When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price if he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
Based on Marvel Comics' superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can't confess his crush for his stunning neighborhood girl Mary Jane Watson. To say his life is "miserable" is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him... and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist ... but the fun isn't going to last. An eccentric millionaire Norman Osborn administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task... or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end. Written by
The film caused some controversy in England when the BBFC rated it 12, going on record to say it was the most violent movie they had seen that was aimed at younger viewers. The distributor had requested a PG rating, but this was denied due to the levels of "personal violence" and the prevalent revenge theme. Many parents complained about the decision, saying how disappointed their children were at not being able to legally see the film (the 12 at this time was a legal age limit). However, when the new 12A rating was introduced in August 2002, Spider-Man (2002) was re-released with this new advisory rating, along with a new marketing campaign stressing that children could now go and see the film. See more »
When Peter is talking with his uncle in the car the background is completely different than when he gets out of the car. See more »
Who am I? You sure you want to know? The story of my life is not for the faint of heart. If somebody said it was a happy little tale... if somebody told you I was just your average ordinary guy, not a care in the world... somebody lied.
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The intro credits are all spun on a spider web and the end credits are surrounded by webbing on random sides of the screen. See more »
Having seen the trailers for this film I have to say that I didn't walk into the cinema with high hopes. The computer effects looked badly integrated, the Green Goblin's costume looked awful and comic book adaptations usually have such painful scripting and plotting. Thankfully I was wrong on most counts (The Goblin still looks rubbish).
As it turns out, this is probably the best super-hero film I've yet seen - certainly up there with Superman and Batman. People seem to automatically comment that the script and acting was bad because they expect it to be the case in these films; and indeed it usually is. But if you go into Spider-man without this prejudicial attitude you'll be pleasently suprised. The acting is generally great - there is never a time when anyone is not believable as their character and you think "Hey, that's an actor, not Peter Parker". The effects do look artificial but the pace of the movie means you don't have time to dwell on this and the script is fine! What do people want, Shakespearian soliloquies? That would sound incredibly out-of-place in modern day New York. There are few of the painful cliches or dreadful dialogue that plague films like The Phantom Menace and the catchphrases like "friendly neighbourhood spider-man" are fully in-keeping with the character.
The comic turns from J.J. Jameson hit the mark, the snarling facial contortions of Willem Defoe were suitably evil-looking (and the conversation with his mirror-image was a great touch). My only gripe was with the Green Goblin's costume. Very monotone green and not very scary.
All-in-all a great film that I wouldn't hesitate for a second in recommending.
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