Victor Frandsen is a domestic tyrant. His wife Ida has to work as a slave for him and the rest of the family. She rises early to prepare everything for the day, she toils all day long, and ... See full summary »
Carl Theodor Dreyer
A historical view of witchcraft in seven parts and a variety of styles. First, there is a slide-show alternating inter-titles with drawings and paintings to illustrate the behavior of pagan... See full summary »
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical ... See full summary »
Young traveler Allan Grey, a student obsessed with the occult, arrives in a remote inn and starts seeing weird, inexplicable sights (a man whose shadow has a life of its own, a mysterious scythe-bearing figure tolling a bell, a terrifying dream of his own burial). Things come to a head when one of the daughters of the owner of a nearby castle is dying of what appears to be anemia - or is it something more sinister? Written by
Michael Brooke <firstname.lastname@example.org>
With its fragmented plot, eerie imagery, and air of undefined menace this film more nearly realises the dream state than any other film I've seen.
The story, which follows a young man's discovery of vampiric doings while on a trip to the country, is secondary to the fascinatingly uncanny mood generated by the cinematography and effective use of sound and silence.
Yes, yes, it's old and unconventional, and requires either some extra concentration or complete surrender to its unique world, but the effort is worth it.
Vampyr should especially appeal to fans of cinefantastique, cinema history and maybe even the arthouse crowd.
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