A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
London is terrorised by a vicious sex killer known as the neck tie murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence. Written by
Col Needham <firstname.lastname@example.org>
Some of Hitchcock's final films weren't great; some went so far as to call them really bad. True, they are not the masterpieces that Vertigo and Psycho are, but I don't think they are all as bad as some claim. I finally got a chance to see Frenzy, and I must say that it's a great piece of typical Hitchcock thriller. The story is about a killer who strangles women with a necktie, after raping them. After a bunch of unfortunate(but not unlikely) situations the police suspect the wrong man, and we follow his actions as he tries to evade the police. Like all the Hitchcock greats, it features great characterizations, dialog and situations. Not to mention those little details that lift him above the level that most other directors are at. The plot is very good, and well-paced. The acting is very good; I was particularly impressed at how 'British' they managed to be, considering how many of the actors are Americans. I suspect Hitchcock played a big part in making the film so authentic and true to life. The characters are well-written, credible and interesting. The suspense and tension is extreme at points of the movie, and Hitchcock (once again) proves his perfect understanding of the film-making elements and his ability to put them to good use. I found it interesting to see so much nudity, in a Hitchcock film. Of course, it wasn't just graphic and pointless, like it is in most films(not just from that period); it's there for a purpose. The famous "continuous" shot looked great, though it was obvious where the cut was. Hitchcock is known for his innovative shots, angles and pans, and this is no exception to the greatness of his cinematography. I doubt that we have seen a much more innovative or intelligent film-maker since him. It's nice to be able to see that even such a short time before his death(about 8 years, I suppose), Hitchcock delivered something so great. Much better than the dime-a-dozen flicks that most films released consist of today. A great film for any fan of Hitchcock, or even of thrillers in general. I recommend this film to any fan of thrillers or Hitchcock. Great film. 8/10
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