In this revisionist drama, the film delves into the family lineage of Wyatt Williams, the character made famous by Peter Fonda in the original Easy Rider Movie. Centering around the ... See full summary »
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ... See full summary »
Richmond L. Aguilar
At first gas station attendant Poet is happy when the rockers gang "Hell's Angels" finally accepts him. But he's shocked when he learns how brutal they are - not even murder is a taboo to ... See full summary »
In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul ... See full summary »
Peter Fonda got the idea for this movie after seeing a picture of himself and Bruce Dern on their motorcycles. He got Dennis Hopper (who was planning to get out of the acting business and become a teacher at the time) involved when he promised him he could direct the film. See more »
In one of the riding across the bridge montage scenes, you can see the camera man filming from the trunk of a car, in the reflection of Wyatt's sunglasses. See more »
[Drinking his Jim Beam]
Here's the first of the day, fellas! To old D.H. Lawrence.
[He starts flapping one arm like a chicken]
Neh! Neh! Neh! Fuh! Fuh! Fuh! Indians.
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Over time, this rough diamond of a film has become a real gem in my collection. When I first saw it at the theater, I remember liking the anti-establishment attitude and the rock music soundtrack. Later, on T.V., I remember thinking what a great actor Jack Nicholson was...and how terribly low-budget the rest of the film appeared.
And now, over 30 years later....it's one of my favorite movies of all time. Peter Fonda tries to be Everyman....but he's really the most insecure individual of the group. His cathartic trip at the cemetary in New Orleans is embarrassingly honest to watch. His search is not for individual freedom...his search is for a family. And yet, he is always the outsider, the observer.
Dennis Hopper is the sidekick, the fool. And like a fool, he cannot hide his thoughts behind a socially acceptable demeanor. He constantly says exactly what he thinks. He has little patience for flower children, pretentious intellectuals, coy women, law officers, drunks in jail, or rednecks passing him on the road. Like a fool, he is doomed. Jack Nicholson is the core of the film. He does not appear until halfway through the bikers' odyssey, but the trip will not make sense until his face rises up from the jailhouse cot to peer bleary-eyed at his surroundings. He is the innocent man of this group....he is the AMERICAN. This movie is just another road picture, the way ON THE ROAD by Kerouac was just another travel book. This little counterculture movie is an American Classic.
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