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Easy Rider (1969)

 -  Drama  -  26 June 1969 (Sweden)
7.3
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Ratings: 7.3/10 from 53,343 users   Metascore: 86/100
Reviews: 337 user | 92 critic | 7 from Metacritic.com

Two counterculture bikers travel from Los Angeles to New Orleans in search of America.

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Title: Easy Rider (1969)

Easy Rider (1969) on IMDb 7.3/10

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Nominated for 2 Oscars. Another 10 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Antonio Mendoza ...
Jesus
...
Connection
Mac Mashourian ...
Bodyguard
Warren Finnerty ...
Rancher
Tita Colorado ...
Rancher's Wife
...
...
Lisa
Sabrina Scharf ...
Sarah
Sandy Brown Wyeth ...
Joanne (as Sandy Wyeth)
...
Jack (as Robert Walker)
Robert Ball ...
Mime #1
...
Mime #2
Ellie Wood Walker ...
Mime #3 (as Ellie Walker)
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Storyline

Wyatt and Billy are two motorcycle riders (bikers) on their way to Mardis Gras, and encounter hitchhikers, a drunken lawyer, a jail cell, a whorehouse and the death of a friend. Written by Aaron Horne

Plot Summary | Plot Synopsis

Taglines:

This Year It's Easy Rider See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

26 June 1969 (Sweden)  »

Also Known As:

The Loners  »

Box Office

Budget:

$400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Stephen Stills wrote the song "Find the Cost of Freedom" at Dennis Hopper's request, for use with the final scene (when the camera pans up into the sky). Hopper ended up not using it, and the song was eventually released as the B-side to Crosby Stills Nash & Young's single "Ohio". CSNandY often used it to close their concerts. See more »

Goofs

The watch shown thrown on the ground is a cheap Timex, yet Wyatt wears a Rolex. See more »

Quotes

George Hanson: [holding up a business card] The governor of Louisiana gave me this. Madame Tinkertoy's House of Blue Lights, corner of Bourbon and Toulouse, New Orleans, Louisiana. Now, this is supposed to be the finest whorehouse in the south. These ain't no pork chops! These are U.S. PRIME!
See more »

Connections

Referenced in General Hospital: Episode #1.12144 (2010) See more »

Soundtracks

"When the Saints Go Marching In"
(uncredited)
Traditional
Heard at the Mardi Gras
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

more than meets the eye
5 March 1999 | by (Reno) – See all my reviews

There is so much going on in the multi-layered Easy Rider. For one thing, it doesn't glorify hippies. In fact, Hopper and Fonda are really just businessmen, out to make the big score. They're quintessentially American -- Fonda calls himself Captain America, and wears an American flag on his leather jacket, and has red, white and blue painted on his chopper's gas tank. These guys really just want to make money, not change society. If it were the 80's, they'd be selling computers. Also, some interesting symbolism -- Fonda puts the stash of money resulting from the drug sale in his gas tank -- in other words, money fuels the American dream.

This film is also an anti-Western. Instead of heading west, these guys head east. They pass through Monument Valley, site of many John Ford westerns. At an early point, they fix their choppers in a barn while a farmer fixes the horseshoes for his horse.

There is a structure to this seemingly freewheeling tale: the trip starts out idealistically. After they go to the commune, Fonda and Hopper skinny-dip with two hippie chicks in a bucolic, peaceful setting. The music is laid-back, the Byrds, the drug used is marijuana. It's an idealized example of "free love." Later, in New Orleans, our two heroes hook up with two prostitutes -- so much for free love. Fonda breaks down during an acid trip, and instead of music we hear the jarring sounds of an industrial, urbanized landscape -- geographically and symbolically far away from that Arizona commune.

This film doesn't glorify the hippie ethos -- in fact, it almost seems like a neo-conservative critique on the limitations of the hippie experience. Late in the film, Fonda tells Hopper, "We blew it," a line that prefigures the ultimate disillusionment that set in during the early 70's, when the Age of Aquarius gave way to Watergate, malaise, Reagan and rampant consumerism.


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Message Boards

Recent Posts
Easily one of the top three worst movies I have ever seen Beverwyk
ridiculous demonization of the American South eric102
Why does Wyatt say: We blew it? ahnenthor
After watching it for the 23rd time, it occurred to me... mydoglouis
these 'hicks', do they really exist? p-graves
recommendations for other films of this style? cexanatos
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