James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro but things are not what they seem.
A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by
At the end of Casino Royale, Bond was wearing a light-blue shirt and a three-piece suit when he shot Mr. White in the leg. At the beginning of Quantum of Solace, his shirt is white and his waistcoat has disappeared, and in fact both he and White seems to be in slightly different suits. If the events of Quantum of Solace occur an hour after those of Casino Royale, it would mean that both had an inexplicable clothing change just before the car chase. (In fact, this continuity error betrays the fact that the films' costumiers are different: Brioni provided suits before, but for this film it is Tom Ford.) See more »
How much did he want?
He wanted you but I left the car as collateral. He'll get much more when he sells us out.
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This film could have been so good, but Marc Forster's clichéd and ham-fisted direction completely ruined it for me. To be fair, his handling of the quieter moments between the action was adequate, but he clearly has no grasp of how direct action sequences, which are clearly central to any good Bond. I'm afraid the 'shake the camera and cut at least once a second' school of action direction doesn't really cut it.
It's tragic really, as the setup and the stunts for the sequences looked pretty promising, but you had to look pretty hard to tell once Mr. Forster's hopeless direction kicked in. Such a waste.
I think I'll hold out for the special edition DVD - you know - the non-directors cut!
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