A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's... See full summary »
[PART I] Braving her father Edgar Linton's warning not to cross the estate border, young Catherine discovers her charming, but sickly cousin, and the manly Hareton are the heartlessly scorned and abused sons of wealthy Heatcliff on the Earnshaw estate. This launches a flashback how Heathcliff was raised as Cathy's best friend by her kind father, Mr. Earnshaw. After his death, the son and heir returns from boarding school, married, and reduces Heathcliff to the rank of stable boy, enduring constant abuse in order to remain with Cathy. After an accidental meeting with elegant gentleman Edgar Linton, she falls in love. To Hindley's delight, this drives Heathcliffe away. [PART II] Three years later, he returns wealthy enough to buy the estate, a day after Kathy married Edgar. He takes revenge, which instead of satisfaction brings misery to all. After Kathy and later Edga's death, his scorn includes the next generation, which nevertheless finds each-other striving for nobler values. Written by
The drive leading to the Manor has grass in the middle, a modern phenomena. In the 1840's the drive would be churned up and bare as a result of horses pulling wagons. Also numerous modern tracks visible. See more »
Beautifully done adaptation of a very complicated book.
True, it doesn't always follow the overall structure of the novel by Emily Bronte, and there are one or two slow moments. But it is beautifully done, and does a competent job of adapting a truly complicated book to screen. I don't think it is the best adaptation of the book, but it definitely not the worst. The adaptation was lovingly designed with stunning locations and exquisite costumes, and the photography was excellent. The performances were excellent, the two leads Tom Hardy and Charlotte Riley were both superb as Heathcliff and Cathy, and Andrew Lincoln and Sarah Lancashire give able support. The scriptwriter Peter Bowker, who wrote the script for the wonderful BBC drama Occupation, does a good job with the dialogue, which was in general well written and well crafted. All in all, as an adaptation it is beautifully done, not always faithful to the novel, but the performances and the visual design compensates. 8/10 Bethany Cox
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