The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
On the day of James Kirk's birth, his father dies on his damaged starship in a last stand against a Romulan mining vessel looking for Ambassador Spock, who in this time, has grown on Vulcan disdained by his neighbors for his half-human heritage. 25 years later, James T. Kirk has grown into a young rebellious troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy academy instructors like Commander Spock. Suddenly, there is an emergency on Vulcan and the newly-commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of the legend begins. Written by
The audio effects were designed by Sound Effects Technician Ben Burtt, who is noted for his work on Star Wars: Episode IV - A New Hope (1977). To recreate the sounds of photon torpedoes and warp drive, Ben Burtt capped a long spring against a contact microphone, and mixed in the sound of cannon fire. To give a musical hum to the sounds of warping and transporting, Burtt used a 1960s oscillator. See more »
In Star Trek, Captain Kirk mentions a Federation/Romulan War many years previously. The war was conducted through starship battles and the treaty for it was negotiated via subspace radio, so Romulans and Federation citizens never saw each other prior to that point in time. This means that the Federation knew about the Romulans and general background information about their ships (what radio frequencies were used, power signatures, etc.) long before the scene with the USS Kelvin in the movie which resulted in altering later history. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
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After the closing credits, the sound of the Enterprise is heard one more time. See more »
There was no way that this reboot was going to avoid all references to either the original series of Star Trek or the other spin-off series - anyone going in to see this film had to accept that as a given. But any cheesy bits (of which there were relatively few) are blown away by the sheer beauty and bravado of this film.
I was a fairly big Trekkie in my youth, but in the last 10 years only really kept up with it by watching a few new episodes here and there and seeing the big screen outings (OK, I admit that I have all 10 films on special edition DVD - £47 was a bargain!) - but Abrams' vision here has me thinking the new franchise will be even better than what has come before.
What made this film special for me was not the story (remarkably good, bearing in mind that, like the first film in any new franchise, it's backbone was character development). What made this film for me was the....photography? Can you even call CGI photography? Well, either way, this film was a visual feast. The way that scale was conveyed was breath-taking. I'm not sure whether I read this somewhere or if I can take credit for it myself, but the difference came in the way that Abrams shoved aside the traditional Star Trek view of Enterprise as a lumbering naval ship and took a more Star Wars-esquire dogfight approach. This has set a high standard for a new era of Star Trek that I hope will spawn at least a couple more films.
It's not that I wasn't impressed with the character development, the acting, the script or the story - it's just that this film looked so gorgeous that I haven't been able to think of anything else since I saw it last night! But sufficed to say, this was overall an excellent feature. It might not quite deserve a 100% rating, but it's worth more than 90% in my eyes - so, by rounding up, it gets 10/10 from me! Final warning: see this film in the cinema. Do not wait for it to come out on DVD. It. Will. Not. Do. It. Justice.
JJ, you've won a fan!
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