Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Young and beautiful Lara is loved by three men: a revolutionary, a mogul, and a doctor. Their lives become intertwined with the drama of Russian revolution. Doctor Zhivago is still married ... See full summary »
Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is ... See full summary »
Lawrence, an aging, lonely civil servant falls for Gina, an enigmatic young woman. When he takes her to the G8 Summit in Reykjavik, however, their bond is tested by Lawrence's professional obligations.
[PART I] Braving her father Edgar Linton's warning not to cross the estate border, young Catherine discovers her charming, but sickly cousin, and the manly Hareton are the heartlessly scorned and abused sons of wealthy Heatcliff on the Earnshaw estate. This launches a flashback how Heathcliff was raised as Cathy's best friend by her kind father, Mr. Earnshaw. After his death, the son and heir returns from boarding school, married, and reduces Heathcliff to the rank of stable boy, enduring constant abuse in order to remain with Cathy. After an accidental meeting with elegant gentleman Edgar Linton, she falls in love. To Hindley's delight, this drives Heathcliffe away. [PART II] Three years later, he returns wealthy enough to buy the estate, a day after Kathy married Edgar. He takes revenge, which instead of satisfaction brings misery to all. After Kathy and later Edga's death, his scorn includes the next generation, which nevertheless finds each-other striving for nobler values. Written by
Hymn anachronisms are very common in many British TV historical dramas. In this film, a church congregation sing the hymn 'Holy, Holy, Holy' by Reginald Heber, but use the tune 'Nicaea' by J. B. Dykes, which would not be written until 1861; over 30 years after Cathy's death in 1830 (as listed on her tombstone in episode one). See more »
It is true that this particular version (one of many) is a modernized. Many details are changed from or added to the original book. This is a source of criticism from the fans. However, when a movie adaptation is made from a literary original changes has to be made so that the communication, especially between the characters' inner lives and the audience, works. I liked this version immensely. I never did get so close to actually understanding the characters (via a movie) as I did while watching this. I also love Tom Hardy's portrait of Heathcliff. It's scary and just a little bit attractive (a form of attraction which makes you uneasy rather than giggly though), which trumps earlier versions when he's portrayed more like a tall dark stranger-type (the ones I have seen are from 1939 and 1992). I like that Cathy isn't portrayed like such a flaky thing but rather a wild child and as much in bondage as Heathcliff. I always figured the story was supposed to be understood and related to. And how else to do so than through romantic tale? The book is about the horrors of love and so is this movie.
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