Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent ... See full summary »
Dr. Victor Frankenstein creates his creature, who escapes into the countryside to find that humanity has only pain and sorrow for him. But a psychic link between created and creator draws ... See full summary »
During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, ... See full summary »
In 1794, in the Arctic Sea, Captain Robert Walton is a man obsessed to reach the North Pole, pushing his crew to the exhaustion. When his ship hits an iceberg, she is stranded in the ice. Out of the blue, Captain Walton and his men overhear a dreadful cry and they see a stranger coming to the ship. He introduces himself and Victor Frankenstein and he tells to the captain the story of his life since he was a little boy in Geneva. Victor is a brilliant student and in love with his stepsister Elizabeth, an orphan that was raised by his father Baron Frankenstein. In 1793, Victor moves to Ingolstadt to study in the universe and he promises to get married to Elizabeth. In the school, Victor befriends Henry Clerval that becomes his best friend. Victor gets close to Professor Waldman and decides to create life to cheat death, but Waldman advises him that he should not try this experiment since the result would be an abomination. When Waldman dies, Victor steals his notes and tries to create ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the movie, the scars on the monster's chin and lip change. First his lip is split, later it's healed, but now he has other wounds on his chin. Than his lip and chin are healed, with no scars. But later you see big scars on both his chin and lip. See more »
While many people seem to scorn this film, I found it wonderfully enjoyable. Like the great Orson Welles, He stars in, and directs, many of his movies. This one in particular shows some of his more excentric, if not marketable, passions in filmmaking that make movie buffs and connaisseurs alike enjoy this stylized and emotional film.
Yes, it is melodramatic. Yes, the acting is often over the top. But what many critics of this film fail to recognize is that this is precisly the point. By staying very true to the source material(until the Elizabeth thing) and the significant changes that WERE made are clear evidence of this. The book was melodramatic. What Kenneth Branagh does here is stay true to the spirit of the classic gothic novel. The great close-ups define the characters, and through them you can understand them. Do not mistake stylization for poor film-making, because this is a wonderfully made and presented film, that if understood captivates you from the first spoken words(a quote from Mary Shelly, setting up the stylization) to the last frame.
Know what you're getting into, a passionatly made film about what drives one to both excel and what drives one to madness, and the dangers of excess beyond reason. If you have read the book, regardless of whether you liked it or not,see this movie. You will love what they have retained, and will embrace what they've changed. this is not a film(not a movie, a film) for everyone. But for those who are willing to have an open mind, it is pure bliss!
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