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Jane Eyre (2011)

 -  Drama | Romance  -  9 September 2011 (UK)
7.4
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Ratings: 7.4/10 from 49,348 users   Metascore: 76/100
Reviews: 157 user | 266 critic | 35 from Metacritic.com

A mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.

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(as Cary Joji Fukunaga)

Writers:

(novel), (screenplay)
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Nominated for 1 Oscar. Another 7 wins & 14 nominations. See more awards »

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Cast

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Miss Abbot
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Storyline

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever? Written by Mel Bellis in the U.K.

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements including a nude image and brief violent content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

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Release Date:

9 September 2011 (UK)  »

Also Known As:

Dzeine Eir  »

Box Office

Opening Weekend:

$182,885 (USA) (11 March 2011)

Gross:

$11,232,825 (USA) (8 July 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The location of Jane's cottage was so isolated that there was no cell phone reception. A member of the crew had to be stationed in a nearby phone booth with a walkie talkie in case the crew needed anything - he didn't complain, however, as the local residents brought him tea and cookies throughout the day. See more »

Goofs

The teacup that Jane is drinking out of is Belleek. Belleek porcelain was first produced in 1863 and was not widely available outside Ireland until the mid-1860s while the blue mark on Jane's cup was first used in 1993. See more »

Quotes

Rochester: I offer you my hand, my heart. Jane, I ask you to pass through life at my side. You are my equal and my likeness. Will you marry me?
Jane Eyre: Are you mocking me?
Rochester: You doubt me.
Jane Eyre: Entirely.
See more »

Connections

Version of Jane Eyre (1968) See more »

Soundtracks

Piano Sonata No. 11 In A Major, K.331, Third Movement: 'Alla Turca'
(C. 1783)
Composed by Wolfgang Amadeus Mozart
Performed by Dario Marianelli
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A worthy new version of "Jane Eyre" with marvelous visuals and excellent performances
8 March 2011 | by (United States) – See all my reviews

Charlotte Brontë's "Jane Eyre" has been my favorite book since I was 11 years old. The tale of a feisty orphan-girl-turned-governess who finds true love in a spooky mansion and ultimately redeems a tormented hero has made it to the top of every "Best Love Stories" list since it was first published in 1847, and with good reason. It's the perfect Gothic novel, melding mystery, horror, and the classic medieval castle setting with heart-stopping romance.

There have been at least 18 film versions of "Jane Eyre" and 9 made-for-television movies--27 in all! I have seen most of them, some multiple times–-both out of my deep love for the tale, and as part of the research for my novel "The Secret Diaries of Charlotte Brontë," the true story of Charlotte's remarkable life, her inspiration behind "Jane Eyre," and her turbulent, real-life romance.

Every screen version of JANE EYRE has its merits. I especially loved Timothy Dalton's portrayal of Mr. Rochester in the 1983 mini-series, and the 2006 Masterpiece Theatre mini-series starring Ruth Wilson and Toby Stephens. I was very curious to see how the new JANE EYRE adaptation from Focus Films would measure up. I am happy to report that the film, which I saw last night at an advance screening, is very good indeed, with marvelous visuals, terrific performances, and enough unique elements to make it a worthy new addition.

The most notable distinction that sets this film apart from the rest is its structure. Rather than telling the tale in a linear fashion, it begins at a crisis moment later in the story, and tells the majority of the tale in flashback–-which works wonderfully well, enabling screenwriter Moira Buffini to effectively compress a long novel into a two-hour time span.

The movie opens as Jane is fleeing Thornfield after having discovered Mr. Rochester's dark and heartbreaking secret. We fear for her as she becomes lost on the stormy moor. The mystery continues as St. John Rivers (well-played by a sympathetic yet appropriately stern Jamie Bell) and his sisters take her in. As Jane ruminates about the past events that led to her escape, we are treated to the story in flashback.

The casting of Mia Wasikowska as Jane Eyre also sets this production apart, since she is closer in age than most actresses who've played the role to the character in the novel, who was about 18 years old in the Thornfield section. Although I wish Mia's Jane was a bit more "swoony" over Mr. Rochester earlier on (yes, she is supposed to be stoic, but I missed that phase where we get to see her blossom as she falls in love with him, and then is utterly crushed when she believes him to be in love with Miss Ingram), Mia truly inhabits the role, beautifully portraying Jane's sense of self-respect, integrity, and restraint, as well as her passion and vulnerability.

Michael Fassbender embodies Mr. Rochester with the ideal blend of charisma and sinister brooding, while at the same time allowing glimpses of his underlying desperation and the wounded depths of his soul. Sally Hawkins as Mrs. Reed effectively portrays the icy ogre who menaces the young Jane (a spirited and appealing Amelia Clarkson.) And Judi Dench, as always, gives a superb performance as housekeeper Mrs. Fairfax.

The film's locations do justice to the novel's often gloomy, atmospheric tone. Director Cary Fukunaga makes excellent use of Haddon Hall in Derbyshire, one of the oldest houses in England, as Thornfield Hall, emphasizing its dark, Gothic, masculine feel. The exterior locations--gardens, cliffs, craggy rocks, stone walls, and seemingly endless fields--make an arresting, dramatic backdrop for the story. You truly feel as though you are in the middle of nowhere.

My only minor gripes are that when Mr. Rochester's secret is revealed, it feels a little too prettified, and the ending was too abrupt for me. But that aside, the filmmakers have done a masterful job translating the novel to the screen. I highly recommend it! --Syrie James


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