After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by
Dale O'Connor <email@example.com>
Margaret Mitchell was dismayed at the scale of the Tara and Twelve Oaks sets, writing to her friend, technical advisor Susan Myrick, "I grieve to hear that Tara has columns. Of course, it didn't and looked nice and ugly like Alex Stephens' Liberty Hall [in Crawfordville, Georgia]." And, "I had feared, of course that [Twelve Oaks] would end up looking like the Grand Central Station, and your description confirms my worst apprehensions. I did not know whether to laugh or to throw up at the TWO staircases.... God help me when the reporters get me after I've seen the picture. I will have to tell the truth, and if Tara has columns and Twelve Oaks is such an elegant affair I will have to say that nothing like that was ever seen in Clayton County, or, for that matter, on land or sea.... When I think of the healthy, hardy, country and somewhat crude civilization I depicted and then of the elegance that is to be presented, I cannot help yelping with laughter... " See more »
Getting ready for the BBQ at Twelve Oaks, Scarlett begins dressing by pulling on her hoop skirt. She is missing the bustle pillow and she never ties the hoop skirt on. The next scene shows the dress being pulled down over her head, her hair has been fixed slightly different than the previous shot, and all of Scarlett's trappings are securely attached under the dress. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind... See more »
Gerard O'Hara (Thomas Mitchell), an Irish immigrant, settles in North Georgia and becomes a prosperous plantation owner By great luck he marries young Ellen Robillard (Barbara O'Neill) of Savannah, the daughter of one of the noblest Georgian families and becomes accepted by his aristocratic neighbors They are blessed with three daughters, Scarlett (Vivien Leigh), Suellen (Evelyn Keyes), and Carreen (Ann Rutherford).
Scarlett, the eldest, worships her mother Yet, under her beauty and Southern coquetry, she is charming, but proud, willful and vain She believes she is in love with Ashley Wilkes (Leslie Howard), a good-hearted young army captain But Ashley loves his cousin, Melanie Hamilton (Olivia de Havilland), a delicate, selfless woman He is frightened by Scarlett's energy and animation And although he admits his feelings for her, he is afraid to marry her and decides to take Melanie for his bride
When Scarlett loses Ashley she is more certain than ever that she must have him On their wedding day, she meets Rhett Butler (Clark Gable), a wealthy adventurer from an old Charleston family Rhett, a gamblerwho believes that self-interest is the motive of all human conductis attracted by Scarlett's beauty and realizes that they are equally merciless and conscienceless
Vivien Leigh is magnificent as the spoiled, selfish southern belle... She carries the picture, and controls it... She reproduces the spirited character of Scarlett in all its fluent complexity...
Clark Gablewith a smile and great light in his eyesis fascinating as the elegant, heroic gentleman ... He is perfect as the ladies man... His dramatic high point is his scene crying in Melanie's presence... His love scenes with Scarlett give the picture a vibrancy that is one of its great attractions... The film begins with their first stormy meeting in the library at Twelve Oaks and intensifies at the Atlanta bazaar, when he shocks the confederacy by bidding $l00 "in gold," to dance with the newly widowed Mrs. Hamilton who cares for nothing but herself
Hattie McDaniel gives a rich characterization as Mammy, Scarlett's shrewd black servant who was never fooled by Scarlett's airs and tears...
With a memorable music score by Max Steiner, the film was an instant classic, winner of eight Academy Awards...
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