4 items from 2015
This article contains a spoiler for the ending of Interstellar.
In case you missed it, the Oscars were this past weekend and Birdman was the big winner. The Academy’s choice to award Alejandro González Iñárritu's fever dream was a genuine shock, with Boyhood the running favourite for many months. Nonetheless, some things never change, and in that vein it's certainly a non-surprise the Academy also hardly noticed the most ambitious blockbuster of 2014: the Christopher Nolan space epic, Interstellar. Indeed, I use the phrase "non-surprise", because how could it be a winner when it was only nominated for the bare minimum of five Oscars in technical categories that are reserved as consolation prizes?
This is by all means par for the course with a film that has »
The Oscars are less than 96 hours away, so you only have a limited amount of time to brag about your insane knowledge of Academy Awards history. Ready for a brutal 21-question foray into Oscar's grisly past? Let's roll. (We give you the questions on the first page. Jot down your responses, then check the answers, along with the accompanying questions, on the next page. The videos embedded here aren't related to the questions. They're just fun!) 1. What ‘90s Best Actor winner gave the shortest onscreen performance ever nominated (and therefore awarded) in that category? This is measured by total minutes and seconds spent onscreen. 2. The first (and so far only) black female nominee in the Best Original Screenplay category was a co-writer of what biopic released in the 1970s? 3. From 1937 to 1945, the Academy guaranteed nominations in one particular category to any studio that submitted a qualifiable entry. What was the category? »
- Louis Virtel
Criterion brings British auteur Nicolas Roeg’s most famous title to the fold, 1973’s enigmatic Don’t Look Now, a title that has influenced generations of filmmakers since its successful reception, and marks the director’s fifth title to be included in the illustrious collection. A refracted dreamscape of symbols and motifs, the film is a brooding jigsaw puzzle that doesn’t insist on answering all your questions, and happens to feature an unforgettable finale that’s lost none of its affect (despite providing iconic fodder for famed parodies, ranging from memorable bits in “Spaced” to “Absolutely Fabulous”).
After the drowning of their preadolescent daughter, Christine, in the backyard of their estate, John and Laura Baxter (Donald Sutherland and Julie Christie) take off for Venice, where John accepts a job to restore some mosaics in one of the city’s many dilapidated churches. However, once there, the couple is introduced »
- Nicholas Bell
The Philadelphia Story, 1940.
Directed by George Cukor.
Set to remarry, Tracy Lord (Hepburn) has to contend with her ex-husband (Cary Grant) and a reporter on the snoop (James Stewart) as she tries to go through with her upper-class wedding – with their intention to spoil it.
Romance is in the air. The arrow of cupid has struck and, as Robson and Jerome covered, this Saturday night is at the movies. You may believe a Subway and Titanic is a romantic night in. I would argue it’s not*. In fact, an alternative is to head down to the BFI and watch a re-mastered copy of The Philadelphia Story. Not only will this extraordinary comedy give you a superior sense of cinematic taste, but it also features the genius pairing of Cary Grant and Jimmy Stewart – and that’s in addition to the feisty Katharine Hepburn, »
- Simon Columb
4 items from 2015
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