Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him.
After an in-flight anti-gravity striptease (masked by the film's opening titles), Barbarella, a 41st century astronaut, lands on the planet Lythion and sets out to find the evil Durand Durand in the city of Sogo, where a new sin is invented every hour. There, she encounters such objects as the Exessive Machine, a genuine sex organ on which an accomplished artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who, in her dream chamber, can make her fantasies take form, and a group of ladies smoking a giant hookah which, via a poor victim struggling in its glass globe, dispenses Essance of Man. You can't help but be impressed by the special effects crew and the various ways that were found to tear off what few clothes our heroine seemed to possess. Based on the popular French comic strip. Written by
When Dildano and Barbarella are speaking to Dr. Ping about the mission and Dildano's transmission finish, a soprano sings Caro Nome, Rigoletto's famous aria by Giuseppe Verdi. See more »
During the opening credits, Barbarella flies around in her spaceship . In a close-up, as she removes her gloves, her reflection appears in the Plexiglas she was lying on to give the illusion of floating. See more »
Stand by for a message from Dianthus, President of Earth and Rotating Premier of the Sun System.
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In the opening credits, the letters in the words move around in an attempt to obscure Barbarella's nudity. See more »
This is eye candy from start to finish-- *including* one of the most baroque title sequences ever concocted (long before digital technology made this kind of playful titling standard). It's Franco-Italian design all the way through, a celebration of petroleum products and the best of the lava lamp aesthetic. Hard to tell if it's a parody of sci-fi or a parody of porn, or same difference is probably the point. There are some very stylized, sadomasochistic uses of Jane Fonda's long legs, at the same time that Fonda delivers the wittiest lines, in a very witty screenplay by Terry Southern (of Doctor Strangelove fame): "Decrucify my angel immediately!" (Kids, see if you can spot the Chucky in this 1968 precursor.) Skeptics should stay the course to learn what Duran Duran has to do with Barbarella. And Barbarella with the Black Queen. And the Black Queen with the Rolling Stones. And if you don't know what camp is, then you have to see Barbarella: even if the film is more sublime than camp, a kind of psychedelic Brechtian fantasia. (If that's not a contradiction in terms, then this isn't on my sci-fi shortlist.) One to own, to watch again and again.
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