After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ... See full summary »
Sixteen-year old Junie changes high school mid-year, following the death of her mother. She finds herself in the same class as her cousin Mathias, who introduces her to his friends. All the... See full summary »
1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail... See full summary »
Paris, spring 1968. While most students take the lead in the May 'revolution', a French poet's twin son Theo and daughter Isabelle enjoy the good life in his grand Paris home. As film buffs they meet and 'adopt' modest, conservatively educated Californian student Matthew. With their parents away for a month, they drag him into an orgy of indulgence of all senses, losing all of his and the last of their innocence. A sexual threesome shakes their rapport, yet only the outside reality will break it up. Written by
taken from the OST "Pierrot le fou"
Written by Antoine Duhamel
(c) 1965, 1990 Editions Sidomusic
(p) 1965 Sidomusic-Hortensia
Courtesy of Universal Music Jazz France & Universal Music Special Projects France See more »
Only real film lovers will understand and love this work of art
"The Dreamers" is one of Bernardo Bertolucci's most underrated films. A mesmerizing love declaration for The Cinema, this unforgettable film must be discovered.
In 1968, 19-year-old American Matthew (Michael Pitt), while settling in Paris for studying French, meets two equally young, beautiful and liberal film buffs: the twins Isabelle (Eva Green, another Bertolucci's luminous discovery, like he did with Liv Tyler in "Stealing Beauty") and Theo (Louis Garrel, son of French director Philippe Garrel and the best of the cast). The twins' parents travel, and Matthew is invited to join the attractive duo in their apartment. He accepts the invitation, of course, and the threesome starts a bizarre game of seduction with a charming leitmotiv: riddles about classic films. Who doesn't know the right answer, has to do what he/she is asked to. In the background, student riots in defense of Henri Langlois and his merit on the Cinémathèque Française are breaking out on the streets.
The film is superb, artistically and technically. Bertolucci is top-notch, the soundtrack is overwhelming (with songs by Janis Joplin, Jimi Hendrix and Édith Piaf, among others), and the cinematography (by Fabio Cianchetti) is one of the best, if not the best, I've seen recently. Gilbert Adair, we can't forget, did an excellent job adapting his novel, "The Holy Innocents", to the big screens. The sex/full frontal scenes and amorality can shock some people, this is definitely not a film for all tastes (as almost all masterpieces), but those who are open-minded and admire good cinema, will be entranced. The ending is one of the most surprising, original and brilliant I've ever seen, but, unfortunately, not everyone will get it. That's a crying shame, but original films tend to be misunderstood. "The Dreamers" is no exception.
A must-see to all film lovers. My vote is 10.
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