A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's... See full summary »
[PART I] Braving her father Edgar Linton's warning not to cross the estate border, young Catherine discovers her charming, but sickly cousin, and the manly Hareton are the heartlessly scorned and abused sons of wealthy Heatcliff on the Earnshaw estate. This launches a flashback how Heathcliff was raised as Cathy's best friend by her kind father, Mr. Earnshaw. After his death, the son and heir returns from boarding school, married, and reduces Heathcliff to the rank of stable boy, enduring constant abuse in order to remain with Cathy. After an accidental meeting with elegant gentleman Edgar Linton, she falls in love. To Hindley's delight, this drives Heathcliffe away. [PART II] Three years later, he returns wealthy enough to buy the estate, a day after Kathy married Edgar. He takes revenge, which instead of satisfaction brings misery to all. After Kathy and later Edga's death, his scorn includes the next generation, which nevertheless finds each-other striving for nobler values. Written by
Hymn anachronisms are very common in many British TV historical dramas. In this film, a church congregation sing the hymn 'Holy, Holy, Holy' by Reginald Heber, but use the tune 'Nicaea' by J. B. Dykes, which would not be written until 1861; over 30 years after Cathy's death in 1830 (as listed on her tombstone in episode one). See more »
What's that? There's a look in your eyes. My God, I think it's guilt. You've been with him, haven't you? You've laid with Edgar, haven't you?
He's my husband.
As if your pretend marriage matters to me? How am I to look at you? How am I to touch you now that his milky feeble hands have held you as I'm holding you now, you disgust me.
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I loved this version. Tom Hardy is a genius, and his Heathcliff has stayed with me long after the film finished. Charlotte Riley is also very good, as are the other cast members. I've read the comments about Heathcliff and Cathy having sex, and this being a diversion from the original book, however, Emily Bronte makes it clear in her text that Heathcliff and Cathy spend many unsupervised hours on the moors together. This in itself was shocking in the days when every unmarried young lady required a chaperone, but I think Emily was leaving it up to us, the readers, to decide what Heathcliff and Cathy did with their time together. I think the interpretation in this film is a valid one. Tom Hardy's musings at the end, on his life, and on the possible futility of his revenge were very convincing and haunting. This is a film you won't forget in a hurry.
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