7.7/10
11,305
105 user 119 critic

Vampyr (1932)

Unrated | | Fantasy, Horror | 6 May 1932 (Germany)
A drifter obsessed with the supernatural stumbles upon an inn where a severely ill adolescent girl is slowly becoming a vampire.

Director:

(as Carl Th. Dreyer)

Writers:

(based on a book by) (as J. Sheridan Le Fanu), (screenplay) | 1 more credit »
Reviews

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Learn more

People who liked this also liked... 

Day of Wrath (1943)
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The young wife of an aging priest falls in love with his son amidst the horror of a merciless witch hunt in 17th century Denmark.

Director: Carl Theodor Dreyer
Stars: Thorkild Roose, Lisbeth Movin, Sigrid Neiiendam
Gertrud (1964)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson

Director: Carl Theodor Dreyer
Stars: Nina Pens Rode, Bendt Rothe, Ebbe Rode
Ordet (1955)
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

Follows the lives of the Brogen family, as they deal with inner conflict, as well as religious conflict with one and other, and the rest of the town. The various events that unfold throughout the film tests all of their faith and beliefs.

Director: Carl Theodor Dreyer
Stars: Henrik Malberg, Emil Hass Christensen, Preben Lerdorff Rye
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A chronicle of the trial of Jeanne d'Arc on charges of heresy, and the efforts of her ecclesiastical jurists to force Jeanne to recant her claims of holy visions.

Director: Carl Theodor Dreyer
Stars: Maria Falconetti, Eugene Silvain, André Berley
Körkarlen (1921)
Drama | Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »

Director: Victor Sjöström
Stars: Victor Sjöström, Hilda Borgström, Tore Svennberg
Häxan (1922)
Documentary | Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Fictionalized documentary showing the evolution of witchcraft, from its pagan roots to its confusion with hysteria in modern Europe.

Director: Benjamin Christensen
Stars: Benjamin Christensen, Elisabeth Christensen, Maren Pedersen
Faust (1926)
Drama | Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

The demon Mephisto wagers with God that he can corrupt a mortal man's soul.

Director: F.W. Murnau
Stars: Gösta Ekman, Emil Jannings, Camilla Horn
Fantasy | Horror | Mystery
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Hypnotist Dr. Caligari uses a somnambulist, Cesare, to commit murders.

Director: Robert Wiene
Stars: Werner Krauss, Conrad Veidt, Friedrich Feher
Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.

Director: F.W. Murnau
Stars: Emil Jannings, Maly Delschaft, Max Hiller
Nosferatu (1922)
Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife.

Director: F.W. Murnau
Stars: Max Schreck, Greta Schröder, Ruth Landshoff
Cat People (1942)
Fantasy | Horror | Thriller
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An American man marries a Serbian immigrant who fears that she will turn into the cat person of her homeland's fables if they are intimate together.

Director: Jacques Tourneur
Stars: Simone Simon, Tom Conway, Kent Smith
L'Atalante (1934)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Newly married couple Juliette and a ship captain Jean struggle through marriage as they travel on the L'atalante along with the captain's first mate Le père Jules and a cabin boy.

Director: Jean Vigo
Stars: Dita Parlo, Jean Dasté, Michel Simon
Edit

Cast

Complete credited cast:
...
...
...
Gisèle
...
...
Der Dorfartz (The Village Doctor)
...
Albert Bras ...
Der alte Diener (The Old Servant)
N. Babanini ...
Seine Frau (His Wife)
Jane Mora ...
Die Krankenschwester (The Nurse)
Rest of cast listed alphabetically:
Georges Boidin ...
Limping Man
Edit

Storyline

Allan Gray arrives late in the evening to a secluded riverside inn in the hamlet of Courtempierre. An old man enters his room, puts a sealed parcel on the table, blurts out that some woman mustn't die, and disappears. Gray senses in this a call for help. He puts the parcel in his pocket, and goes out. Eerie shadows lead him into an old house, where he encounters a weird village doctor. The doctor receives a bottle of poison from a strange, old woman. Through the window of an old castle Grey recognizes the old man from the inn. A shadow shoots the man, who drops dead. Inside the house Grey finds his two daughters, Gisèle and Léone, and some servants. He opens the parcel, and finds an old book about vampires. Léone is seriously ill after being bitten by a vampire. Instead of helping her, the village doctor places the bottle of poison at her bedside table, and then abducts her sister Gisèle. An old servant starts reading the old book, and finds out that the vampire in Courtempierre is a ... Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Plot Synopsis

Plot Keywords:

vampire | doctor | book | servant | poison | See All (70) »

Genres:

Fantasy | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

|

Language:

Release Date:

6 May 1932 (Germany)  »

Also Known As:

Castle of Doom  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(DVD edition)

Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.19 : 1
See  »
Edit

Did You Know?

Trivia

Carl Theodor Dreyer preferred to work with non-professional actors, and most of the actors which appear in this film were amateurs that he met on the streets of Paris. The only professional actors in the film were Sybille Schmitz and Maurice Schutz. See more »

Goofs

At exactly 16 minutes (in the Criterion DVD) as the camera pans right, there is a reflection in a glass window of the camera operator cranking the camera. See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Vampyr that needs resurrecting
7 July 2006 | by (London) – See all my reviews

The major figure of Carl Theodor Dreyer is one of a select group of directors deemed 'transcendental' along with the likes of Ozu and Bresson. Paul Schrader and other critics identify them as those filmmakers who habitually suggest spiritual intensity by ordinary means. Characteristically austere, often using non-professional talent in their films, they find universal truths through a gradual un-dramatic revelation of interior life. All this means in this context is that one would think such directors far away from the flashy supernaturalism and ghastly melodrama normally making up so much of the traditional horror film, a genre where its the extraordinary providing the revelation for the audience, not the mundane. But then one remembers that both Dreyer and Bresson made memorable versions of Joan of Arc, where their representing of terrifying events showed how disturbing an emotionally stark and restrained approach could prove. And, in 1932, about as the first great Universal horror cycle was getting into its stride in Hollywood, Dreyer made his Vampyr.

It is interesting to compare Dreyer's great work with that of Murnau, the only other great director who made a broadly comparable title. Both the German director and the Dane took their inspiration from literary horror classics. Murnau based his Nosferatu (1922) on Dracula while, for his inspiration, Dreyer too turned to an English author: Sheridan le Fanu and his novel Carmilla. But the evil thrill of Nosferatu is that it takes place in a concrete 'reality' of sorts, ghostly special effects notwithstanding. By contrast Vampyr is a strange, dreamlike film, one virtually silent or subdued, despite its soundtrack. Moreover it mainly exists in variable prints, the poor state of which merely adds to the strange dislocatedness of unfolding events portrayed. Dreyer's terror lies in a world of shadows, surreality amplified by some remarkable cinematography, the roots of nightmare ever subtle, where camera movement can excite as much dread and anticipation as any vampire out clawing at a victim.

Vampyr's story, such as it is, tells of Allan Grey (Julian West), a man studious of vampires. In a small French town, he takes a room at an inn. His sleep is interrupted when a strange man (Maurice Shutz) comes into his room speaking disturbingly about death, then leaves a small package with instructions that it should be opened upon his death. Allen gets out of bed, and prowls around the inn and its spooky surroundings in search of an explanation. Eventually he wanders onto a nearby estate where he finds the mysterious man living with his two daughters. A vampire has bitten one of his daughters, and the house is shrouded in death...

Once seen and felt, the peculiarly eerie atmosphere that characterises Dreyer's work is never forgotten. Indeed, Vampyr's influence arguably began at once, for a similar tone of silent mystery pervades some scenes in White Zombie, incidentally one of Bela Lugosi's best, made just the same year - another film which made in sound which often plays like a silent. Like Vampyr, White Zombie includes several wordless sequences which are startlingly eerie and atmospheric. (Both this and present film are much better than Tod Browning's famous version of Dracula also made at about the same time, which these days seem positively wooden by comparison.) And, years later, Ken Russell was to mimic the premature burial sequence of Vampyr, glass windowed coffin and all, in his uneven Mahler while arguably a similar, dreamlike, touch can be found in the work of the French horror auteur Jean Rollin, who in the 1970s made of soft tinted vampirism almost a genre of its own.

Of his original film Dreyer said, "I wanted to create the daydream on film… to show that horror is not a part of the things around us, but of our own subconscious mind." To help achieve this, he and his cameraman Rudolph Mate shot much very early in the morning and frequently through fine gauze - a creative decision increasing the sense of mystery surrounding events. The resultant shimmer and softness which fell over scenes suggests the supernatural confusion felt by the hero, and add a spooky disconnectedness to events. Allied to this, as already noted, this is a work where one is acutely aware of camera placement and movement, of shadow and light. Dreyer's sensitive direction means that the lens becomes a lurking accompaniment to Grey's, and therefore our, unease.

Main actor Julian West, who also financed a lot of the picture, makes a suitable impression; part of the mood in what is his only significant film. Forty years later he again appeared again on screen, but with less impact. In retrospect nothing could compare to his appearance here, his pale, Lovecraftian features perfectly in tune with the gloomy goings on. His anonymous freshness as an actor makes of him an everyman, a dramatic unknown fitting in exactly with the director's preferred casting with the undemonstrative and normal. And unlike Nosferatu's celebrated settings of castles, doom laden ships and spectral carriages, Vampyr's unease is primarily set amidst the domestic: an inn, a to-do private home or in common place out-buildings.

Dismayed by distracting subtitles, often faded visuals and poor soundtrack elements, admirers of Dreyer's masterpiece have long cried out in vain for a restored version, especially now that the later films of the director have been reissued. Even such earlier silents such as the lesser, decidedly more obscure, Master Of The House (1925) have lately arrived with a five star treatment on disc. Whether or not this lapse is due to a fatal absence of original materials I am not sure, but fans of one of the very finest horror films, and a rare one by a great director to boot, will not be satisfied until this Vampyr at least is resurrected and given the new life it deserves.


25 of 31 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Is this very good? jgunn81
Criterion DVD vs Image DVD thegalaxybeing
i never realized... sir_knightrider_III
WARNING: the dvd from image entertainment CrazyFrog-fan
Criterion edition: NOT the full staking scene kriegerg69
TCM tonight toddster2000-1
Discuss Vampyr (1932) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?