a Kill. Ironically, no novelization of this movie is being released. The original short story has been re-issued along with all the other original Fleming short stories. See more »
When Bond kicks Greene out the SUV and tosses him a can of motor oil, it lands just passed his feet but slightly behind him. In the next scene the motor oil is now in front of his feet. See more »
Italian Police Officer:
Station from Patrol 48 - grey Aston Martin followed by a black Alfa Romeo driving towards the quarries. Gunshot fire.
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The iconic "James Bond gun barrel" sequence, not seen in its traditional format since Die Another Day, is incorporated into the closing credits. See more »
This film could have been so good, but Marc Forster's clichéd and ham-fisted direction completely ruined it for me. To be fair, his handling of the quieter moments between the action was adequate, but he clearly has no grasp of how direct action sequences, which are clearly central to any good Bond. I'm afraid the 'shake the camera and cut at least once a second' school of action direction doesn't really cut it.
It's tragic really, as the setup and the stunts for the sequences looked pretty promising, but you had to look pretty hard to tell once Mr. Forster's hopeless direction kicked in. Such a waste.
I think I'll hold out for the special edition DVD - you know - the non-directors cut!
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