A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer's two maiden aunts. While trying to break the news, he finds out his aunts' hobby; killing lonely old men and burying them in the cellar. It gets worse. Written by
John Vogel <firstname.lastname@example.org>
Screenwriter Julius J. Epstein complained to Frank Capra that Cary Grant's acting "was going overboard with the comedy." Capra agreed and told the writer that it would be toned down in the editing process. However, when World War II unexpectedly began, and Capra left the studio to do the "Why We Fight" series, it was not done. See more »
Near the end of the film, Mr. Witherspoon addresses Mortimer as Mr. Witherspoon and Mortimer corrects him and saves the scene. Cary Grant appears to be genuinely amused by his mistake. See more »
I'll knock your block off, you big stiff! You're a bum!
See more »
One of the great black comedies. If Boris Karloff had joined his fellow Broadway cast members - Jean Adair, Josephine Hull and John Alexander - I think it would have been an even better movie. Raymond Massey, unquestionably a good actor, did his best, but didn't quite seem to get the joke, or maybe was overwhelmed by having to incarnate Karloff. But it's a quibble, really, and we're more than compensated by the the rest of the cast.
Cary Grant motors the piece along at a terrific pace. He's a joy to watch, with his double-, triple-, even quadruple- and quintuple-takes. Hull and Adair are equally wonderful in their different ways, the former all floaty and tip-toe, the latter hysterically earnest - one of my favourite moments is Adair's superb double-take when she notices, on the dining-room table, a shoe she doesn't recognise.
Peter Lorre, Jack Carson, Edward Everett Horton, James Gleason, and the rest, are all everything they should be, and Priscilla Lane is splendidly dewy-eyed and pouty as the love-interest.
I've seen Arsenic and Old Lace countless times. I've never tired of it, always look forward to it, and highly recommend it.
7 of 8 people found this review helpful.
Was this review helpful to you?