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Rebecca (1940)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
12 April 1940 (USA)
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Tagline:
The shadow of this woman darkened their love. more
Plot:
When a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants. full summary | full synopsis
Awards:
Won 2 Oscars.
Another 9 nominations
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NewsDesk:
(18 articles)
HeyUGuys IMDb250 Project – Week 3
(From HeyUGuys. 8 February 2010, 2:46 AM, PST)
The 'only son' of Orson Welles to take DNA test
(From The Guardian - Film News. 30 January 2010, 4:07 PM, PST)
(From HeyUGuys. 8 February 2010, 2:46 AM, PST)
The 'only son' of Orson Welles to take DNA test
(From The Guardian - Film News. 30 January 2010, 4:07 PM, PST)
User Reviews:
A Wonderful Film
more (212 total)
Cast
(Cast overview, first billed only) more
Additional Details
Parents Guide:
Runtime:
130 min
Country:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Noiseless Recording)
Certification:
West Germany:16 |
UK:A (original rating) |
UK:PG (re-rating) |
Spain:13 |
Iceland:L |
USA:Approved (certificate #5969) |
Argentina:13 |
Chile:14 |
Finland:K-12 |
South Korea:15 |
Sweden:15 |
Peru:14 |
Germany:16
Filming Locations:
Company:
Fun Stuff
Trivia:
Goofs:
Errors in geography: George is driving on the left-hand side of the road outside Monte Carlo.
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Quotes:
Mrs. Danvers:
[as the second Mrs. de Winter runs into the room] I watched you go down just as I watched her a year ago. Even in the same dress you couldn't compare.
The Second Mrs. de Winter: You knew it! You knew that she wore it, and yet you deliberately suggested I wear it. Why do you hate me? What have I done to you that you should ever hate me so?
Mrs. Danvers: You tried to take her place. You let him marry you. I've seen his face - his eyes. They're the same as those first weeks after she died. I used to listen to him, walking up and down, up and down, all night long, night after night, thinking of her, suffering torture because he lost her!
The Second Mrs. de Winter: [turning away in shame and shock] I don't want to know, I don't want to know!
Mrs. Danvers: [moving towards her] You thought you could be Mrs. de Winter, live in her house, walk in her steps, take the things that were hers! But she's too strong for you. You can't fight her - no one ever got the better of her. Never, never. She was beaten in the end, but it wasn't a man, it wasn't a woman. It was the sea!
The Second Mrs. de Winter: [collapsing in tears on the bed] Oh, stop it! Stop it! Oh, stop it!
Mrs. Danvers: [opening the shutters] You're overwrought, madam. I've opened a window for you. A little air will do you good.
[as the second Mrs. de Winter gets up and walks toward the window]
Mrs. Danvers: Why don't you go? Why don't you leave Manderley? He doesn't need you... he's got his memories. He doesn't love you, he wants to be alone again with her. You've nothing to stay for. You've nothing to live for really, have you?
[softly, almost hypnotically]
[...]
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The Second Mrs. de Winter: You knew it! You knew that she wore it, and yet you deliberately suggested I wear it. Why do you hate me? What have I done to you that you should ever hate me so?
Mrs. Danvers: You tried to take her place. You let him marry you. I've seen his face - his eyes. They're the same as those first weeks after she died. I used to listen to him, walking up and down, up and down, all night long, night after night, thinking of her, suffering torture because he lost her!
The Second Mrs. de Winter: [turning away in shame and shock] I don't want to know, I don't want to know!
Mrs. Danvers: [moving towards her] You thought you could be Mrs. de Winter, live in her house, walk in her steps, take the things that were hers! But she's too strong for you. You can't fight her - no one ever got the better of her. Never, never. She was beaten in the end, but it wasn't a man, it wasn't a woman. It was the sea!
The Second Mrs. de Winter: [collapsing in tears on the bed] Oh, stop it! Stop it! Oh, stop it!
Mrs. Danvers: [opening the shutters] You're overwrought, madam. I've opened a window for you. A little air will do you good.
[as the second Mrs. de Winter gets up and walks toward the window]
Mrs. Danvers: Why don't you go? Why don't you leave Manderley? He doesn't need you... he's got his memories. He doesn't love you, he wants to be alone again with her. You've nothing to stay for. You've nothing to live for really, have you?
[softly, almost hypnotically]
[...]
more
Movie Connections:
Referenced in Tomb Raider: Chronicles (2000) (VG)
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FAQ
Did the novel reveal the second Mrs de Winter's name?A Note Regarding Spoilers
Is this movie based on a novel?
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This is one of my favorite movies of all time. Definitely my favorite classic. There are some that come close, such as Citizen Kane, Spellbound, and Psycho, but none quite compare to this amazing movie.
The first thing that you notice is the outstanding cinematography. You have to remember that this movie was made in 1940, when they didn't have the technology we have now. But that first shot of the water beating up against the rocks grabs you and for one split second you wonder if maybe this isn't part of the movie but rather something filmed just recently. But then you see the familiar face of Laurence Olivier, reminding you that this was made 60 years ago, a fact that forever amazes me. The only oscar it won besides Best Picture was well deserved.
Another thing that makes it such a wonderful film is the acting. I have debated on whether Laurence Olivier's character, the tortured Maxim de Winter, is the pitiable character or if his second wife played by Joan Fontaine is really the one to feel sorry for. Every time I watch it I see it from a different point of view. Joan Fontaine is excellent. Laurence Olivier is wonderful, but that's no surprise. The only thing that bugs me is that it seems in every movie he's in (well, at least, everything I've seen him in), he always plays the same type of character. But he's extremely good at it, so I suppose it doesn't matter.
But although Joan Fontaine and Laurence Olivier are wonderful, Judith Anderson steals the show! The first time I watched the movie, I was immediately grabbed by her stunning performance as the sinister Mrs. Danvers. You hardly notice the other characters when she's in the scene. She acted the part so well that it's strange to imagine that she was any different in real life.
With a wonderful storyline, and a very surprising ending, Rebecca well deserves the title as the only of Hitchcock's films to win the oscar for Best Picture. Although it may not be the most famous of all his films, it is without a doubt the greatest