In this revisionist drama, the film delves into the family lineage of Wyatt Williams, the character made famous by Peter Fonda in the original Easy Rider Movie. Centering around the ... See full summary »
At first gas station attendant Poet is happy when the rockers gang "Hell's Angels" finally accepts him. But he's shocked when he learns how brutal they are - not even murder is a taboo to ... See full summary »
In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul ... See full summary »
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ... See full summary »
Richmond L. Aguilar
Peter Fonda was an experienced motorcycle rider and the bike he rides in the movie is seriously stretched and raked and has tall "apehanger" style handlebars. Dennis Hopper was not as experienced a rider, therefore his bike is less radically chopped. See more »
In the jail scene where they first meet George, you can see the shadow of the boom mic on the wall as George and Billy walk across the jail cell after Billy is given a cigarette by the guard. See more »
There is so much going on in the multi-layered Easy Rider. For one thing, it doesn't glorify hippies. In fact, Hopper and Fonda are really just businessmen, out to make the big score. They're quintessentially American -- Fonda calls himself Captain America, and wears an American flag on his leather jacket, and has red, white and blue painted on his chopper's gas tank. These guys really just want to make money, not change society. If it were the 80's, they'd be selling computers. Also, some interesting symbolism -- Fonda puts the stash of money resulting from the drug sale in his gas tank -- in other words, money fuels the American dream.
This film is also an anti-Western. Instead of heading west, these guys head east. They pass through Monument Valley, site of many John Ford westerns. At an early point, they fix their choppers in a barn while a farmer fixes the horseshoes for his horse.
There is a structure to this seemingly freewheeling tale: the trip starts out idealistically. After they go to the commune, Fonda and Hopper skinny-dip with two hippie chicks in a bucolic, peaceful setting. The music is laid-back, the Byrds, the drug used is marijuana. It's an idealized example of "free love." Later, in New Orleans, our two heroes hook up with two prostitutes -- so much for free love. Fonda breaks down during an acid trip, and instead of music we hear the jarring sounds of an industrial, urbanized landscape -- geographically and symbolically far away from that Arizona commune.
This film doesn't glorify the hippie ethos -- in fact, it almost seems like a neo-conservative critique on the limitations of the hippie experience. Late in the film, Fonda tells Hopper, "We blew it," a line that prefigures the ultimate disillusionment that set in during the early 70's, when the Age of Aquarius gave way to Watergate, malaise, Reagan and rampant consumerism.
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