Jack Deth is a kind of cop/bounty hunter in the bleak Los Angeles of the future. He's become obssessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert ... See full summary »
Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent ... See full summary »
A group of martial arts students are en route to an island that supposedly is home to the ghosts of martial artists who have lost their honor. A Hitler lookalike and his gang are running a ... See full summary »
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death --- a quadruple amputee who has lost his arms, ... See full summary »
Dan Cohen, founder of the nonprofit organization Music & Memory, fights against a broken healthcare system to demonstrate music's ability to combat memory loss and restore a deep sense of self to those suffering from it.
King Henry V of England is insulted by the King of France. As a result, he leads his army into battle against France. Along the way, the young king must struggle with the sinking morale of his troops and his own inner doubts. The war culminates at the bloody Battle of Agincourt. Written by
Liza Esser <email@example.com>
Contains a flashback scene to ACT 1, Scene 2: of William Shakespeare's "Henry IV, part 1", where Jack Falstaff proclaims "Do not thou, when thou art King, hang a thief." This flashback line is instead given to Bardolph, to make it more poignant when Henry hangs him. See more »
One of the "dead" soldiers lying in the field after a battle winks. See more »
O! for a Muse of fire, that would ascend The brightest heaven of invention; A kingdom for a stage, princes to act and monarchs to behold the swelling scene. Then should the war-like Harry, like himself, assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword, and fire crouch for employment.
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I admit that bringing Shakespeare to the big screen is tough. There are subtleties and nuances - and limitations - about stage productions that cinema simply can't capture.
That being said, this is by far the best adaptation of Shakespeare to the big screen of the past fifteen years. The director does an admirable job of making every scene seem plausible - with slight suspension of disbelief - on stage.
Kenneth Branagh, while he strikes me as a bit full of himself, is fantastic as the young, vain, ambitious title character, while Paul Scofield, Henry's French counterpart, delivers an equally impressive performance as the king who understands the gravity of Henry's invasion of France.
Aside from Shakespeare's obvious bias toward British interests - which have little to do with the big-screen production - this is an amazing film.
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