North by Northwest (1959)

A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.

Director:

Alfred Hitchcock

Writer:

Ernest Lehman

Stars:

Cary Grant, Eva Marie Saint, James Mason

Top 250 #42 | Nominated for 3 Oscars. Another 7 wins & 4 nominations.

Cast

Cast overview, first billed only:
Cary Grant	...	Roger O. Thornhill
Eva Marie Saint	...	Eve Kendall
James Mason	...	Phillip Vandamm
Jessie Royce Landis	...	Clara Thornhill
Leo G. Carroll	...	The Professor
Josephine Hutchinson	...	Mrs. Townsend
Philip Ober	...	Lester Townsend
Martin Landau	...	Leonard
Adam Williams	...	Valerian
Edward Platt	...	Victor Larrabee
Robert Ellenstein	...	Licht
Les Tremayne	...	Auctioneer
Philip Coolidge	...	Dr. Cross
Patrick McVey	...	Sergeant Flamm - Chicago Policeman
Edward Binns	...	Captain Junket

Storyline

Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore.

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Plot Keywords:

spy | advertising | agent | murder | government agent | 

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Taglines:

Alfred Hitchcock takes you.... North by Northwest!

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Genres:

Action | Adventure | Mystery | Thriller

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

26 September 1959 (Japan)

Also Known As:

Alfred Hitchcock's North by Northwest

Filming Locations:

Bakersfield, California, USA

Box Office

Budget:

$3,101,000 (estimated)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

136 min

Sound Mix:

Mono (Westrex Recording System) Dolby SR Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.75 : 1

Did You Know?

Trivia

Alfred Hitchcock couldn't get permission to film inside the UN, so footage was made of the interior of the building using a hidden camera, and the rooms were later recreated on a soundstage.

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Goofs

The shot of Thornhill's car racing past the police car during his drunken escape is run at a higher than normal speed: the movements of the police officer are hurried and jerky and the red light atop the car is flashing at a much faster rate until Thornhill's car passes, at which point the film abruptly reverts to normal speed, as the cop moves and the light flashes at a noticeably slower (i.e. normal) rate.

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Quotes

Phillip Vandamm: What possessed you to come blundering in here like this? Could it be an overpowering interest in art?
Roger Thornhill: Yes, the art of survival.
Eve Kendall: He followed me here from the hotel.
Leonard: He was in your room?
Roger Thornhill: Sure. Isn't everybody?

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Crazy Credits

The Leo the Lion/MGM trademark preceding the credits is on a green field, to match the green field used in the credits proper.

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Connections

Referenced in Family Portraits: Alfred Hitchcock (1995)

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Soundtracks

"Serenade for Strings"
(1880)
(uncredited)
Music by Pyotr Ilyich Tchaikovsky
Played as background music at the Plaza Hotel

User Reviews

Wonderful comedy thriller, not Hitchcock's best but his most sheerly enjoyable

North By Northwest is not an artistic masterpiece like Rear Window and Vertigo, but it is probably the most purely entertaining picture Hitchcock ever made. It's essentially a rehash of many of his earlier films, with a plot partially derived from The Thirty Nine Steps and the very similar Saboteur, while there are borrowings from Foreign Correspondent and Notorious, among others. However, it is all done with such style and confidence that it doesn't matter if it's essentially just a greatest hits package.

Very few other films of this kind attain the near perfect tone of this one, precariously balanced between seriousness and silliness. Sometimes this film manages the very difficult trick of being both suspenseful and comical at the same time, as in the auction house scene, or the wonderful scene in the lift when the hero's mother turns to two heavies in a lift looking menacingly at the hero and says "you gentlemen are not REALLY trying to kill my son, are you?".

Of course the famous crop dusting plane scene and the Mount Rushmore chase are terrific. The former is really more notable for the amount of time taken to build up to the action than the action itself, while the technical work on the latter still looks pretty good. In a totally different vein is the astonishingly frank seduction sequence on the train. Hitchcock takes his time here as with many of the other scenes, but the film is so crammed with memorable passages that one hardly notices it's 136 mins long.

Ernest Lehman's script is full of wonderful lines, many of them delivered so well by chief villain James Mason that at times we almost want to root for him. "Has any one ever told you tend to overplay your various roles Mr Kaplan....it seems to me you fellows could stand a little less training from the FBI and a little more from the Actor's Studio". Cary Grant is so smooth one almost forgets he's over 50, and of course there's also Bernard Herrmann's vibrant score.

Endlessly enjoyable even with repeated viewings. How many of today's thrillers will be such fun in 25 years time?