IMDb > Rear Window (1954)
Rear Window
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Rear Window (1954) More at IMDbPro »

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Rear Window (1954) -- A wheelchair bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder.
Rear Window (1954) -- ZuGuide.com - Trailer (Flash)
Rear Window (1954) -- Sinematurk - Trailer (Flash)
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Overview

User Rating:
MOVIEmeter: ?
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Director:
Alfred Hitchcock
Writers:
John Michael Hayes (screenplay)
Cornell Woolrich (short story "It Had to Be Murder")
Contact:
View company contact information for Rear Window on IMDbPro.
Release Date:
14 January 1955 (Japan) more
Tagline:
Through his rear window and the eye of his powerful camera he watched a great city tell on itself, expose its cheating ways...and Murder! more
Plot:
A wheelchair bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder. full summary | full synopsis
Plot Keywords:
more
Awards:
Nominated for 4 Oscars. Another 4 wins & 5 nominations more
NewsDesk:
(46 articles)
North By Northwest Blu-ray Review
 (From Collider.com. 7 November 2009, 10:02 AM, PST)

Posters To Drool On
 (From FilmExperience. 2 November 2009, 11:41 AM, PST)

User Comments:
In the mid-fifties, Hitchcock brought remarkable suspense by reverting to the logic of a silent film (with an observer behind the lens as the hero) more (466 total)
US TV Schedule:
Thur. Nov. 1210:00 PMTCM   

Cast

  (Cast overview, first billed only)

James Stewart ... L. B. 'Jeff' Jefferies

Grace Kelly ... Lisa Carol Fremont
Wendell Corey ... Det. Lt. Thomas J. Doyle
Thelma Ritter ... Stella
Raymond Burr ... Lars Thorwald
Judith Evelyn ... Miss Lonelyhearts
Ross Bagdasarian ... Songwriter
Georgine Darcy ... Miss Torso
Sara Berner ... Wife living above Thorwalds
Frank Cady ... Husband living above Thorwalds
Jesslyn Fax ... Sculpting neighbor with hearing aid
Rand Harper ... Newlywed man
Irene Winston ... Mrs. Anna Thorwald
Havis Davenport ... Newlywed woman
Marla English ... Girl at songwriter's party
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Create a character page for: ?

Additional Details

Also Known As:
Alfred Hitchcock's Rear Window (USA) (complete title)
more
Runtime:
112 min
Country:
USA
Language:
English
Color:
Color (Eastmancolor) (negative) | Color (Technicolor) (prints)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
USA:PG (re-rating) (1983) (cerfiticate no. 27069) | Canada:A (Nova Scotia) (1983) | Canada:G (Quebec) (1983) | Canada:PG (Manitoba/Ontario) | USA:Approved (PCA #16938) | Portugal:M/12 | Spain:T | Iceland:L | Germany:12 | West Germany:16 (f) | Brazil:12 | Sweden:11 (re-rating) (1984) | Sweden:15 (original rating) (1955) | New Zealand:PG | Italy:T | Argentina:13 | Australia:PG | Chile:14 | Finland:K-8 | France:U (2000 re-release) | Netherlands:AL | Norway:16 | South Korea:15 | UK:PG | Peru:14 | Singapore:PG

Fun Stuff

Trivia:
Joe Flynn was cast in the movie, but his scene was cut. more
Goofs:
Continuity: Lisa takes the binoculars away from Jeff and wraps the neck cord around them before putting them on a small cupboard. When Jeff picks up the binoculars later, the neck cord is no longer wrapped around them. more
Quotes:
[first lines]
Voice on radio: Men, are you over 40? When you wake up in the morning, do you feel tired and rundown? Do you have that listless feeling...
[the camera pans around the courtyard; cut to later in the day]
Jeff: [answering phone] Jefferies.
Gunnison: Congratulations, Jeff!
Jeff: For what?
Gunnison: For getting rid of that cast!
Jeff: Who said I was getting rid of it?
Gunnison: This is Wednesday; seven weeks from the day you broke your leg. Yes or no?
Jeff: Gunnison, how did you ever get to be such a big editor with such a small memory?
[...]
more
Movie Connections:
Referenced in "Evening Shade: Rear Window (#2.11)" (1991) more
Soundtrack:
Excerpt from 'Fancy Free' more

FAQ

How much sex, violence, and profanity are in this movie?
What happened to Miss Lonelyheart in the end?
What did the little dog dig up in the garden?
more
33 out of 47 people found the following comment useful.
In the mid-fifties, Hitchcock brought remarkable suspense by reverting to the logic of a silent film (with an observer behind the lens as the hero), 15 January 2004
Author: MisterWhiplash from United States

Many reviewers and critics have commented on Alfred Hitchcock's theme of the voyeur in Rear Window (the mere thought of a voyeur in a suspense film conjures up images from other classic Hitchcock films), and I felt that voyeuristic bug as well. But I realized something that I hadn't thought of as I watched it for the first time- this is a return for Hitchcock to his skills as a master of silent-film chills. As L.B. Jeffries (Jimmy Stewart in one of his most infamous performances) is in his wheelchair viewing out one perspective to other inhabitants in the apartment, the audience views right along-side him. So, for more or less 50 percent of the film, the only sounds we hear are the sounds of mere realism, as Hitch's camera keeps a close eye on things.

As the thrills build in the second hour of the film there is considerably more dialog than the first hour. This could, and occasionally does, present a challenge for the audience member that could either be accepted & payed off or resented- can one sit back and just watch things unfold as in a film from the 20's? Personally, the experience of seeing these events unfold and increase was near electrifying. Along with Stewart's performance, which ranges from amusing to terrified, compelling to frightened (i.e. Hitch's 'everyday man'), there's Grace Kelly as Lisa, who carries her own beauty & inner conflicts, and Raymond Burr as Thorvold, who could have things going a little better with his wife.

If we empathize with Jeff, it's because we become as much apart of his mind-set/POV as he already is, and that's the ticket to the film's true success. Not only is there a magnetic kind of skill to which Hitchcock (and cinematographer Robert Burks) presents us with the apartments' supporting and minor characters and how their fates are played out against the enclosed backdrop, but the psychology of Jeff becomes parallel, or against, to the audience's. This is the story of one man's temptation and compulsion to be involved with those he can see (much like movie-goers have with any given film), and how perception of the realities around him become ours. Rear Window may have become dated for some movie-goers, particularly since the theme has been played on by other movies and TV shows (like The Simpsons for example). Yet there is a certain effectiveness to it all, even in the earlier scenes, that holds an edge over imitators. A+

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Boring beginning bert_stevie
Grace Kelly hyperchipper
Never did understand this scene... homesick251960
Best movies of the 50s oneplussixi
Why .... Scorsesefellow
How did Thorwald know Jeff's number? Ximmerlaik
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