A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A shy ladies' companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter. She and Max fall in love, marry and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter clashes with the housekeeper, Mrs. Danvers, and discovers that Rebecca still has a strange hold on everyone at Manderley. Written by
Col Needham <email@example.com>
David O. Selznick borrowed Franz Waxman from MGM to score Rebecca, forcing the composer to work from the script and a rough cut rather than the final edit. When this posed problems later, Selznick had some of Max Steiner's music for A Star Is Born (1937) inserted where he felt Waxman's score wasn't working. This caused animosity between Selznick and both composers. See more »
The large map on the courtroom wall is a map of the Americas. It is grossly implausible that such a map would be on the wall of an English courtroom. See more »
You know, old boy, I have a strong feeling... that before the day is out, somebody's going to make use of that... rather expressive, though somewhat old-fashioned term ''foul play.''
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The original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'". See more »
A stylishly directed and photographed film that examines a number of themes, such a deception, death and depression, and explores well the emotions of its characters. It is rare to find a film like this, as it tackles various genres, ranging from being a romance to a mystery to a drama to even a comedy at times, and all without seeming pretentious. The cast is truly magnificent. Judith Anderson is a stunner is a quiet but sinister role, and George Sanders is even more impressive in lively but also sinister performance. Laurence Olivier and Joan Fontaine are perfect for their roles too. The film won Academy Awards for Best Picture and Best Cinematography quite deservingly this is one of the best films Hollywood has ever produced.
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