In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Former Police detective John "Scottie" Ferguson was asked by a friend to investigate his wife named Madeleine since he was afraid that she might attempt to kill herself due to probable insanity as she thinks that she might be possessed by a dead woman. Scottie agrees and ended up falling in love with her. Unfortunately for him, Madeleine died and he was left alone until a woman named Judy came along and things start to unfold.
(Forever Female), from Skylark (1941) (Poochie)
Composed by Victor Young
Orchestrated by Gus Levene
Played as 'cue 12D' by the orchestra while Scottie and Judy are dancing See more »
In Boileau-Narcejac's French novel "D'Entre les Morts"= from among the Dead"),the revelation only comes in the last pages,but Hitchcock lets the cat out of the bag long before the end. Boileau-Narcejac's novel is a pure detective story,but the Master wanted more:the movie already outdistances the book in a first part visually wonderful,with memorable scenes,wrapped in mystery ,such as the one with the sequoia,symbol of immortality or the one down by the sea,to rival with the best romantic movies of all time.In the second part,Hitchcock explains in the Truffaut's book,we know but Scottie( James Stewart) does not .And he tries to recreate a dead woman,to transform Judy into Madeleine.This folie à deux ends where the first tragedy occurred ,which gives the movie a strength that the book had not.Read it and you'll realize how its end ,speaking in terms of cinema,had to be modified for the screen.That's Hitchcock's genius.
When Boileau/Narcejac learned that Hitchcock wanted to transfer "Celle Qui N'Etait PLus " (=les Diaboliques" )to the screen,they immediately wrote "D'Entre les Morts " on the same pattern for Hitchcock to direct.
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