James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by
This is the first James Bond film ever in the series that a car chase will be the main action piece in the pre-credits opening sequence (the opener in The Living Daylights (1987) was a chase with a Land Rover jeep). See more »
After Bond shoots the first motorcycle police officer, he wrestles briefly with the second and throws him to the ground. There is a quick shot where he is shooting the second police officer, showing his motorcycle on the ground. The next shot shows the upright motorcycle falling due to the officer falling into it. It was edited so that you hardly see the motorcycle fall, but the way the officer falls, there's no way the motorcycle could have done what it did already on the ground. See more »
When someone says "We've got people everywhere", you expect it to be hyperbole! Lots of people say that. Florists use that expression. It doesn't mean that they've got somebody working for them inside the bloody room!
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The iconic "James Bond gun barrel" sequence, not seen in its traditional format since Die Another Day, is incorporated into the closing credits. See more »
This is my first review in IMDb (my first port-of-call for movie opinions) and unfortunately it's simply a reaction to what has been, this morning, a disappointing experience.
Unlike Casino Royale, which was as direct as a bullet from a gun, QoS spends a sizeable chunk of it's running time meandering aimlessly.
Firstly though, the intro car chase is in the style of an agitated, edit-obsessed director which means the entire scene is viewed in short random bursts from a multitude of angles - Fine, if that's your bag.
What follows is a series of action set pieces which are at turns exciting, manic and messy, but after which the film becomes flat and a little direction-less. That's not to say that there is little in the way of bullets and babes but the simple facts are that the set pieces are really not very exciting, and worse still the characters are pretty bland, in comparison to those in Casino Royale.
You'll struggle to think of a main bond villain that is less interesting than Dominic Greene, and agent Fields is utterly pointless in every aspect other than brief eye-candy.
As is mentioned in other reviews it is Judy Dench and Daniel Craig that keep this movie from leaving the tracks entirely but it doesn't bode well for future outings if this is to be the new template.
In short Casino Royale rejuvenated the franchise but Quantum Of Solace has gone some way to spoiling it's success.
The theme song isn't too good either, and just like the film it gets a tad messy at times. Get Chris Cornell back for the next one.
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