Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Every man's dream comes true for William Thacker, an unsuccessful Notting Hill bookstore owner, when Anna Scott, the world's most beautiful woman and best-liked actress, enters his shop. A little later, he still can't believe it himself, William runs into her again - this time spilling orange juice over her. Anna accepts his offer to change in his nearby apartment, and thanks him with a kiss, which seems to surprise her even more than him. Eventually, Anna and William get to know each other better over the months, but being together with the world's most wanted woman is not easy - neither around your closest friends, nor in front of the all-devouring press. Written by
Julian Reischl <firstname.lastname@example.org>
Apart from the American, I've only loved two girls, both absolute disasters. The first one marries me and then leaves me faster than you can say Indiana Jones, and the second one, who seriously ought to have known better, casually marries my best friend.
She still loves you though.
Yeah, in a depressingly asexual way.
I never fancied you much actually.
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The coloured dots and symbols pop up in time with the music (And when the word 'heart' is sung, a litte red heart appears) See more »
HOW CAN YOU MEND A BROKEN HEART
Written by Barry Gibb and Robin Gibb
Performed by Al Green
Courtesy of Gibb Brothers Music, administered by BMG Music Publishing Ltd
Courtesy of Cream/Hi Records Inc.
Licensed from Crimson Productions Ltd. See more »
> After suffering a divorce, a marriage between a best friend and an ex-lover, not to mention living with a complete slob for a roommate, travel bookstore owner William (Hugh Grant) was just trying to live a peaceful existence in Notting Hill, England with his disastrous lovelife and a fledgling bookstore. When American film megastar Anna Scott (Julia Roberts) comes in to browse for books about Turkey, the two sense a mutual attraction and begin a delicate love affair that threatens both their complicated lives. The crux of "Notting Hill" is this : can two exact opposites in the complex world of publicity and disposable relationships stay together forever? Screenwriter Richard Curtis's ("Four Weddings And A Funeral") goal this time around seems to be a sharp satire of the Hollywood starlets and their psychotic relationships with the public and themselves, and the old wacky English humour we've come to expect from any film with Mr. Grant. It's a very odd mixture of the audience-pleasing easy comedy and something more sinister - possibly due to both lead's past public lives. He creates two compelling characters in Anna and Garrett. They both have very convincing motives for the courtship, it isn't just a roll in the hay and then the aftermath like most films. Director Roger Michell keeps the flow nice and the two leads make good on their promise for charm and beauty. I'm a little irritated that so many would consider this a big step for Julia Roberts in the acting department. She already gave a commanding performance in last year's "Stepmom". With "Hill", Roberts continues her impressive growth spurt into real adult acting and role choices. Her work with Grant here is the most easy going I've even seen her do(Maybe one too many close-ups of that smile though...). Hugh Grant does his stammering best to make William seem lovable. I'm not a fan of Mr. Grant, but I will easily concede that this is his best performance to date. Rhys Ifans is disgusting (a good thing) as Spike, William's flatmate. He brings some very much needed brevity to the proceedings. If anyone ever needs an actor to represent an English skuzzball, they should call this guy. If the charming "Notting Hill" suffers from anything it might be the "She's All That" syndrome. Whenever you get the relationship ball rolling, it seems in everyone of these movies we need a forced situation to break up the two leads, just so we can cheer when they reconcile. That's fine, no complaints. In "Hill", this syndrome is put to the extreme test. We follow this romance through, I believe, at least three breakups. That's too many for a two hour film. We never get sure footing on to why these two should be together and that is a frustrating element. Director Michell tries to hold onto the reins, but the climax of the film is forced and seriously uncharacteristic of the movie. "Notting Hill" has a lot to say about fame and the effects of it on a life. It never bothers to take a stand or really explain if Roberts's character embraces her superstardom or is oppressed by it. Screenwriter Curtis makes compelling arguments for both sides of the debate but strays away from truly looking deep within the fishbowl. When you think about it, William was a fan of Anna before meeting her, yet that subject seems too taboo for the film. What we get is just puppy love, no strings.
"Notting Hill" is an extremely charming film with so much love to offer. It's a concoction that's hard to resist. You'll come out of it with a warm fuzzy feeling in the tips of your toes. It's nice to have a film that just wants to please, I just wish they didn't lay such a heavy topic wet blanket over the proceedings. --------------- 8
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