Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
When Briony Tallis, 13 years old and an aspiring writer, sees her older sister Cecilia and Robbie Turner at the fountain in front of the family estate she misinterprets what is happening thus setting into motion a series of misunderstandings and a childish pique that will have lasting repercussions for all of them. Robbie is the son of a family servant toward whom the family has always been kind. They paid for his time at Cambridge and now he plans on going to medical school. After the fountain incident, Briony reads a letter intended for Cecilia and concludes that Robbie is a deviant. When her cousin Lola is raped, she tells the police that it was Robbie she saw committing the deed. Written by
Shooting the five minute Dunkirk beach scene was arguably the toughest portion of shooting. The shooting schedule dictated that the scene must be completed in two days, because the crew has limited time with the 1,000 extras. However the location scouts report indicated the lighting quality at the beach was not good enough until the afternoon of the second day. This forced director Joe Wright to change his shooting strategy into shooting with one camera. The scene was rehearsed on the first day and on the morning of the second day. The scene required five takes and the third take was used in the film. On shooting, Steadicam operator Peter Robertson shot the scene by riding on a small tracking vehicle, walking off to a bandstand after rounding a boat, moved to a ramp, stepped onto a rickshaw, finally dismounting and moving past the pier into a bar. See more »
The birthmark under Briony's right eye is too close the the nose on the portrayal of Briony at 18 years old, compared to the other two ages. It also looks way too raised compared to that of her at 13 and 77 (which could understandably fade in later life). See more »
My brain tends to turn to mush in the presence of greatness. This makes it difficult when I want to write about something that I thought was truly great. It is so much easier to write about something that is rubbish.
Oh, well. Here goes.
I thought that "Atonement" was terrific. It is a really great movie. Obviously it is early days yet, and there are a lot of contenders still to appear, but "Atonement" might just be the winner-in-waiting of the Best Film Oscar in 2008. Put your money on it now.
"Atonement" is pure poetry on film. From the hazy, dreamy, hopeful days of 1935, a destructive act of spite, the horrors of Dunkirk (with one of the most fantastic long takes I have seen in a cinema for a very long), to the aftermath and a devastating "happy" ending, it is a magnificent and moving film, beautifully directed by Joe Wright.
I have never really rated Keira Knightley or understood her popularity. Except for her role in "Pride & Prejudice" (for which she was perfectly cast) I have tended to refer to her as Girl-Who-Would-Be-Winslet, as I thought that she had not played a single role that Kate Winslet could not have done better. Maybe I won't say that anymore. "Atonement" is easily the best thing Keira Knightley has done.
Keira Knightley has had a lot of the press over here, but we should not forget to mention the pitch perfect performances from James McAvoy and Romola Garai. They share as much screen time as La Knightley and are as impressive.
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