Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price if he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
Nick Fury is director of S.H.I.E.L.D, an international peace keeping agency. The agency is a who's who of Marvel Super Heroes, with Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. When global security is threatened by Loki and his cohorts, Nick Fury and his team will need all their powers to save the world from disaster. Written by
Tony Stark's Acura roadster is neither the 2012 NSX Concept show car nor an actual prototype of the 2015 next-generation hybrid Acura NSX. It was custom designed specifically for the movie by Honda North America chief designer Dave Marek. The "donor car" was a 1991 NSX from Arizona with 252,000 miles on its odometer. The interior of the movie car is almost totally stock, and still has the original cassette tape player in the console. See more »
In the vision sequence when Loki projects himself to The Other, The Other says "The Chitauri grow restless" and his face is seen unmoving. When speaking his next line in the same shot, his face is clearly animated. See more »
The Tesseract has awakened. It is on a little world. A human world. They would wield its power, but our ally knows its workings as they never will. He is ready to lead. And our force, our Chitauri, will follow. The world will be his. The universe yours. And the humans, what can they do but burn?
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SPOILER: There is a scene part way through credits: Marvel Character Thanos appears with The Other by his side. They are both looking down on Planet Earth with Thanos smiling, stating that they underestimated Earth. See more »
What a disappointment, although really not surprised at how bad it was. A totally boring, endless and mostly witless movie aimed at brain-deadened people who think that special effects, explosions and fantasy but definitely not fantastic characters make for a great movie. The cinematography was gray and cloudy, the editing incomprehensible, and the acting unsurprising and depressingly familiar. Simple, human emotions, which used to be integral to a movie are now so rare. Noise and all-too-familiar mayhem have been substituted. The attention span of the audience, when not being bombarded by yet another special effect, shifts quickly to their cell phone when things slow down even a bit. To think that more-of-the-same will be the order of the day is depressing. Count me out.
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