Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ... See full summary »
Sixteen-year old Junie changes high school mid-year, following the death of her mother. She finds herself in the same class as her cousin Mathias, who introduces her to his friends. All the... See full summary »
Paris, spring 1968. While most students take the lead in the May 'revolution', a French poet's twin son Theo and daughter Isabelle enjoy the good life in his grand Paris home. As film buffs they meet and 'adopt' modest, conservatively educated Californian student Matthew. With their parents away for a month, they drag him into an orgy of indulgence of all senses, losing all of his and the last of their innocence. A sexual threesome shakes their rapport, yet only the outside reality will break it up. Written by
There were scenes in the script depicting much more blatant sexual relations between the characters of Matthew and Theo, but they were not filmed. Director Bernardo Bertolucci said, "The gay sex was in the first script, but I had a feeling that it was just too much stuff. It became redundant." Actor Michael Pitt said in an interview, "It was in the script and it's what I'd signed to do. But they said we weren't going to do that." See more »
On the walk along the canal, Isabelle states that she "...entered this world on the Champs-Elysees, 1959." She is obviously much older than 9, but she is not referring to her actual birth. She is reciting a speech from Breathless, whose clips are shown. See more »
The first time I saw a movie at the cinématèque française I thought, "Only the French... only the French would house a cinema inside a palace."
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The end credits scroll down the screen (top-to-bottom), and multi-line entries are written to be read bottom-to-top. See more »
Paris, May 1968. Revolution breaks out and the world seems to be in a critical turning point, but inside the four walls of an apartment, three youngsters experience their very own revolution.
Yes, it's true. In the year 2004, one of the best cinematic experiences is offered by Bertolucci. Many are those who'd thought that he had nothing more to give, but with THE DREAMERS, the creator is reborn and next to his heroes he witnesses again the passage from adolescence and innocence to the age of responsibilities. A great fan of cinema himself, he doesn't hesitate to pay a number of tributes, just like Godard used to do in the past and Tarantino very recently. As he puts his view into the eyes of his protagonists, the girl and the boys seem to live inside the movies they adore. They're playing with lines from known films, they imitate characters, they put themselves into the sequences they love.
Despite their young age, all three actors not only do they show that they're worth of starring in a Bertolucci film, but they also go even further giving in every scene the necessary vividness and realistic tension. Ignoring the cosmogony taking place in the streets, they surrender to their own cosmogonic changes, to the wild sexual awakening, to the game between friendship and love, pleasure and pain. Eventually they commit themselves to the struggle between the game itself and real life. And that's where the heroes violently return in the thrilling final sequences in order to face their duty towards history.
THE DREAMERS is by far one the best motion pictures of the year, so daring but at the same time so energetic that seems able to touch anyone as a pure and romantic confession of a great filmmaker.
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