After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ... See full summary »
Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
Sixteen-year old Junie changes high school mid-year, following the death of her mother. She finds herself in the same class as her cousin Mathias, who introduces her to his friends. All the... See full summary »
1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail... See full summary »
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
Paris, spring 1968. While most students take the lead in the May 'revolution', a French poet's twin son Theo and daughter Isabelle enjoy the good life in his grand Paris home. As film buffs they meet and 'adopt' modest, conservatively educated Californian student Matthew. With their parents away for a month, they drag him into an orgy of indulgence of all senses, losing all of his and the last of their innocence. A sexual threesome shakes their rapport, yet only the outside reality will break it up. Written by
Two interminably pretentious Parisians (Eva Green and Louis Garrel) and one detestable American (Michael Pitt) are cinephiles who decide to shack up in Rich Daddy's bohemian French apartment for a binge of sex, alcohol, more sex and rambling philosophy. After an hour, the effect is gross boredom.
The film's supposedly "erotic" NC-17-rated sex scenes were touted as a good reason to see this turgid rubbish. Yes, we do see some penises and we do see Green's dull vagina, but these characters are so crushingly vapid that the care factor is less than zero.
The film does have a political backdrop and it does use clips from old French and Hollywood classics to underline and parallel the central story, but it all comes across as empty because nobody thought to give these ghastly characters anything to do or want.
Spending almost two hours with them felt like penance.
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