A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer's two maiden aunts. While trying to break the news, he finds out his aunts' hobby; killing lonely old men and burying them in the cellar. It gets worse. Written by
John Vogel <email@example.com>
The rights to the play cost $175,000, and that theatrical producers Howard Lindsay and Russel Crouse negotiated for 15% of the film's profits. Although the original projected release date of the film was September 30, 1942, the play had 1,444 performances and ran for over three and a half years, thus delaying considerably the film's release. See more »
When Mortimer opens (for the first time) the window seat, then closes it, he walks away and his voice is heard saying "The next thing..." before trailing off, but his lips do not move. See more »
I'll knock your block off, you big stiff! You're a bum!
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"Arsenic and Old Lace", one of the best stage comedies that were seen on Broadway, gets the royal treatment via Frank Capra, a man that was born to direct the movie version, if ever there was a man to do so. The play written by Joseph Kisserling was given an excellent screen play treatment by the Julius and Philip Epstein team, two great movie adapters of all time.
This is a combination of a madcap and a screwball comedy. The first best thing in the film are the star turn performances by two of the original actresses that created the roles of Aunt Abby and Aunt Martha, Josephine Hull and Jean Adair, respectively. Just to see the Brewster sisters in action is worth the price of admission. These two women had the roles of a career by bringing life into the two kinds souls living in Brooklyn and doing good, as well as "helping lonely old men" to find happiness.
The second best reason for watching the film is Cary Grant. This is without a doubt one of the actor's best achievements in his long career in the movies! Mr. Grant plays Mortimer Brewster, a man that hates the idea of getting married and losing his freedom. That is, until the beautiful Elaine comes along. Mr. Grant is a joy to watch in the film, no matter what he is doing, at any given moment. His expressions, as well as his timing is impeccable, something one expects of all of Mr. Capra's movies.
The Brewster household is the center of the action, but for a stage play, it never seems confining, or theatrical, even though it's basically shot in one single set. This appears to be the Brooklyn area near the Heights where one can see the majestic bridge in the distant. Maybe around Old Fulton Street, or that area, where the River Cafe is located now.
Mr. Capra was able to assemble such a wonderful group of the best actors working in movies. Lovely Priscilla Lane is the woman that conquered Mortimer's heart. Raymond Massey is Jonathan, the Dracula-like sinister figure that is Mortimer's brother. Also, John Alexander, is seen as "Uncle Teddy", the man with a Teddy Roosevelt's complex. Peter Lorre makes a good contribution as Dr. Einstein.
Jack Carson and John Ridgley are seen as the police working the area where the Brewster live. The supporting players are amazing: Edward Everett Horton, Garry Owen, Grant Mitchell, James Gleason, and although seen briefly, the great Charles Lane, who is one of the photographers pursuing Mortimer and Elaine when they are getting the marriage license. Mr. Lane appeared in hundred of films and is still alive, 100 years young! In a way, it's ironic Mr. Lane survived almost all the people in the film!
An excellent film by that American master, Frank Capra!
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