The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
Clark Kent, an alien of a now extinct race disguised as a bystander of our kind is forced to reveal his true identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
As the Clone Wars near an end, the Sith Lord Darth Sidious steps out of the shadows, at which time Anakin succumbs to his emotions, becoming Darth Vader and putting his relationships with Obi-Wan and Padme at risk.
On the day of James Kirk's birth, his father dies on his ship in a last stand against a mysterious alien time-traveling vessel looking for Ambassador Spock, who, in this time, is also a child on Vulcan disdained by his neighbors for his half-human heritage. Twenty-five years later, Kirk has grown into a young troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy instructors like young Commander Spock. Suddenly, there is an emergency at Vulcan and the newly commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of it begins. Written by
Kenneth Chisholm (email@example.com)
In early drafts of the script, Delta Vega was originally written as a desert planet, rather than a snow planet, which was more in line with the planet of the same name seen in the original series second pilot, Star Trek: Where No Man Has Gone Before (1966). See more »
When Chekov is briefing the crew on his plan to catch up to the Narada, there is a close-up shot of Bones turned to his left listening with Sulu standing off to his left side. The next shot of everybody standing around shows Bones angled more to the right and Sulu is behind him. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
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There are no opening credits in the film except for the title card, making this the second consecutive Star Trek film that doesn't list its cast at the beginning. See more »
I should start this by saying that I always leaned more toward Star Wars than Star Trek. I've memorized much of the Star Wars epic sci-fi fantasy and numerous characters, but the universe of Star Trek is one I have not really explored. The beauty of this film is that you can be a hard core Trek-fan or a simple lover of sci-fi or action and still find this an incredibly enjoyable movie. I myself was surprised when I first saw it, seeing all the relatable humor it was pouring out, but unlike the redundant idiocy of let's say Michael Bay, the jokes are welcome and don't go too far.
The cast is pretty well put together, and each character is pretty memorable and involved quite well. Eric Bana was excellent as Nero, not to mention Bruce Greenwood is awesome as well. Zachary Quinto is the beloved Spock and for one of those hyper-intelligent characters it's a character you will end up feeling emotionally drawn to. The story never drags at all and it's all together a pretty well written piece of sci-fi I must add. To be honest Chris pine is great in the movie, it's just that at times he too much of an archetype 'bad-ass', dare I say it? How many times have I seen a drunken protagonist in a bar starting a fight with a guy and/or trying to get a girl who views him as trash. Other than that, though, he does fine, and the rest of the cast is no less than good.
The cinematography was beautiful on its own, let alone the action scenes. Speaking of which, a new bar for space battles has been set. And the score by Michael Giacchino and Alexander Courage was not too shabby. In fact I thoroughly embraced it. I consider it a must see, being one of those rare sci-fi gems anyone can enjoy.
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