Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
London is terrorised by a vicious sex killer known as the neck tie murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence. Written by
Col Needham <firstname.lastname@example.org>
Several of the cast were unhappy with the lack of authenticity and Britishness of some of the dialogue. Jon Finch used to send notes to Alfred Hitchcock's secretary with suggested improvements. Hitchcock was not always pleased at this: "Jon, I said you could make alterations. I didn't say you could rewrite the whole script." However many of Finch's script amendments were indeed used in the final film. See more »
After he orders a triple, Blaney pays the bartender holding the bill in his left hand from bartender's point of view. The camera switches to Blaney's point of view and the same bill is in Blaney's right hand. See more »
Hey, Dick! What about Coming Up then?
No, I'm afraid I haven't any time. Thanks all the same.
No, Coming Up, the horse. He won by a mile. Twenty to one. What did I tell you?
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The Universal Pictures logo does not appear on this film. See more »
The grand man of suspense, Alfred Hitchcock, directs this dark film about a man that kills women with neckties with relish, aplomb, and an atypical grimness. The story is typical Hitch as an innocent man is pushed into a world of intrigue around him as everyone believes him to be the necktie killer. Jon Finch plays the innocent with earnestness and is quite good in his role. The rest of the cast is very effective as well. Hithcock, however, is the real star with his camera. Although much of the film is nothing more than tried and true material, Alfred Hitchcock makes the mundane spectacular with his camera and some great shots and spaces of silence. The scene where a girl coming back from lunch is awesome as we the audience are made to wait what seems an eternity for her to discover what has taken place since she left. The scene of the camera moving in and out of the house of the killer is also wonderful, as is the scene with the killer in the potato truck. That scene is easily the most suspenseful of the entire film. The film is particularly dark for Hitchcock as a women is raped rather abruptly(for lack of a better word) showing naked breasts and genuine terror. To counter-balance the more lurid aspects of the film is a subplot story of a police inspector, played with charm by Alec McCowen, whose wife constantly feeds him nothing but gourmet meals that sound and look quite horrible! These scenes are so funny and charming! A good thriller from the master of suspense!
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