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Vertigo (1958)

8.5
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Ratings: 8.5/10 from 177,932 users  
Reviews: 620 user | 174 critic

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

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(screenplay), (screenplay), 3 more credits »
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Title: Vertigo (1958)

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Top 250 #66 | Nominated for 2 Oscars. Another 6 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
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Konstantin Shayne ...
Lee Patrick ...
Car Owner Mistaken for Madeleine
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Storyline

John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

A tall story about a pushover [Video] See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 July 1958 (Brazil)  »

Also Known As:

'Vertigo'  »

Box Office

Budget:

$2,479,000 (estimated)

Opening Weekend:

$1,486,818 (USA) (22 November 1996)

Gross:

$1,718,928 (USA) (20 December 1996)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1996 restored)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.50 : 1
See  »
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Did You Know?

Trivia

Alfred Hitchcock had originally wanted to use his now-famous Vertigo zoom in Rebecca (1940), but due to lack of technology at that time he couldn't do it. The technique was inspired by a time when Hitchcock had fainted during a party. See more »

Goofs

In the various shots inside Scottie's apartment the portable television set next to his couch changes direction, sometimes facing the couch, sometimes facing the bedroom. See more »

Quotes

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.
See more »

Crazy Credits

The opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor. See more »

Connections

Referenced in You Bet Your Life: Episode #9.22 (1959) See more »

Soundtracks

Symphony No. 34 in C K. 338, 2nd Movement, Andante di Molto (piu tosto allegretto)
(uncredited)
Composed by Wolfgang Amadeus Mozart
Played as 'cue 10B' on a record in the psychiatric ward
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Standard Rave
10 July 2002 | by (Sydney, Australia) – See all my reviews

Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since.

The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly.

"To reveal more," as Leonard Maltin wrote, "would be unthinkable."

While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat!

One of the all-time greats. They definitely don't make them like this anymore.


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What rating did you give for Vertigo? TwiZone
For all those with the age hangup... supowell
Vertigo would have been better if this one thing were changed rdp32
Don't you think it's a bit overlong? Bonzi_ru
Greatest Of All Time Because...? mail-2217
Why did she jump at the end ? jbboss78
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