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North by Northwest (1959)

A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.

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Top Rated Movies #72 | Nominated for 3 Oscars. Another 8 wins & 4 nominations. See more awards »

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Cast

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Storyline

Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore. Written by garykmcd

Plot Summary | Plot Synopsis

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The Master of Suspense presents a 2000-mile chase across America! See more »


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Approved | See all certifications »

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Details

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Release Date:

26 September 1959 (Japan)  »

Also Known As:

Alfred Hitchcock's North by Northwest  »

Box Office

Budget:

$3,101,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)| |

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

Production costs were seriously escalated when a delay in filming put Cary Grant into the penalty phase of his contract, resulting in an additional $5,000 per day in fees for the actor, before shooting even began. See more »

Goofs

When escaping from the two thugs at the Plaza, Roger jumps into a two-toned yellow and white 1958 Ford cab. The cab pulling up behind him is also a 1958 yellow and white Ford. When the two thugs jump into the cab behind him, it is two-toned red and white. When Roger arrives at the UN, he is in a two-toned yellow and white 1957 Ford cab. When the thugs arrive at the UN behind Roger, their cab is a two-toned orange and white 1957 Ford. But when they get out of it, the cab is again two-toned red and white. When the cab pulls off behind them, it is back to orange and white. See more »

Quotes

Man at Prairie Crossing: That's funny, that plane's dustin' crops where there ain't no crops.
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Crazy Credits

Right after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him! See more »

Connections

Referenced in Jeopardy!: Episode #33.31 (2016) See more »

Soundtracks

It's a Most Unusual Day
(1948)
(uncredited)
Music by Jimmy McHugh
Lyrics by Harold Adamson
Played as background music at the Plaza Hotel
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Frequently Asked Questions

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User Reviews

Wonderful comedy thriller, not Hitchcock's best but his most sheerly enjoyable
30 September 2004 | by See all my reviews

North By Northwest is not an artistic masterpiece like Rear Window and Vertigo, but it is probably the most purely entertaining picture Hitchcock ever made. It's essentially a rehash of many of his earlier films, with a plot partially derived from The Thirty Nine Steps and the very similar Saboteur, while there are borrowings from Foreign Correspondent and Notorious, among others. However, it is all done with such style and confidence that it doesn't matter if it's essentially just a greatest hits package.

Very few other films of this kind attain the near perfect tone of this one, precariously balanced between seriousness and silliness. Sometimes this film manages the very difficult trick of being both suspenseful and comical at the same time, as in the auction house scene, or the wonderful scene in the lift when the hero's mother turns to two heavies in a lift looking menacingly at the hero and says "you gentlemen are not REALLY trying to kill my son, are you?".

Of course the famous crop dusting plane scene and the Mount Rushmore chase are terrific. The former is really more notable for the amount of time taken to build up to the action than the action itself, while the technical work on the latter still looks pretty good. In a totally different vein is the astonishingly frank seduction sequence on the train. Hitchcock takes his time here as with many of the other scenes, but the film is so crammed with memorable passages that one hardly notices it's 136 mins long.

Ernest Lehman's script is full of wonderful lines, many of them delivered so well by chief villain James Mason that at times we almost want to root for him. "Has any one ever told you tend to overplay your various roles Mr Kaplan....it seems to me you fellows could stand a little less training from the FBI and a little more from the Actor's Studio". Cary Grant is so smooth one almost forgets he's over 50, and of course there's also Bernard Herrmann's vibrant score.

Endlessly enjoyable even with repeated viewings. How many of today's thrillers will be such fun in 25 years time?


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