The Beatles--the world's most famous rock and roll band--travel from their home town of Liverpool to London to perform in a television broadcast. Along the way they must rescue Paul's unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert. Written by
Jim Beaver <firstname.lastname@example.org>
The people chasing The Beatles into the train at the beginning of the film are real fans. See more »
In the train carriage, just before "I Should Have Known Better", a mic can be seen in the corner when John says "cor, it's the girls". See more »
[the boys are listening to the radio]
Man on Train:
And we'll have that thing off as well, thank you.
Man on Train:
An elementary knowledge of the Railway Acts would tell you that I'm perfectly within my rights.
Yeah, but we want to hear it, and there's more of us than you. We're a community, like, a majority vote. Up the workers and all that stuff!
Man on Train:
Then I suggest you take that damned thing to the corridor or some other part of the train where you obviously belong.
[Leaning over to the man]
Give us a kiss.
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The opening credits are superimposed over the action. The Beatles are running from a mob of fans while the title track plays. See more »
I was in my mid-thirties when the Beatles came to America, and appeared at Shea Stadium and (famously) on the Ed Sullivan. I saw their success, with the screaming girls, as just another teen-age phenomenon. I must have read in some column that this film was interesting for its direction and photography. That was true. What I did not expect was that I would be caught up by the Beatles themselves, both as personalities and as musicians. Those who comment adversely on their lack of acting ability are way off base, because neither they nor the director were looking for dramatic skill; only for a degree of naturalness, which was achieved. Those who criticize the technical aspects are not well-acquainted with new developments in film technique especially in France; for instance, the jump shot. Those who criticize lack of plot must be interested only in straight narrative. I suggest that all the previously mentioned critics see the documentary materials on the making of the film, particularly those contained in the DVD set. They will see, for better or worse, that the creators and performers achieved what they wanted, allowing room for the unexpected. For forty years now I have been an admirer, own all their recordings, etc.; and taught this movie in my history of film class regularly. Don't believe the nay-sayers; see for yourself.
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