"The IMDb Show" Thanksgiving special: Alan Tudyk ranks his top five droids of all time, we track down the cast of Roman J. Israel, Esq., and we share our favorite Thanksgiving TV episodes with memorable sitcom families.
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
London is terrorised by a vicious sex killer known as the neck tie murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence. Written by
Col Needham <email@example.com>
This is the only Hitchcock film ever to carry an '18' certificate in the UK, or receive an 'X' rating after the 'X' age restriction was moved from 16 to 18 in 1971. See more »
The position of the detective's wife's hands during the second meal varies between shots while she is eating breadsticks. See more »
Chief Inspector Oxford:
Mr. Rusk, you're not wearing your tie.
[Robert Rusk is speechless for a moment]
[he drops the trunk that he has just dragged into the room]
See more »
The Universal Pictures logo does not appear on this film. See more »
After 30 years in the USA and after the disappointments of "Torn Curtain" (1966) and "Topaz" (1969), Alfred Hitchcock came back to his native Britain for this film -written by Anthony Shaffer from a novel by Arthur La Bern.
"Frenzy" is his penultimate movie, certainly the best one of his last period. The way the Master films is very classic -deliberately old fashioned; at the same time all the charachters are very modern -they belong to a more and more decadent and neurotic London.
Almost from the beginning we know who the criminal is, and Hitchcock enjoys himself in showing how the man tries to escape and how he betrays people. Director's trademarks are also back in force: suspense (a lot!) and humour -more sarcastic and sharper than ever.
For "Frenzy" the Master doesn't get movie stars, instead he chooses local stage actors. In my opinion he does this because, first, he wants the film to be very English. Furthermore, he wants this time more ordinary faces for making the story more shocking (with famous actors in the main roles, the plot -in a certain way- could be identified mostly with them and loose strength, instead Hitchcock avoids that "paradox"...).
Maybe "Frenzy" is not an unforgettable masterpiece like "Psycho", "Vertigo", "Birds" or many other works. But it is a great movie indeed.
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