A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's... See full summary »
[PART I] Braving her father Edgar Linton's warning not to cross the estate border, young Catherine discovers her charming, but sickly cousin, and the manly Hareton are the heartlessly scorned and abused sons of wealthy Heatcliff on the Earnshaw estate. This launches a flashback how Heathcliff was raised as Cathy's best friend by her kind father, Mr. Earnshaw. After his death, the son and heir returns from boarding school, married, and reduces Heathcliff to the rank of stable boy, enduring constant abuse in order to remain with Cathy. After an accidental meeting with elegant gentleman Edgar Linton, she falls in love. To Hindley's delight, this drives Heathcliffe away. [PART II] Three years later, he returns wealthy enough to buy the estate, a day after Kathy married Edgar. He takes revenge, which instead of satisfaction brings misery to all. After Kathy and later Edga's death, his scorn includes the next generation, which nevertheless finds each-other striving for nobler values. Written by
Hymn anachronisms are very common in many British TV historical dramas. In this film, a church congregation sing the hymn 'Holy, Holy, Holy' by Reginald Heber, but use the tune 'Nicaea' by J. B. Dykes, which would not be written until 1861; over 30 years after Cathy's death in 1830 (as listed on her tombstone in episode one). See more »
The original 1939 classic movie of Wuthering Heights, with Olivier and Oberon, is excellent for its time. However, this version only depicts the basic plot. Newer versions are more elaborate.
This story centers on Heathcliff and is about deep love between Heathcliff and Cathy, love lost, Heathcliff's bitter and deep anger over this, Heathcliff's blame for the love loss on the Cathy as well as on class exclusion, and revenge toward all those involved in the lost love. An essential element is for the movie to depict Heathcliff's bitterness and immense vengeful anger. Now in order for the immense anger to be explained, the prior deep love between Heathcliff and Cathy must be fully depicted.
I think the 1992 and 2009 movie versions are the best. Both are excellent but both are flawed.
The 1992 version with Ralph Fiennes is better organized and time-sequenced. This version emphasizes the bitterness, anger and vengefulness of the main character, Heathcliff, as superbly depicted by Fiennes. The flaw is that the early love between Cathy and Heathcliff is shown in a skimpy and summary manner. This is a flaw since this deep love needs a full and detailed portrayal in order to explain Heathcliff's later deep bitterness. As a result Fiennes' Heathcliff is a terrible fellow whose behavior is somewhat inexcusable.
The 2009 version with Tom Hardy is slightly convoluted, and lightens Heathcliff's vengefulness (making Heathcliff more of sympathetic character to the viewer), which is a flaw compared to the 1992 Fiennes version that properly displays Heathcliff's revenge. However, the 2009 Hardy version does portray the early love between Heathcliff and Cathy with due elaboration (which is lacking in the 1992 version). As a result Heathcliff is more of a tragic figure than a villain.
An ideal version would be the 1992 Fiennes version, with the deep vengeful anger as Fiennes displayed, but that also fully depicted the love as did the 2009 Hardy version.
Both the Hardy 2009 version and the Fiennes 1992 version are excellent but I prefer the 1992 version as the best available.
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