Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent ... See full summary »
During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
This re-telling of Hamlet goes back to the original Danish source material. The opening scenario remains the same: Hamlet's father murdered by his brother who then weds the widowed mother. ... See full summary »
The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
King Henry V of England is insulted by the King of France. As a result, he leads his army into battle against France. Along the way, the young king must struggle with the sinking morale of his troops and his own inner doubts. The war culminates at the bloody Battle of Agincourt. Written by
Liza Esser <firstname.lastname@example.org>
Contains a flashback scene to (and a paraphrase of) Act 2, scene 4 of William Shakespeare's play Henry IV, Part 1, in which Falstaff jokingly tells Prince Hal (later to become King Henry V) that when he is king, he may stop socializing with all their other friends, but he shouldn't banish Falstaff himself from his company: "banish plump Jack, and banish all the world." See more »
After 4 minutes a violin string is plucked. This string is clearly one of the middle strings, either the "D" or the "A" string. However, we actually hear the sound of the "E" string being plucked. See more »
O! for a Muse of fire, that would ascend The brightest heaven of invention; A kingdom for a stage, princes to act and monarchs to behold the swelling scene. Then should the war-like Harry, like himself, assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword, and fire crouch for employment.
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I admit that bringing Shakespeare to the big screen is tough. There are subtleties and nuances - and limitations - about stage productions that cinema simply can't capture.
That being said, this is by far the best adaptation of Shakespeare to the big screen of the past fifteen years. The director does an admirable job of making every scene seem plausible - with slight suspension of disbelief - on stage.
Kenneth Branagh, while he strikes me as a bit full of himself, is fantastic as the young, vain, ambitious title character, while Paul Scofield, Henry's French counterpart, delivers an equally impressive performance as the king who understands the gravity of Henry's invasion of France.
Aside from Shakespeare's obvious bias toward British interests - which have little to do with the big-screen production - this is an amazing film.
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