A shy ladies' companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter. She and Max fall in love, marry and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter clashes with the housekeeper, Mrs. Danvers, and discovers that Rebecca still has a strange hold on everyone at Manderley. Written by
Col Needham <email@example.com>
A chinchilla coat valued at $25,000 was loaned by Jaeckel's of New York to appear in Rebecca's closet. Nobody actually wears it in the film; it is one of the items Mrs. Danvers shows to the second Mrs. de Winter. See more »
When the new Mrs. De Winter first enters the room to do her correspondence, there are three books on the table. An establishing shot shows that the book on the left is labeled "menus", and the one in the center is labeled "addresses". Mrs. de Winter picks up the one on the left, and it is now revealed in a close-up to read "addresses" on the cover. See more »
Oh, you've moved her brush, haven't you?
[moves it slightly]
There, that's better. Just as she always laid it down. "Come on, Danny, hair drill," she would say.
[picks up the brush and goes through the motions of combing the second Mrs. De Winter's hair, without actually touching it]
And I'd stand behind her like this and brush away for twenty minutes at a time.
[lays down the brush and looks at the portrait of Maxim]
Then she would say, "Good night, Danny," and step into her bed.
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The original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'". See more »
A stylishly directed and photographed film that examines a number of themes, such a deception, death and depression, and explores well the emotions of its characters. It is rare to find a film like this, as it tackles various genres, ranging from being a romance to a mystery to a drama to even a comedy at times, and all without seeming pretentious. The cast is truly magnificent. Judith Anderson is a stunner is a quiet but sinister role, and George Sanders is even more impressive in lively but also sinister performance. Laurence Olivier and Joan Fontaine are perfect for their roles too. The film won Academy Awards for Best Picture and Best Cinematography quite deservingly this is one of the best films Hollywood has ever produced.
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