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Taxi Driver (1976)

 -  Crime | Drama  -  8 February 1976 (USA)
8.4
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Ratings: 8.4/10 from 385,163 users   Metascore: 93/100
Reviews: 801 user | 202 critic | 8 from Metacritic.com

A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.

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Title: Taxi Driver (1976)

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Top 250 #76 | Nominated for 4 Oscars. Another 27 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Concession Girl (as Diahnne Abbot)
Frank Adu ...
Angry Black Man
...
Melio (as Vic Argo)
Gino Ardito ...
Policeman at Rally
Garth Avery ...
Iris' Friend
...
...
Tom
Harry Cohn ...
Cabbie in Bellmore
Copper Cunningham ...
Hooker in Cab
...
Travis Bickle (as Robert DeNiro)
...
Soap Opera Woman
Harry Fischler ...
Dispatcher
...
Nat Grant ...
Stick-Up Man
Leonard Harris ...
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Storyline

Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

On every street in every city, there's a nobody who dreams of being a somebody. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

8 February 1976 (USA)  »

Also Known As:

Taksist  »

Box Office

Budget:

$1,300,000 (estimated)

Gross:

SEK 6,283,970 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(re-release)|

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Bernard Hermann's wife says that when Scorsese, then relatively unknown, called her famous husband to ask Hermann to do the score, he at first refused saying, "I don't write music for car movies." Hermann only accepted after reading the script, and then wrote a highly original score using dissonant brass to punctuate the inner emotions of Travis. After the initial scoring sessions, Scorsese called his composer again, insisting that he needed one more musical cue--a sting, a single frightening chord. Hermann called back a studio orchestra who were paid a day's work for that one effect. Shortly after that ultimate session, Hermann died at the age of 64. He had begun his film career in Hollywood writing the music for Citizen Kane in 1941. See more »

Goofs

When Travis is talking to the Wizard, facing the street, flashing lights from a police car appear on Travis' face. The camera immediately goes to Wizard, who is facing Travis, with no police car behind him. Seconds later a police car pulls up, lights flashing, across the street. See more »

Quotes

[first lines]
[a telephone rings loudly]
Personnel Officer: [to the dispatcher] Harry, answer that.
[to Travis]
Personnel Officer: So whaddya want to hack for, Bickle?
Travis Bickle: I can't sleep nights.
Personnel Officer: There's porno theaters for that.
Travis Bickle: Yeah, I know. I tried that.
Personnel Officer: So what do you do now?
Travis Bickle: Well, I ride around nights mostly... subways, buses... I figure, you know, if I'm gonna do that I might as well get paid for it.
See more »

Connections

Features Ur kärlekens språk (1969) See more »

Soundtracks

Hold Me Close
Lyrics by Keith Addis
Music by Bernard Herrmann
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Diary of a madman
13 February 2006 | by (Paris, France) – See all my reviews

The script of "Taxi Driver" is built like a diary, the diary of a very ordinary guy who gets hired as a night taxi driver back from Vietnam, because he can't sleep at night. A very ordinary guy who tries to break his isolation, but can't, while violence accumulates inside him. One of those unnoticed people with dark things on their mind, one of those who break up the news one day with some extraordinary outburst of rage, to fall back immediately into anonymity.

The gradual transformation of man into beast in this movie is chilling. It's still funny and pathetic when the hero threatens himself in front of the mirror ("you're talking to me?"), but when he comes out with a mohawk hairdo and dark glasses, it is obvious that nasty stuff is going to take place. As in "A Clockwork Orange", violence is recuperated by society depending on what purpose it is used for. Whereas he was about to murder the candidate for presidency, "god's lonely man" fails and instead kills a vicious pimp who exploits teenage prostitutes. The potential criminal becomes a hero for a day.

Such stories happen everywhere of course, but it seems that the bewildering atmosphere of New York City's summer night was the best choice. "Taxi Driver" gives us a very realistic approach of New York, in a way that is not seen on screen so often, at least not anymore, whilst that city is probably the one in the world that has been filmed the biggest number of times.

Most of the movie takes place at night. The credits open on the blazing lights of the yellow taxi cab moving slowly in the dark rainy streets. A kaleidoscope of neonlight appears through the dripping windows as the driver's eyes blink in the front mirror. The night is the hero's universe, it's the time when "all the animals come out", as he says. By contrast, the few daylight scenes look somewhat off-key, but this was definitely intentional.

The final scene still appears today as extremely violent, but at least, it shows murder for what it is. Brutal, ugly, crude. It is something one tends to forget about after seeing so many police series where people get shot so often that it gets casual. Real violence is not casual when you face it, and here is a film that makes you face it.

The directing is first class and deservedly made path for Scorsese as a world renowned artist. Some techniques he used here are unusual for American cinema, like focusing on details for a few seconds. The movie is enhanced by an excellent music soundtrack by jazz composer Bernard Herrman who died before the picture was even released.

Two of the actors also deservedly made it to stardom. Robert de Niro plays a very unglamorous character, but his presence on screen is so intense that it's no wonder it made such an impression. As for Jodie Foster, she already appeared in films as a child, but playing a teenage prostitute was certainly not an easy challenge, and probably it was that role that really turned her into a major actress.

"Taxi Driver" was a big hit when it came out, both for the public and the critics. It won the Palme d'Or in Cannes, and served as a trend setter for many later films, like for instance Quentin Tarantino's and Abel Ferrara's. But even today, the original model seems difficult to emulate, probably because achieving a masterpiece is a rare thing, by definition.


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