In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the ... See full summary »
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
After an in-flight anti-gravity striptease (masked by the film's opening titles), Barbarella, a 41st century astronaut, lands on the planet Lythion and sets out to find the evil Durand Durand in the city of Sogo, where a new sin is invented every hour. There, she encounters such objects as the Exessive Machine, a genuine sex organ on which an accomplished artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who, in her dream chamber, can make her fantasies take form, and a group of ladies smoking a giant hookah which, via a poor victim struggling in its glass globe, dispenses Essance of Man. You can't help but be impressed by the special effects crew and the various ways that were found to tear off what few clothes our heroine seemed to possess. Based on the popular French comic strip. Written by
When Barbarella is flying around in her spaceship in the opening credits, in a close-up as she removes her gloves you can see her reflection in the Plexiglas she was lying on to give the illusion of floating. See more »
Stand by for a message from Dianthus, President of Earth and Rotating Premier of the Sun System.
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In the opening credits, the letters in the words move around in an attempt to obscure Barbarella's nudity. See more »
Stamper's assessment of Barbarella is accurate, but all the reasons he states is why I love this movie. The plot is cheesy, the dialogue ranges from goofy to corny, the special effects are pre-George Lucas, and the tag line of "an angel IS love" is testimony to the worst remnants of goof ball 1960's culture. However, the set and costume designs are unbelievable, and the opportunity to observe Jane Fonda and Anita Pallenberg gallivanting about attired in fabulously sexy outfits is worth the price of admission. Yes, Jane is a leftist wing-nut, but she was a stone fox in 1968, and I'm happy somebody made the effort to document this for posterity. And all Anita has to do is say "pretty pretty" in that low, sexy voice, and I understand why Brian, Keith, and Mick all lined up for a taste of this ultra hottie.
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