Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Amid the Civil War in 17th-century England, a group of deserters flee from battle through an overgrown field. Captured by an alchemist, the men are forced to help him search to find a hidden treasure that he believes is buried in the field.
Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.
Ribblehead viaduct is 440 yards long, and 104 feet above the valley floor at its highest point. It is made up of twenty-four arches of 45 feet span, with foundations 25 feet deep. The north end of the viaduct is 13 feet higher in elevation than the south end. 1.5 million bricks were used in the construction and some of the limestone blocks weighed 8 tons each. See more »
The Volvo's wing mirror extenders disappear and reappear as they're arriving at the first caravan site. See more »
Mum? Mum. Mum. Mum. Mum. Mum. Mum. Mum. Mum. You all right?
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SIGHTSEERS is very much a team effort: the two stars (Alice Lowe and Steve Oram) also co-wrote the script. With a distinct nod to earlier films such as Terrence Malick's BADLANDS (1973), it focuses on two lovers, Tina and Chris, who embark on a caravanning holiday that takes a decidedly bloody turn, as they dispose of several innocent victims. Ben Wheatley's cinematic style is certainly startling, with its deliberate use of out-of-sync sound, fantasy sequences, memorable short of gore and a soundtrack that includes work by Soft Cell and Frankie Goes to Hollywood. The script is deadpan yet extremely funny: both protagonists get some valuable one-liners. What is perhaps more interesting, however, is Wheatley's focus on his characters' lives; hitherto they have spent their entire existences in total anonymity: Tina has lived with her mother Carol (Eileen Davies), and lavished all her love on a favorite terrier, who was unfortunately impaled to death on some knitting-needles. The road-trip gives Tina the chance to liberate herself, just like Chris, who dreams of becoming a full-time writer after having been made redundant. The idea of "writing" is significant; it suggest the desire to leave a legacy, to inscribe oneself in the present so as to be remembered. When Chris' writing dreams come to naught, he looks for alternative ways to establish himself; hence his desire to kill so as not to be pushed around by anyone (i.e. treated as a nobody). Tina follows suit; but what Wheatley suggests is that the two of them find it very difficult to work as a team - Chris believes that Tina has plagiarized his idea, and resents her for what she has done. Two serial killers don't attract as much media attention as one. For her part, Tina learns how to acquire self-determination, even though there are moments when she doubts herself. The film's ending takes us by surprise, reminding us that the protagonists were not as much in love as we thought they were. With its Grand Guignol action taking place against a breathtaking backdrop of the rolling hills of Yorkshire and the Lake District, SIGHTSEERS is strong meat, but definitely worth staying with.
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