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Kill List (2011)

6.2
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Ratings: 6.2/10 from 14,173 users   Metascore: 67/100
Reviews: 154 user | 222 critic | 22 from Metacritic.com

Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.

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3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jay
...
Shel
Harry Simpson ...
Sam
...
Gal
Emma Fryer ...
Fiona
...
The Client
...
Hotel Receptionist
...
Justin
Gemma Lise Thornton ...
Keira
...
Stuart
Zoe Thomas ...
Hotel Waitress
Gareth Tunley ...
The Priest
Jamelle Ola ...
Hotel Receptionist 2
...
The Librarian
Damien Thomas ...
The Doctor
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Storyline

Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.

Add Full Plot | Add Synopsis

Genres:

Crime | Horror | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

2 September 2011 (UK)  »

Also Known As:

Halállista  »

Box Office

Budget:

£500,000 (estimated)

Opening Weekend:

$9,838 (USA) (3 February 2012)

Gross:

$26,297 (USA) (2 March 2012)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Wilhelm Scream: When Gal fires his shotgun at the masked pursuers just after the hanging. See more »

Goofs

In the hotel lobby, Jay uses a chip and pin payment for their room. It is obvious that the Visa card being used is put in the wrong way round. The chip is directly below the Visa logo in the top left hand corner of the card which can easily be seen whilst in the card reader. See more »

Quotes

Gal: I fucking hate dirty soap.
See more »

Connections

References The Muppet Show (1976) See more »

Soundtracks

"It Could Have Been Better"
Written by Joan Armatrading and Pam Nestor
Published by Onward Music Ltd./Bucks Music Group Ltd.
Courtesy of Tuesday Productions Ltd./Onward Music Ltd.
See more »

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User Reviews

Our favourite movie of Toronto International Film Festival's Midnight Madness Series
19 September 2011 | by (Canada) – See all my reviews

Lodging itself eventually in the creepy-people-doing-creepy-things tradition of religious/occult horror films like The Wicker Man and Rosemary's Baby, director Ben Wheatley's hit-man horror flick Kill List comes on, initially, like a bad-boy bit of British Social realism.

It's rough around the edges, shaggy and idiosyncratically edited, with dialogue so unpolished and authentic-seeming that it's occasionally hard to decipher. It's filled with a handful of legitimately great performances by actors allowed to work improvisationally, seemingly, lending the first half of the film an incredibly charming unpredictability, a low-key volatility that had me bouncing back and forth between moments of disturbing darkness and happy familial pleasantries. Then it gets really crazy.

Jay and Gal are ex-army, estranged friends and partners in crime. Eight months after a disastrous (and mysterious) gig in Kiev, Jay's home life is disintegrating, and after a raucous dinner party with his ex-partner and his creepy new girlfriend he agrees to get back in the saddle and take a job. They're given a list - three targets - and soon they're settling back into a charmingly macabre groove, carousing "salesmen" on the road from town to town and target to target. But after an inadvertent discovery during a routine bit of hit-man work derails their plans, the pair realize they may be part of something much bigger

  • and much darker - than a back-room murder-for-hire.


Kill List a stunning piece of very smart genre filmmaking. Wheatley not-so-gently inserts chunks of spooky, disturbing horror into what's already a charmingly dark kitchen sink drama. It's this transition - that either a social realist framework can be twisted into a framework supporting high horror or that a horror film can work filled with improvisational dialogue and broody bits of working-class British anxiety - that makes the film such an immense, jarring pleasure.

Will it work for horror fans used to slick, post-'80s supernatural spookery? Will Ken Loach fans do with a little blood and forest horror? Who knows. For fans of both, it's a stunning - literally - hybrid, something completely unexpected, a real discovery. Kill List is a brilliant idea, brilliantly well executed.


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