John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
When Cobra develops a secret bio-weapon on their hidden island base, GI Joe is called in to stop them. A daring invasion is executed with Snake-Eyes squaring off against Storm Shadow, his ... See full summary »
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
The G.I. Joe team is framed for crimes against the country by Zartan, disguised as the President, and Cobra Commander has all the world leaders under his influence, with their advanced warheads headed towards innocent populaces around the world. Outnumbered and outgunned, the surviving team members form a plan with their original leader, General Joseph Colton, to rescue the President and face off Cobra Commander, his accomplices and the world leaders. Written by
This film was originally scheduled to be released on June 29, 2012. Paramount had begun a substantial ad campaign which began in February with an expensive ad during the Super Bowl. But in May 2012, Paramount announced they were delaying the film's release until March 29, 2013 in order to to add 3D effects. It was later revealed that the real reason for the delay was for reshoots including more scenes with Channing Tatum. Test audiences wanted more scenes between Tatum and Dwayne Johnson and Tatum suddenly became a box-office star with the successes of The Vow (2012) and 21 Jump Street (2012). See more »
Fort Sumter is not located near any bridges and sits in the middle of a harbor surrounded on all sides by water and on land big enough to not be able to drive on. See more »
Hustle up guys. You've got to get that defector and get the hell out of there. No delays.
See more »
Part of the closing credits are a montage of scenes from the film. See more »
How You Like Me Now?
Written by Kelvin Swaby, Dan Taylor, Spencer Page, Chris Ellul, and Arlester Christian
Performed by The Heavy
Courtesy of Counter Records
By arrangement with Zync Music Group LLC See more »
G.I. Joe: Rise of Cobra feels like it belongs to a different age of blockbusters. It had a hard time fitting in to the modern generation thus most moviegoers never find it as appealing as the other films that was released on that year. Those rants can be true only in some reasons. The film is undeniably silly and dumb but it was never boring and has its own quality. Since people are now asking for darker and much serious blockbusters, this sequel reduces all the silliness that was displayed on the original. G.I. Joe: Retaliation is cooler and less cartoony. Unfortunately, it is also less exciting and terribly uninspired. The action may be better looking but the lack of fortitude and creativity made it fall short into another visual showcase stress.
"Awesome" is the main goal of this sequel. While the original was too corny to impress, this film darkens the tone and made it a bit down to earth. It abandons the silly gadgets and the ridiculous laws of physics that was shown in the original. But the film fails to be both dark and realistic. Not only because of those robotic fireflies and the mass annihilating missiles but the secret prisons and the government are unbelievably dumb to manage their job. Well, it's a blockbuster based on toys so it will never be too realistic. Deal with it while we are here for the fun. The dark aspects aren't dark at all. What they only do is to be serious. This seriousness blocks the potential joy and turns it into standard blockbuster bland.
The storytelling is quite messy. It's like an uninteresting version of Mission Impossible: Ghost Protocol with uninteresting characters. The storytelling from the first movie wasn't great either since it is cluttered with cheesy flashbacks. But it's worse here because it takes some twists that are absurdly incoherent. And so, it's all pretentious. The characters are boring and even the performances can't bring them to life. Dwayne Johnson is the only good thing among them though, Bruce Willis is trying to make fun of himself again as a crazy grandaddy, and the villains ham it up which isn't suppose to be a bad thing but they can't give enough personality to them.
The action scenes are acceptable enough to call awesome at least. With all the explosions and the none CGI-ed machines, it seems to be really exciting, but it's not. It does a fine job to be pretty but there's a difference between good looking and exciting. There's only a little suspense. If there is actually suspense and joy then it would be found at the mountain ninja fight but it's just mild and still glosses some slow motions in it. For the rest of the action, the heroes are always superior. Plus more explosions and slow-mos. The action is stylishly directed anyway. The fight between Snake Eyes and Storm Shadow remains to be the only action that excites and one part of the climax has a nutty scene with The Rock riding huge vehicles and shooting like a badass. The production designs, special effects, and costumes gets better. What else to talk about it?
The absence of the Joes' ridiculous transportation and weapons, holograms, and other snazzy gadgets may please our modern viewers but it also forgets why this material is interesting anyway. Now we only get typical military stuff. It still has some crazy devices but it's limited compare to the first film. Rise of Cobra wasn't a classic. It's nothing more than a simple guilty pleasure. Same with Retaliation except this one can't even be completely pleasurable unless you want some endless visual coolness. Cool is not a bad thing but it could have been creative and much more exciting instead of showing off slow-mos on screen. To be fair, it's mildly entertaining and good to look at. If the film wasn't this visually awesome, it would have been an empty cinema. The series still fails to justify its source material.
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