A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Every man's dream comes true for William Thacker, an unsuccessful Notting Hill bookstore owner, when Anna Scott, the world's most beautiful woman and best-liked actress, enters his shop. A little later, he still can't believe it himself, William runs into her again - this time spilling orange juice over her. Anna accepts his offer to change in his nearby apartment, and thanks him with a kiss, which seems to surprise her even more than him. Eventually, Anna and William get to know each other better over the months, but being together with the world's most wanted woman is not easy - neither around your closest friends, nor in front of the all-devouring press. Written by
Julian Reischl <firstname.lastname@example.org>
As he explains in the published screenplay, in Richard Curtis's original conception of the story, Honey (Emma Chambers) was a worker in the record store across from his bookshop and Anna's romantic rival for his affections. The film would have ended with William choosing her over the fantasy that Anna represented. Curtis decided that he could not just dismiss Anna, however, and so he made Honey into William's sister instead. See more »
In the first scene where William encounters Anna, Rufus (the book thief) is shown several times in the background. Initially he has several days growth of beard, and in one of the shots he appears to be freshly shaven, then back to the growth of beard. See more »
Do you want to stay?
Why not? All that awaits me at home is a masturbating Welshman.
See more »
The coloured dots and symbols pop up in time with the music (And when the word 'heart' is sung, a litte red heart appears) See more »
HOW CAN YOU MEND A BROKEN HEART
Written by Barry Gibb and Robin Gibb
Performed by Al Green
Courtesy of Gibb Brothers Music, administered by BMG Music Publishing Ltd
Courtesy of Cream/Hi Records Inc.
Licensed from Crimson Productions Ltd. See more »
Brit Wit Rom Com in one of London's most famous districts
After reading the synopsis, 'Notting Hill' sounds like just another melodramatic Julia Roberts rom com. Fortunately, that ain't the case. 'Notting Hill' is fun, sweet, intelligent and well, simply said, very entertaining. London's Notting Hill does seem like a street you'd like to walk on.
While the storyline itself is larger than life, the characters are real. There is no overt melodrama. We can see that Curtis put a lot of heart and some Brit wit humour into the writing. After meeting William, Anna, Spike, Max, Bella and Honey, we, as audience, really connect to these very interesting characters and care about them. The table discussion in Honey's birthday scene shows how all the characters connect. While a nervous Anna, is new to the group, we see that she eventually gets a hang of them and feels comfortable enough to talk about herself.
Hugh Grant isn't anything different from his other rom coms. Julia Roberts is brilliant. I never liked any of her romantic comedies (e.g. Pretty Woman, I Love Trouble, Something to Talk About etc) but 'notting Hill is an exception. She gives a subtle portrayal as hugely famous but very vulnerable Anna Scott and does full justice. This indeed is one of her finest performances. Rhys Ifans as Spike is standout! While Tim McInnerny, Emma Chambers, Hugh Bonneville and Gina McKee (love her) are excellent. McKee's comedy is extremely subtle and her character is one of the most appealing. She underplays her part with tremendous grace and maturity.
All the actors share a very warm chemistry that just keeps adding on to its quality. The relationship and friendship between the characters is shown in a very sensitive way. While Spike and William are roommates who just seem to get along, we know that they like each other. Also William is about to cancel a date with the world's most famous actress to attend his sister's birthday party. The relationship between Max and Bella is beautiful.
Additional credit must be given to Coulter's amazing cinematography and the visuals. Watch the scene where Thacker is walking through the market and we see the weather change (indicating the passing time). There's a beautiful soundtrack that recites the moods of the scenes. And last but not least, thanks to Roger Mitchell for putting it all together to tell us this sweet entertaining story.
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