![Image](https://m.media-amazon.com/images/M/MV5BN2UxZTcxYWQtN2MyNC00OGNmLWEwOWYtMWQzZDg0NjFiYzA3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
The U.K.’s Documentary Film Council (Dfc) is seeking funds to support the independent documentary sector, which is under “existential threat.”
The Dfc was formed in response to a three-year study on the U.K. feature-length documentary film industry and co-designed by several organizations in the field, including Doc Society, Sheffield DocFest, the Grierson Trust, The Whickers, Scottish Documentary Institute, Docs Ireland and BBC Storyville.
An open letter to the U.K. screen industries compiled by the Dfc states that the formation of the Dfc is “based on the recognition that independent documentary in the U.K. faces an existential threat and that there is urgent need for coordinated, long-term interventions across the sector.”
“Films at the independent end of the spectrum – creative, observational, character-led films, films that originate outside of a commissioner’s brief or which explore difficult-but-vital political or cultural questions – are increasingly hard to get made,” the letter adds.
The Dfc was formed in response to a three-year study on the U.K. feature-length documentary film industry and co-designed by several organizations in the field, including Doc Society, Sheffield DocFest, the Grierson Trust, The Whickers, Scottish Documentary Institute, Docs Ireland and BBC Storyville.
An open letter to the U.K. screen industries compiled by the Dfc states that the formation of the Dfc is “based on the recognition that independent documentary in the U.K. faces an existential threat and that there is urgent need for coordinated, long-term interventions across the sector.”
“Films at the independent end of the spectrum – creative, observational, character-led films, films that originate outside of a commissioner’s brief or which explore difficult-but-vital political or cultural questions – are increasingly hard to get made,” the letter adds.
- 10/20/2023
- by Naman Ramachandran
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZGZlY2ZjZmQtZGE1YS00YjU2LWFiYTAtNTg1NjIwYTY2OWY3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Partners on the scheme include Gaumont, Eleven, and Maia Pictures.
The Writers Lab UK and Europe has set the 15 participants taking part in the 2023 edition, which for the first time is offering a combined UK and Europe edition, with participants from all four UK nations, plus Ireland, Greece, Italy, Germany and Austria.
The development and marketplace programme devoted to script development for women and nonbinary screenwriters over 40 launched in 2015 with a US edition, expanding to the UK in 2021, and Europe in 2022. It provides an opportunity to discover and nurture new talent, matching selected writers with leading film and TV industry...
The Writers Lab UK and Europe has set the 15 participants taking part in the 2023 edition, which for the first time is offering a combined UK and Europe edition, with participants from all four UK nations, plus Ireland, Greece, Italy, Germany and Austria.
The development and marketplace programme devoted to script development for women and nonbinary screenwriters over 40 launched in 2015 with a US edition, expanding to the UK in 2021, and Europe in 2022. It provides an opportunity to discover and nurture new talent, matching selected writers with leading film and TV industry...
- 9/25/2023
- by Mona Tabbara
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BZmExMTA0MGYtZDE3Zi00NWZiLTk2MDctNjc1NDE2ZTdmYTNmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Ewan McGregor saw the strike coming in June, just as filming on his Paramount+ series A Gentleman in Moscow was nearing the finish line.
Like McGregor’s character, a Russian aristocrat under house arrest in a Soviet hotel, the shoot had nowhere to go. Continuing to film without a leading man was not an option, so McGregor, sporting a carefully clipped mustache, gathered colleagues to deliver the news many dreaded: the show would not go on.
Despite a brief reprieve as SAG-AFTRA extended talks with studios in early July, A Gentleman in Moscow eventually shut up shop last week. It had just seven days left to shoot. “He was gutted,” says someone in the room as McGregor gave a brief address to cast and crew.
A Gentleman in Moscow was not filming in the fulcrum of strike activity in Hollywood. Instead, it was one of a long line of shoots entrusted to the UK,...
Like McGregor’s character, a Russian aristocrat under house arrest in a Soviet hotel, the shoot had nowhere to go. Continuing to film without a leading man was not an option, so McGregor, sporting a carefully clipped mustache, gathered colleagues to deliver the news many dreaded: the show would not go on.
Despite a brief reprieve as SAG-AFTRA extended talks with studios in early July, A Gentleman in Moscow eventually shut up shop last week. It had just seven days left to shoot. “He was gutted,” says someone in the room as McGregor gave a brief address to cast and crew.
A Gentleman in Moscow was not filming in the fulcrum of strike activity in Hollywood. Instead, it was one of a long line of shoots entrusted to the UK,...
- 7/28/2023
- by Jake Kanter
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BMmJmNWEwMzEtNzA3Ni00MzdlLWE2MDYtZmRjMDc3YTk5OTc3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
’The Light’ is one of a slate of features to receive backing from German regional fund Film-und Medienstiftung Nrw.
The Light, Tom Tykwer’s first film for the cinema since his 2016 German-us comedy A Hologram For The King is one of 10 feature film projects allocated almost €6m in production support by the Düsseldorf-based regional fund Film-und Medienstiftung Nrw.
Tykwer’s original screenplay for The Light (Das Licht) centres on a troubled family who take on a Syrian immigrant as a housekeeper. When she successfully shakes up the lives of the family she then confronts them with the dark fate of her own.
The Light, Tom Tykwer’s first film for the cinema since his 2016 German-us comedy A Hologram For The King is one of 10 feature film projects allocated almost €6m in production support by the Düsseldorf-based regional fund Film-und Medienstiftung Nrw.
Tykwer’s original screenplay for The Light (Das Licht) centres on a troubled family who take on a Syrian immigrant as a housekeeper. When she successfully shakes up the lives of the family she then confronts them with the dark fate of her own.
- 6/21/2023
- by Martin Blaney
- ScreenDaily
![Queen Cleopatra (2023)](https://m.media-amazon.com/images/M/MV5BMGNjY2EyMWQtYTIyNy00NDYxLTgyMjMtN2Q2NmI2MGU5YjgxXkEyXkFqcGdeQXVyMTU2Mjg2NjE2._V1_QL75_UY207_CR13,0,140,207_.jpg)
![Queen Cleopatra (2023)](https://m.media-amazon.com/images/M/MV5BMGNjY2EyMWQtYTIyNy00NDYxLTgyMjMtN2Q2NmI2MGU5YjgxXkEyXkFqcGdeQXVyMTU2Mjg2NjE2._V1_QL75_UY207_CR13,0,140,207_.jpg)
“Queen Cleopatra,” Netflix’s four-part documentary on perhaps the most famous Queen of Egypt, has been very poorly reviewed.
On Rotten Tomatoes it currently has a tomatometer score of 10%, meaning official reviews have been terrible. But it also has a 2% audience score, meaning that the overwhelming majority of non-professional users who bothered reviewing the show themselves hated it too.
But no doubt you’ve seen by now how the show’s star and creators have had to push back against much of the reaction to the show, and the star herself has been harassed. So what’s going on?
It’s complex, but in short, while yes, there are sincere critiques of the show’s historical inaccuracies and the production itself, there is also a separate backlash that is unmistakably racist. Let’s dive in.
Racism
“Queen Cleopatra” focuses on many of the things people know about her. Her rise to power in Egypt,...
On Rotten Tomatoes it currently has a tomatometer score of 10%, meaning official reviews have been terrible. But it also has a 2% audience score, meaning that the overwhelming majority of non-professional users who bothered reviewing the show themselves hated it too.
But no doubt you’ve seen by now how the show’s star and creators have had to push back against much of the reaction to the show, and the star herself has been harassed. So what’s going on?
It’s complex, but in short, while yes, there are sincere critiques of the show’s historical inaccuracies and the production itself, there is also a separate backlash that is unmistakably racist. Let’s dive in.
Racism
“Queen Cleopatra” focuses on many of the things people know about her. Her rise to power in Egypt,...
- 5/18/2023
- by Mason Bissada
- The Wrap
![Image](https://m.media-amazon.com/images/M/MV5BY2FkM2RkY2UtZjEwMy00OTg0LTk3OGMtOGFlMmFjOGNlN2FkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BY2FkM2RkY2UtZjEwMy00OTg0LTk3OGMtOGFlMmFjOGNlN2FkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Haley Bennett (Cyrano, Swallow, The Girl On The Train) is set to lead Night and Day, Justine Waddell’s adaptation of Virginia Woolf’s novel, to be directed by BAFTA nominee Tina Gharavi (I Am Nasrine, Cleopatra: African Queens). WestEnd Films has boarded the the German-Irish-u.K. co-production and is introducing the project to buyers in Cannes.
Set in an era when glass ceilings were made of concrete, Bennett will play Katharine Hilbery — one woman who insisted on reaching for the stars. Based on what has been called Woolf’s funniest novel, Night and Day is described as an “unromantic comedy” about a passionate astronomer who does everything she can to avoid romantic love and marriage. Contemporary in tone, the story of Katharine’s bold challenge to the Edwardian patriarchy is set against the backdrop of the suffragette movement and advances in science and technology, at the turn of the 20th century.
Set in an era when glass ceilings were made of concrete, Bennett will play Katharine Hilbery — one woman who insisted on reaching for the stars. Based on what has been called Woolf’s funniest novel, Night and Day is described as an “unromantic comedy” about a passionate astronomer who does everything she can to avoid romantic love and marriage. Contemporary in tone, the story of Katharine’s bold challenge to the Edwardian patriarchy is set against the backdrop of the suffragette movement and advances in science and technology, at the turn of the 20th century.
- 5/17/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BMjI5YTVmYTItZTEyYi00YzBiLTlhMzktYjk4NmFkNjBkZTE4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
A government-owned Egyptian broadcaster has responded to controversy over the casting of a Black actress to play Cleopatra in the Netflix docudrama series “African Queens,” which streams from May 10, by announcing production of its own big-budget Cleopatra doc.
The fact that Britain’s Adele James, who is of mixed heritage, plays the first-century Egyptian ruler as a queen with African roots in the Netflix original produced by Jada Pinkett Smith has been sparking an uproar in Egypt. Ever since the trailer dropped last month local academics and others are claiming that Cleopatra, who was born in the Egyptian city of Alexandria in 69 BC and belonged to a Greek-speaking dynasty, was of European descent and not Black.
In response to what they claim is Netflix’s falsification of Egypt’s history, the Al Wathaeqya channel – which is a subsidiary of Egypt’s state-affiliated United Media Services – has announced start of production...
The fact that Britain’s Adele James, who is of mixed heritage, plays the first-century Egyptian ruler as a queen with African roots in the Netflix original produced by Jada Pinkett Smith has been sparking an uproar in Egypt. Ever since the trailer dropped last month local academics and others are claiming that Cleopatra, who was born in the Egyptian city of Alexandria in 69 BC and belonged to a Greek-speaking dynasty, was of European descent and not Black.
In response to what they claim is Netflix’s falsification of Egypt’s history, the Al Wathaeqya channel – which is a subsidiary of Egypt’s state-affiliated United Media Services – has announced start of production...
- 5/10/2023
- by Nick Vivarelli
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BNmE4MTgzNmMtNDA0NS00MDRhLTk3MjgtNDVmN2NkMTcyOGU0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,30,500,281_.jpg)
Queen Cleopatra is a Netflix documentary directed by Tina Gharavi and Victoria Adeola Thomas, starring Adele James, Craig Russell and Jada Pinkett Smith.
Do you remember the Joseph L. Mankiewicz movie, Cleopatra, starring Elisabeth Taylor? Well, absolutely nothing to do with it.
A documentary series that follows in the footsteps of African Queens: Njinga in its treatment and approach to dramatized documentary.
Queen Cleopatra About the series
To say it with (much) subtlety: the series is not a ten, nor a seven… from there, let’s go down and let everyone places it where they want. A series that undoubtedly lacks the means to recreate the grandeur of Ancient Egypt and that, without the actors or the imagination of I, Claudius (the mythical BBC series) pretends to do something similar, but with not enough resources for the choice of a subject so… grandiose.
And with such a brutal and imperial...
Do you remember the Joseph L. Mankiewicz movie, Cleopatra, starring Elisabeth Taylor? Well, absolutely nothing to do with it.
A documentary series that follows in the footsteps of African Queens: Njinga in its treatment and approach to dramatized documentary.
Queen Cleopatra About the series
To say it with (much) subtlety: the series is not a ten, nor a seven… from there, let’s go down and let everyone places it where they want. A series that undoubtedly lacks the means to recreate the grandeur of Ancient Egypt and that, without the actors or the imagination of I, Claudius (the mythical BBC series) pretends to do something similar, but with not enough resources for the choice of a subject so… grandiose.
And with such a brutal and imperial...
- 5/10/2023
- by TV Shows Martin Cid Magazine
- Martin Cid - TV
![Image](https://m.media-amazon.com/images/M/MV5BZjIzZmI4ZjYtM2I1YS00OWRjLTgxOWMtZjY3NWI2MTFhNjliXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Queen Cleopatra is a towering figure in world history who was immortalized by Shakespeare in his tragic play Antony & Cleopatra, a love story of two powerful leaders who succumbed to love and jealousy, or is that what the famous playwright meant through his literature? When we think of Queen Cleopatra, we think of the unmatched beauty of Egypt, who bathed in milk, and we think of Elizabeth Taylor encapsulating the beauty of the Pharaoh in such a way that it is still hard to imagine another actor in the role other than the iconic Hollywood actress. But the new Netflix Original documentary series about the famous Queen of Egypt is not interested in talking just about the doomed love story. Directors Tina Gharavi and Victoria Adeola Thomas tell us the tale of the politician and leader that the Queen was, who managed to stay strong till the end.
The documentary begins with an American professor,...
The documentary begins with an American professor,...
- 5/10/2023
- by Smriti Kannan
- Film Fugitives
![Image](https://m.media-amazon.com/images/M/MV5BZGNiMDBkN2ItNjUxYi00ZmMyLTg4N2EtNjY0YTIxNzIyYmY2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
“African Queens: Queen Cleopatra” director Tina Gharavi is addressing the casting of biracial Black actress Adele James as the titular Greek-Egyptian ruler.
The trailer for Netflix docuseries “Queen Cleopatra” caused a stir and led to allegations that the streamer was “blackwashing” the heritage of Queen Cleopatra VII. Egyptian scholars claim that Cleopatra, who was born in Egyptian city Alexandria in 69 Bce, was born of European descent and not Black. Historians have confirmed that Cleopatra was Macedonian-Greek on her father Ptolemy Xii’s side but her mother’s ethnic origin is unknown.
Egyptian lawyer Mahmoud al-Semary filed a complaint with the nation’s public prosecutor to request that Netflix be blocked in Egypt due to the promotion of “Afrocentric thinking” including “slogans and writings aimed at distorting and erasing the Egyptian identity.” Two petitions to “Cancel Netflix’s ‘Queen Cleopatra’” circulated with more than 88,000 signatures combined.
“Queen Cleopatra” director Gharavi spoke...
The trailer for Netflix docuseries “Queen Cleopatra” caused a stir and led to allegations that the streamer was “blackwashing” the heritage of Queen Cleopatra VII. Egyptian scholars claim that Cleopatra, who was born in Egyptian city Alexandria in 69 Bce, was born of European descent and not Black. Historians have confirmed that Cleopatra was Macedonian-Greek on her father Ptolemy Xii’s side but her mother’s ethnic origin is unknown.
Egyptian lawyer Mahmoud al-Semary filed a complaint with the nation’s public prosecutor to request that Netflix be blocked in Egypt due to the promotion of “Afrocentric thinking” including “slogans and writings aimed at distorting and erasing the Egyptian identity.” Two petitions to “Cancel Netflix’s ‘Queen Cleopatra’” circulated with more than 88,000 signatures combined.
“Queen Cleopatra” director Gharavi spoke...
- 4/23/2023
- by Samantha Bergeson
- Indiewire
![Image](https://m.media-amazon.com/images/M/MV5BNmMzYzhiMzAtZWUxNS00YmZmLWFlZWItNDYxYWM3MzE3NzA0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
The director of “Queen Cleopatra” is addressing critics.
Last week, Netflix released the trailer for the new drama-documentary series about the iconic Queen of Egypt and drew intense backlash for casting a Black actress as Cleopatra. The series is executive produced and narrated by Jada Pinkett Smith.
Read More: Gal Gadot Defends ‘Cleopatra’ Casting Against ‘Whitewashing’ Backlash
Writing for Variety, director Tina Gharavi, who is Iranian, directly took on criticisms, recalling, “I remember as a kid seeing Elizabeth Taylor play Cleopatra. I was captivated, but even then, I felt the image was not right. Was her skin really that white?”
It is not known exactly what the real Cleopatra looked like, and heritage has long been a source of debate, often attributed to Macedonian Greeks, but with some claiming Persian and other backgrounds.
“Doing the research, I realized what a political act it would be to see Cleopatra portrayed by a Black actress,...
Last week, Netflix released the trailer for the new drama-documentary series about the iconic Queen of Egypt and drew intense backlash for casting a Black actress as Cleopatra. The series is executive produced and narrated by Jada Pinkett Smith.
Read More: Gal Gadot Defends ‘Cleopatra’ Casting Against ‘Whitewashing’ Backlash
Writing for Variety, director Tina Gharavi, who is Iranian, directly took on criticisms, recalling, “I remember as a kid seeing Elizabeth Taylor play Cleopatra. I was captivated, but even then, I felt the image was not right. Was her skin really that white?”
It is not known exactly what the real Cleopatra looked like, and heritage has long been a source of debate, often attributed to Macedonian Greeks, but with some claiming Persian and other backgrounds.
“Doing the research, I realized what a political act it would be to see Cleopatra portrayed by a Black actress,...
- 4/21/2023
- by Corey Atad
- ET Canada
![Image](https://m.media-amazon.com/images/M/MV5BZDE1Yjg2MGQtODViYi00ZTRjLWJlZDktOWJlZGNjMmZhNjUxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Last summer, I was living in Venice Beach and had decided, due to a friend’s persistence, to visit a fortune teller. Me, ever the sceptic but game for a laugh, agreed to go along. What the fortune teller said made me roll my eyes: “I am not saying you are Cleopatra but somehow you share her story and are connected.”
Less than a month later, I got a call from a production company making Jada Pinkett Smith’s “African Queens” and was subsequently hired to direct four episodes of a drama-documentary on the life of the controversial leader. The joke was on me.
I remember as a kid seeing Elizabeth Taylor play Cleopatra. I was captivated, but even then, I felt the image was not right. Was her skin really that white? With this new production, could I find the answers about Cleopatra’s heritage and release her from...
Less than a month later, I got a call from a production company making Jada Pinkett Smith’s “African Queens” and was subsequently hired to direct four episodes of a drama-documentary on the life of the controversial leader. The joke was on me.
I remember as a kid seeing Elizabeth Taylor play Cleopatra. I was captivated, but even then, I felt the image was not right. Was her skin really that white? With this new production, could I find the answers about Cleopatra’s heritage and release her from...
- 4/21/2023
- by Tina Gharavi
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BNDdmYWEzYmUtMDRhMy00NjVkLWI3YTMtOGM2MGUxODVjNDAwXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BNDdmYWEzYmUtMDRhMy00NjVkLWI3YTMtOGM2MGUxODVjNDAwXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
African Queens: Njinga is a documentary series directed by Tina Gharavi and Victoria Adeola Thomas.
African Queens is a docu-series on Netflix that tells us in 4 chapters about Njinga, a queen in Central Africa who was opposed to the European invasions and who ruled the Ambundu people keeping them safe during the Sixteenth century. She was brought up to be a warrior and was also a woman with great political and diplomatic acumen.
About the Series
This is a different kind of docu-series full of dramatizations that set it apart from the classic structure of a documentary: interviews, off-screen voices, experts, current images of landscapes… none of this, in this series we find dramatization full of force, vigor and impacting images that are attractive and truly immerse us into a story that deserves to be told.
This is a great docu-series that tells us this other side of History we don´t usually dwell on,...
African Queens is a docu-series on Netflix that tells us in 4 chapters about Njinga, a queen in Central Africa who was opposed to the European invasions and who ruled the Ambundu people keeping them safe during the Sixteenth century. She was brought up to be a warrior and was also a woman with great political and diplomatic acumen.
About the Series
This is a different kind of docu-series full of dramatizations that set it apart from the classic structure of a documentary: interviews, off-screen voices, experts, current images of landscapes… none of this, in this series we find dramatization full of force, vigor and impacting images that are attractive and truly immerse us into a story that deserves to be told.
This is a great docu-series that tells us this other side of History we don´t usually dwell on,...
- 2/15/2023
- by TV Shows Martin Cid Magazine
- Martin Cid - TV
![Image](https://m.media-amazon.com/images/M/MV5BNjU1OWVmMzQtOTNjNC00MTU3LThlMWMtMTFiYzIxMzRlYzJlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
The shortened in-person Berlin Film Festival (Feb. 10-16) has revealed a raft of high profile shows that will participate in keenly anticipated annual fixture Berlinale Series.
The strand opens with Amazon Prime Video Argentinian spy series “Yosi, the Regretful Spy” and also includes HBO Max Swedish friendship comedy series “Lust”; Lone Scherfig’s TV2 Danish maternity ward-set “The Shift”; Czech Television, Arte drama “Suspicion” from Czech Republic and France; British Sky supernatural thriller “The Rising”; Channel 2 Iceland police drama “Black Sand”; and from France’s Club illico, comedy-drama “Last Summers of the Raspberries.”
Films selected for the youth-focused Generation Kplus strand include “The Hill of Secrets” (South Korea); “Waters of Pastaza” (Portugal); “Moja Vesna” (Slovenia/Australia); “My Small Land” (Japan); “The Realm of God” (Mexico); “The Apple Day” (Iran); “Shabu” (Netherlands) and “Boney Piles” (Ukraine).
Films selected for the Generation 14plus strand include “Alis” (Colombia/Chile/Romania); “Bubble” (Japan...
The strand opens with Amazon Prime Video Argentinian spy series “Yosi, the Regretful Spy” and also includes HBO Max Swedish friendship comedy series “Lust”; Lone Scherfig’s TV2 Danish maternity ward-set “The Shift”; Czech Television, Arte drama “Suspicion” from Czech Republic and France; British Sky supernatural thriller “The Rising”; Channel 2 Iceland police drama “Black Sand”; and from France’s Club illico, comedy-drama “Last Summers of the Raspberries.”
Films selected for the youth-focused Generation Kplus strand include “The Hill of Secrets” (South Korea); “Waters of Pastaza” (Portugal); “Moja Vesna” (Slovenia/Australia); “My Small Land” (Japan); “The Realm of God” (Mexico); “The Apple Day” (Iran); “Shabu” (Netherlands) and “Boney Piles” (Ukraine).
Films selected for the Generation 14plus strand include “Alis” (Colombia/Chile/Romania); “Bubble” (Japan...
- 1/14/2022
- by Naman Ramachandran
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZDc4OGFjZjktNjhmOC00MzMzLTlkODgtNjMwMjk5MzRiYWQ2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Greece’s Argonauts Productions has boarded “Forough: A Lonely Woman,” a biopic about iconoclastic Persian poet Forough Farrokhzad by BAFTA-nominated director Tina Gharavi (“I Am Nasrine”), ahead of its presentation in the co-production forum of Rome’s Mia market.
The film follows the short and controversial life of Farrokhzad, a feminist icon who in the 1950s and ‘60s found a way to tell her story in an Iranian society not yet ready for the uncomfortable truths of female desire and ambition.
Gharavi described the modernist poet as “our Sylvia Plath” and drew a comparison to another feminist artist and icon, calling Farrokhzad “as important [to Iranian culture] as Frida Kahlo is to Mexico.”
“Like her, she was a revolutionary,” she said. “Culturally, Forough was this luminary, an independent woman, very advanced for her times, an exquisite poet.” Farrokhzad challenged the traditional norms and structures of Persian poetry while also living an openly promiscuous life,...
The film follows the short and controversial life of Farrokhzad, a feminist icon who in the 1950s and ‘60s found a way to tell her story in an Iranian society not yet ready for the uncomfortable truths of female desire and ambition.
Gharavi described the modernist poet as “our Sylvia Plath” and drew a comparison to another feminist artist and icon, calling Farrokhzad “as important [to Iranian culture] as Frida Kahlo is to Mexico.”
“Like her, she was a revolutionary,” she said. “Culturally, Forough was this luminary, an independent woman, very advanced for her times, an exquisite poet.” Farrokhzad challenged the traditional norms and structures of Persian poetry while also living an openly promiscuous life,...
- 10/12/2021
- by Christopher Vourlias
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BMmU0NDc3ZmQtNjZhMi00ZTZiLTk5Y2YtMjlkMjM2YTVkN2FjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Film and TV market devoted to scripted and unscripted content will unfold October 13 to 17.
Rome’s Mia film and TV market has unveiled the line-up and highlights of its seventh edition, unfolding October 13 to 17 in and around the Italian capital’s Piazza Barberini district.
The market is expected to be of greater importance for European film buyers and sellers this autumn, after the Covid-19 pandemic deterred many from travelling to Toronto earlier this September and forced the American Film Market (Nov 1-5) to move online for a second year.
In a sign of this, Mia has reported a 30% increase in...
Rome’s Mia film and TV market has unveiled the line-up and highlights of its seventh edition, unfolding October 13 to 17 in and around the Italian capital’s Piazza Barberini district.
The market is expected to be of greater importance for European film buyers and sellers this autumn, after the Covid-19 pandemic deterred many from travelling to Toronto earlier this September and forced the American Film Market (Nov 1-5) to move online for a second year.
In a sign of this, Mia has reported a 30% increase in...
- 9/23/2021
- by Melanie Goodfellow
- ScreenDaily
![Producer/Director photo from 2019](https://m.media-amazon.com/images/M/MV5BMDdhNDQ3MDMtNzk2NS00MWFlLWI4ZWEtZmZjYzA4ZmYzZDk3XkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Producer/Director photo from 2019](https://m.media-amazon.com/images/M/MV5BMDdhNDQ3MDMtNzk2NS00MWFlLWI4ZWEtZmZjYzA4ZmYzZDk3XkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Breaking Through The Lens, an initiative launched three years ago to promote emerging female directors, has unveiled the shortlist of projects vying to participate in the 3rd edition of its pitching platform set to take place during the Cannes Film Festival.
The selected projects, which will be pitched to over 100 financiers and key industry people during Cannes, were announced during the European Film Market on Feb. 25.
Spanning 13 countries, this year’s shortlist of 20 titles includes Tamika Guishard’s African dance-driven feature “Rhythm in Blues;” Daresha Kyi’s U.S. documentary “Mama Bears” which follows conservative Christian mothers whose lives are transformed as they accept their Lgbtq children; Ahd Kamel’s Saudi Arabian feature “My Driver and I” set in 80s and 90s and centering on an unlikely friendship between a privileged Saudi girl and her Nubian driver; and Laura Moss’ feature debut “Birth/Rebirth,” a female-driven Frankenstein adaptation.
Set to be announced in early April,...
The selected projects, which will be pitched to over 100 financiers and key industry people during Cannes, were announced during the European Film Market on Feb. 25.
Spanning 13 countries, this year’s shortlist of 20 titles includes Tamika Guishard’s African dance-driven feature “Rhythm in Blues;” Daresha Kyi’s U.S. documentary “Mama Bears” which follows conservative Christian mothers whose lives are transformed as they accept their Lgbtq children; Ahd Kamel’s Saudi Arabian feature “My Driver and I” set in 80s and 90s and centering on an unlikely friendship between a privileged Saudi girl and her Nubian driver; and Laura Moss’ feature debut “Birth/Rebirth,” a female-driven Frankenstein adaptation.
Set to be announced in early April,...
- 2/25/2020
- by Elsa Keslassy
- Variety Film + TV
Exclusive: BAFTA Los Angeles has unveiled the participants for the latest edition of its Newcomers Program, which provides support to emerging international artists and industry professionals.
In 2018 the initiative was opened up to talents beyond the UK, and this year’s crop hail from countries including Australia, China, France, Hong Kong, India, Israel, Nigeria, Poland, South Africa and Turkey. Scroll down for the full list.
Since launching in 2007, the initiative has spotlighted the legacy of UK talents moving to the U.S. to expand their knowledge, develop their skills, and expand their network of peers. It includes professional networking opportunities, peer matching with others who have recently moved to the U.S., curated educational programming including BAFTA Briefing sessions, and access to BAFTA’s wider professional development event schedule including the BAFTA Insights series.
There are 25 new participants this year, taking the overall number on the four-year program to 71.
The...
In 2018 the initiative was opened up to talents beyond the UK, and this year’s crop hail from countries including Australia, China, France, Hong Kong, India, Israel, Nigeria, Poland, South Africa and Turkey. Scroll down for the full list.
Since launching in 2007, the initiative has spotlighted the legacy of UK talents moving to the U.S. to expand their knowledge, develop their skills, and expand their network of peers. It includes professional networking opportunities, peer matching with others who have recently moved to the U.S., curated educational programming including BAFTA Briefing sessions, and access to BAFTA’s wider professional development event schedule including the BAFTA Insights series.
There are 25 new participants this year, taking the overall number on the four-year program to 71.
The...
- 11/8/2019
- by Tom Grater and Andreas Wiseman
- Deadline Film + TV
The event will also host a masterclass for delegates.
Production Finance Market, the UK financing event run by Film London, has selected four projects under its inaugural ‘Ones To Watch’ initiative, and named Monumental Pictures producer Alison Owen as its keynote speaker.
The ‘Ones To Watch’ scheme was unveiled earlier this year during Cannes Film Festival and will spotlight projects currently in development, co-selected by Film London and the BFI London Film Festival.
The four selected projects are The Panopticon to be directed by Jim Loach, produced by Lindsay McGee and Alysia Maciejowska and executive produced by Camilla Bray; The...
Production Finance Market, the UK financing event run by Film London, has selected four projects under its inaugural ‘Ones To Watch’ initiative, and named Monumental Pictures producer Alison Owen as its keynote speaker.
The ‘Ones To Watch’ scheme was unveiled earlier this year during Cannes Film Festival and will spotlight projects currently in development, co-selected by Film London and the BFI London Film Festival.
The four selected projects are The Panopticon to be directed by Jim Loach, produced by Lindsay McGee and Alysia Maciejowska and executive produced by Camilla Bray; The...
- 10/2/2019
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
![Daphne Schmon](https://m.media-amazon.com/images/M/MV5BNTRjNzdmOGMtNWM3Zi00ZTg1LWJlN2QtYTFkMjM4ZjI2NjM5XkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Daphne Schmon](https://m.media-amazon.com/images/M/MV5BNTRjNzdmOGMtNWM3Zi00ZTg1LWJlN2QtYTFkMjM4ZjI2NjM5XkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
The initiative is spearheaded by filmmakers Daphne Schmon, Emily Carlton and Elpida Stathatou.
Canadian director Shelley Thompson, Philippines filmmaker Maritte Go and UK-based documentarian Emily James were among the participants at the second edition of female-focused financing event Breaking Through The Lens in Cannes over the weekend.
The initiative - spearheaded by filmmakers Daphne Schmon, Emily Carlton and Elpida Stathatou - is aimed at connecting female directors and their producers with financiers and other partners on upcoming projects.
Carlton explains they launched the platform to address the challenges female directors face when looking to finance their projects.
“There’s clearly...
Canadian director Shelley Thompson, Philippines filmmaker Maritte Go and UK-based documentarian Emily James were among the participants at the second edition of female-focused financing event Breaking Through The Lens in Cannes over the weekend.
The initiative - spearheaded by filmmakers Daphne Schmon, Emily Carlton and Elpida Stathatou - is aimed at connecting female directors and their producers with financiers and other partners on upcoming projects.
Carlton explains they launched the platform to address the challenges female directors face when looking to finance their projects.
“There’s clearly...
- 5/20/2019
- by Melanie Goodfellow
- ScreenDaily
BAFTA La is expanding its longstanding Newcomers Program for Brit arrivals in the city to include talent and industry professionals from international territories.
In its first year of expansion the support program will welcome professionals from Poland, South Africa, Australia, Israel, Korea, France, Turkey and Hong Kong. A full list of participants can be found below.
Each participant receives access to BAFTA membership events and initiatives aimed at supporting career development and the transition to living and working in the U.S.
This year’s 55 participants include 19 actors, 15 directors, nine producers, three screenwriters, two art directors, two executives, two composers, one cinematographer, one production designer, one agent and one publicist.
“As BAFTA extends its helping hand globally, we are thrilled that after 10 successful years supporting British talent in Los Angeles, the Newcomers Program now expands to include international talent,” said New Talent Committee Chairs, Sandro Monetti and Peter Morris.
“As our industry becomes increasingly global,...
In its first year of expansion the support program will welcome professionals from Poland, South Africa, Australia, Israel, Korea, France, Turkey and Hong Kong. A full list of participants can be found below.
Each participant receives access to BAFTA membership events and initiatives aimed at supporting career development and the transition to living and working in the U.S.
This year’s 55 participants include 19 actors, 15 directors, nine producers, three screenwriters, two art directors, two executives, two composers, one cinematographer, one production designer, one agent and one publicist.
“As BAFTA extends its helping hand globally, we are thrilled that after 10 successful years supporting British talent in Los Angeles, the Newcomers Program now expands to include international talent,” said New Talent Committee Chairs, Sandro Monetti and Peter Morris.
“As our industry becomes increasingly global,...
- 7/24/2018
- by Andreas Wiseman
- Deadline Film + TV
![Sally El Hosaini](https://m.media-amazon.com/images/M/MV5BMTQxMTk0MDEzOV5BMl5BanBnXkFtZTcwMjAyMjcyOQ@@._V1_QL75_UX500_CR0,26,500,281_.jpg)
Participants revealed for year-long initiative.
Bafta has named the 15 female directors taking part in its inaugural career development programme for under-represented groups in film and TV.
Launched in February, Elevate will initially focus on helping women progress their directing careers in high-end television and film. According to 2016 data from Directors UK, only 13.6% of working directors between 2004 and 2014 were female.
The group of 15 was selected from 250 applicants, and reflect a range of experience levels and backgrounds.
Participants include My Brother the Devil director Sally El Hosaini, who co-directed Channel 4 and Sundance TV’s Babylon; Wolfblood and Dates director Sarah Walker; Tina Gharavi, founder of media production company Bridge + Tunnel; and Vanessa Caswill, a lead director on BBC3’s Thirteen.
Full list of Bafta Elevate directors:Alicia DuffyAmanda BlueCathy BradyChristiana Ebohon-GreenDawn ShadforthDelyth ThomasEmma SullivanKate SaxonLindy HeymannLisa ClarkeRebecca JohnsonSally El HosainiSarah WalkerTina GharaviVanessa Caswill
The year-long initiative will include panel discussions, masterclasses and workshops, These will build...
Bafta has named the 15 female directors taking part in its inaugural career development programme for under-represented groups in film and TV.
Launched in February, Elevate will initially focus on helping women progress their directing careers in high-end television and film. According to 2016 data from Directors UK, only 13.6% of working directors between 2004 and 2014 were female.
The group of 15 was selected from 250 applicants, and reflect a range of experience levels and backgrounds.
Participants include My Brother the Devil director Sally El Hosaini, who co-directed Channel 4 and Sundance TV’s Babylon; Wolfblood and Dates director Sarah Walker; Tina Gharavi, founder of media production company Bridge + Tunnel; and Vanessa Caswill, a lead director on BBC3’s Thirteen.
Full list of Bafta Elevate directors:Alicia DuffyAmanda BlueCathy BradyChristiana Ebohon-GreenDawn ShadforthDelyth ThomasEmma SullivanKate SaxonLindy HeymannLisa ClarkeRebecca JohnsonSally El HosainiSarah WalkerTina GharaviVanessa Caswill
The year-long initiative will include panel discussions, masterclasses and workshops, These will build...
- 5/18/2017
- ScreenDaily
![Stephen Dillane and Clémence Poésy in The Tunnel (2013)](https://m.media-amazon.com/images/M/MV5BNDQwNjk0NTA2NV5BMl5BanBnXkFtZTgwODc4Mjc2ODE@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Stephen Dillane and Clémence Poésy in The Tunnel (2013)](https://m.media-amazon.com/images/M/MV5BNDQwNjk0NTA2NV5BMl5BanBnXkFtZTgwODc4Mjc2ODE@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Directors UK and Creative Skillset programme aims to diversify directing talent in TV drama.
Directors UK and Creative Skillset have announced the first two directors who have been selected for their new high end TV drama directors career development programme.
Tina Gharavi and Samantha Harrie have been picked for the scheme, which was launched to help progress and diversify directing talent in TV drama.
They have been selected from more than 200 applicants to work on Kudos’ The Tunnel: Vengeance and Neal Street Productions’ Call The Midwife.
Four additional candidates will be announced later this year.
The scheme includes a 12-week paid placement with high end drama production companies and broadcasters across the UK, working alongside a show’s lead director throughout the entire duration of the show.
Tina Gharavi, the BAFTA-nominated and award-winning filmmaker is working alongside director Gilles Bannier (Tin Star, In The Dark, The Tunnel: Sabotage) on The Tunnel: Vengeance, the Kudos produced...
Directors UK and Creative Skillset have announced the first two directors who have been selected for their new high end TV drama directors career development programme.
Tina Gharavi and Samantha Harrie have been picked for the scheme, which was launched to help progress and diversify directing talent in TV drama.
They have been selected from more than 200 applicants to work on Kudos’ The Tunnel: Vengeance and Neal Street Productions’ Call The Midwife.
Four additional candidates will be announced later this year.
The scheme includes a 12-week paid placement with high end drama production companies and broadcasters across the UK, working alongside a show’s lead director throughout the entire duration of the show.
Tina Gharavi, the BAFTA-nominated and award-winning filmmaker is working alongside director Gilles Bannier (Tin Star, In The Dark, The Tunnel: Sabotage) on The Tunnel: Vengeance, the Kudos produced...
- 5/8/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
![Dea Kulumbegashvili in Festival de cine de San Sebastián 2020 - Gala de clausura (2020)](https://m.media-amazon.com/images/M/MV5BNjk2YmE5MWYtNzIyZi00NjUxLTliOTctOWIxYjZmZmNhODFlXkEyXkFqcGdeQXVyMTA0MjU0Ng@@._V1_QL75_UY207_CR4,0,140,207_.jpg)
![Dea Kulumbegashvili in Festival de cine de San Sebastián 2020 - Gala de clausura (2020)](https://m.media-amazon.com/images/M/MV5BNjk2YmE5MWYtNzIyZi00NjUxLTliOTctOWIxYjZmZmNhODFlXkEyXkFqcGdeQXVyMTA0MjU0Ng@@._V1_QL75_UY207_CR4,0,140,207_.jpg)
Elitsa Petkova received the Bulgarian festival’s Grand Prix for her feature debut Zhaleika [pictured].
Women filmmakers triumphed at the 20th edition of the Sofia International Film Festival (Siff) at the weekend’s awards ceremony in the National Palace of Culture.
While Bulgarian-born feature debutant Elitsa Petkova received the International Jury’s Grand Prix ‘Sofia City Of Film’ for Zhaleika, her graduation film from Berlin’s Dffb film school, Georgian director Dea Kulumbegashvili’s debut Daisi was named the Best Project at the parallel Sofia Meetings.
The Meetings’ new Grand Prix, sponsored by the Nu Boyana Film Studios and consisting of $56k (€50k) worth of services and a cheque for $5.6k (€5k), was presented by CEO Yariv Lerner who declared that “based on the merits of the presentation, the fact of the possibility of making it and a belief in the director, we definitely saw that promise in this director and we look forward to seeing this film...
Women filmmakers triumphed at the 20th edition of the Sofia International Film Festival (Siff) at the weekend’s awards ceremony in the National Palace of Culture.
While Bulgarian-born feature debutant Elitsa Petkova received the International Jury’s Grand Prix ‘Sofia City Of Film’ for Zhaleika, her graduation film from Berlin’s Dffb film school, Georgian director Dea Kulumbegashvili’s debut Daisi was named the Best Project at the parallel Sofia Meetings.
The Meetings’ new Grand Prix, sponsored by the Nu Boyana Film Studios and consisting of $56k (€50k) worth of services and a cheque for $5.6k (€5k), was presented by CEO Yariv Lerner who declared that “based on the merits of the presentation, the fact of the possibility of making it and a belief in the director, we definitely saw that promise in this director and we look forward to seeing this film...
- 3/21/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Fifteen candidates selected from 250 scheme applicants; previous mentees include Laura Hastings-Smith.
A total of 15 candidates have been selected from 250 applicants to take part in the seventh iteration of UK mentoring scheme Guiding Lights.
This year’s line up includes directing pair James Spinney and Peter Middleton, who have begun production on their feature film Notes on Blindness, as well as Aneil Karia, Emily Greenwood, Mahdi Fleifel, director of A World Not Ours, and Billy Lumby, whose short won the Pears Short Film prize.
Writers include Jennifer Majka, who wrote the screenplay for BAFTA-winning short The Bigger Picture, Matthew Orton, and Hannah Patterson.
Brian Falconer, producer of Oscar-nominated Boogaloo and Graham, made the cut alongside producers Daisy Allsop, Michael Ford, and Chi Thai.
The final two candidates were exhibitors Sophie Easterbrook, who programmed Farnham Maltings, a creative arts centre in the South East, and Carmen Slijpen, who is developing a new community cinema in East Sussex.
Mentors for the...
A total of 15 candidates have been selected from 250 applicants to take part in the seventh iteration of UK mentoring scheme Guiding Lights.
This year’s line up includes directing pair James Spinney and Peter Middleton, who have begun production on their feature film Notes on Blindness, as well as Aneil Karia, Emily Greenwood, Mahdi Fleifel, director of A World Not Ours, and Billy Lumby, whose short won the Pears Short Film prize.
Writers include Jennifer Majka, who wrote the screenplay for BAFTA-winning short The Bigger Picture, Matthew Orton, and Hannah Patterson.
Brian Falconer, producer of Oscar-nominated Boogaloo and Graham, made the cut alongside producers Daisy Allsop, Michael Ford, and Chi Thai.
The final two candidates were exhibitors Sophie Easterbrook, who programmed Farnham Maltings, a creative arts centre in the South East, and Carmen Slijpen, who is developing a new community cinema in East Sussex.
Mentors for the...
- 7/8/2015
- by mantus@masonlive.gmu.edu (Madison Antus)
- ScreenDaily
![Kenneth Branagh](https://m.media-amazon.com/images/M/MV5BMjI0NTQ4Mjk5Ml5BMl5BanBnXkFtZTcwMDc1NjkzNw@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Kenneth Branagh](https://m.media-amazon.com/images/M/MV5BMjI0NTQ4Mjk5Ml5BMl5BanBnXkFtZTcwMDc1NjkzNw@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
UK mentor scheme received seventeen applications for each place.
Actor-director Kenneth Branagh and writer-director Hossein Amini are among mentors for training programme Guiding Lights, run by Brighton-based cultural agency Lighthouse.
The 15 mentees include directors, writers, producers and, for the first time, exhibitors, as a result of a new partnership with Film Hub South East, part of the BFI Film Audience Network.
They will receive nine months of personal mentoring.
This year there were seventeen applications for each place on the scheme, which requires candidates to demonstrate experience in their field and their potential for the future.
The scheme began in 2006 and is sponsored by Creative Skillset and Studiocanal. Previous years’ mentors include Danny Boyle, Abi Morgan, Lone Scherfig and Julian Fellowes.
Kevin Macdonald, director of The Last King of Scotland, is taking part for the third time this year. He said: “What I really love about [Guiding Lights] is that I learn as much – maybe more – from the mentee...
Actor-director Kenneth Branagh and writer-director Hossein Amini are among mentors for training programme Guiding Lights, run by Brighton-based cultural agency Lighthouse.
The 15 mentees include directors, writers, producers and, for the first time, exhibitors, as a result of a new partnership with Film Hub South East, part of the BFI Film Audience Network.
They will receive nine months of personal mentoring.
This year there were seventeen applications for each place on the scheme, which requires candidates to demonstrate experience in their field and their potential for the future.
The scheme began in 2006 and is sponsored by Creative Skillset and Studiocanal. Previous years’ mentors include Danny Boyle, Abi Morgan, Lone Scherfig and Julian Fellowes.
Kevin Macdonald, director of The Last King of Scotland, is taking part for the third time this year. He said: “What I really love about [Guiding Lights] is that I learn as much – maybe more – from the mentee...
- 12/17/2014
- by Laurence.Bartleet@city.ac.uk (Larry Bartleet)
- ScreenDaily
Exclusive: Organisers behind the two-day event set to run July 14-15 during the International Festival Of Business 2014 (Ifb 2014) in Liverpool have announced the line-up of guests.
The film event is set to take place at Liverpool’s Foundation For Art And Creative Technology (Fact, pictured), the arts and media centre located in the Ropewalks district that houses state-of-the-art screens, art galleries and a café and bar.
Liverpool-born Im Global CEO Stuart Ford and writer-producer Kevin Sampson have curated the programme in association with Pinewood Studios and UK Talent Management Firm Independent.
Day One is focused on creativity and comprises three on-stage conversations with directors that will see Get Carter director Mike Hodges in conversation with The Independent’s Barry Forshaw; Four Weddings and a Funeral and Donnie Brasco director Mike Newell in conversation with Ford; and the Liverpool-born director of The Awakening, Nick Murphy, talking to Sampson.
The first day will include a masterclass in pitching led by...
The film event is set to take place at Liverpool’s Foundation For Art And Creative Technology (Fact, pictured), the arts and media centre located in the Ropewalks district that houses state-of-the-art screens, art galleries and a café and bar.
Liverpool-born Im Global CEO Stuart Ford and writer-producer Kevin Sampson have curated the programme in association with Pinewood Studios and UK Talent Management Firm Independent.
Day One is focused on creativity and comprises three on-stage conversations with directors that will see Get Carter director Mike Hodges in conversation with The Independent’s Barry Forshaw; Four Weddings and a Funeral and Donnie Brasco director Mike Newell in conversation with Ford; and the Liverpool-born director of The Awakening, Nick Murphy, talking to Sampson.
The first day will include a masterclass in pitching led by...
- 7/7/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Guiding Lights is run by Lighthouse and Creative Skillset and offers participants nine months of one-on-one mentor support, as well as industry training and networking events.
Digital culture agency Lighthouse and Creative Skillset have announced the 15 participants taking part in their 2014 Guiding Lights programme.
In its sixth year, Guiding Lights offers participants nine months of one-on-one mentor support from professionals in the film industry, as well as access to industry training and networking events. The candidates were selected from more than 250 applications.
“The Guiding Lights selection process is always extremely competitive, and this year was no exception,” said Lighthouse senior producer Emily Kyriakides.
“We’re really excited by the past achievements, future potential and talent within the group, and feel that they have a lot to offer each other as well. They’re a very impressive bunch, and we look forward to working with them over the coming months.”
This year, Lighthouse and Creative...
Digital culture agency Lighthouse and Creative Skillset have announced the 15 participants taking part in their 2014 Guiding Lights programme.
In its sixth year, Guiding Lights offers participants nine months of one-on-one mentor support from professionals in the film industry, as well as access to industry training and networking events. The candidates were selected from more than 250 applications.
“The Guiding Lights selection process is always extremely competitive, and this year was no exception,” said Lighthouse senior producer Emily Kyriakides.
“We’re really excited by the past achievements, future potential and talent within the group, and feel that they have a lot to offer each other as well. They’re a very impressive bunch, and we look forward to working with them over the coming months.”
This year, Lighthouse and Creative...
- 7/2/2014
- ScreenDaily
![Tina Gharavi](https://m.media-amazon.com/images/M/MV5BNmUzNWVjZDYtZGVkMi00MGU1LWJhNmUtZDUwYzVmNTJmY2FjXkEyXkFqcGdeQXVyNzIxODkzNw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Tina Gharavi](https://m.media-amazon.com/images/M/MV5BNmUzNWVjZDYtZGVkMi00MGU1LWJhNmUtZDUwYzVmNTJmY2FjXkEyXkFqcGdeQXVyNzIxODkzNw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
16 European producers will partner with 16 cross-media professionals at the fifth edition of Power to the Pixel’s annual event.
Power to the Pixel (PttP) has announced the projects taking part in this year’s Pixel Lab.
Taking place in Baden-Württemberg from July 6-12, the cross-media workshop will see its 32 selected participants partake in an intensive residential project-focuses training week.
16 European producers will develop projects with 16 cross-media professionals at this year’s event. Participants attending with projects include Tina Gharavi, Lily Lambert and Tim Travers Hawkins.
Producers attending with a project will attend a second workshop in London from Oct 7-10 as part of PttP’s Cross-Media Forum.
Liz Rosenthal, CEO and founder of PttP, commented: “The Pixel Lab continues to draw the best new and exciting ideas developed by creative talent working in filmed, interactive and digital content industries.
“In the Lab’s intensive, energetic and collaborative environment they receive expert guidance, in-depth attention...
Power to the Pixel (PttP) has announced the projects taking part in this year’s Pixel Lab.
Taking place in Baden-Württemberg from July 6-12, the cross-media workshop will see its 32 selected participants partake in an intensive residential project-focuses training week.
16 European producers will develop projects with 16 cross-media professionals at this year’s event. Participants attending with projects include Tina Gharavi, Lily Lambert and Tim Travers Hawkins.
Producers attending with a project will attend a second workshop in London from Oct 7-10 as part of PttP’s Cross-Media Forum.
Liz Rosenthal, CEO and founder of PttP, commented: “The Pixel Lab continues to draw the best new and exciting ideas developed by creative talent working in filmed, interactive and digital content industries.
“In the Lab’s intensive, energetic and collaborative environment they receive expert guidance, in-depth attention...
- 6/10/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
![Jack O'Connell in Starred Up (2013)](https://m.media-amazon.com/images/M/MV5BMTczOTY4MTg2OF5BMl5BanBnXkFtZTgwNTM2NzcxMjE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Jack O'Connell in Starred Up (2013)](https://m.media-amazon.com/images/M/MV5BMTczOTY4MTg2OF5BMl5BanBnXkFtZTgwNTM2NzcxMjE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Sean Ellis's Metro Manila was the big winner at last night's Moët British Independent Film Awards.
The film, which centres on a family who flee the rice fields of the Philippines to start a new life in Manila, won Best Director, Best Achievement in Production and Best British Independent Film.
The Best Actor prize went to James McAvoy for Filth, while Le Week-End's Lindsay Duncan took home the Best Actress award. Imogen Poots collected the Supporting Actress gong for The Look of Love and Ben Mendelsohn won Best Supporting Actor for Starred Up.
Special awards on the night were handed to Julie Walters, who took the Richard Harris Award for outstanding contribution to British film, and Paul Greengrass, recipient of the Variety Award for helping to shine the world spotlight on the UK.
The Bifa winners in full are as follows:
Best British Independent Film
Metro Manila -...
The film, which centres on a family who flee the rice fields of the Philippines to start a new life in Manila, won Best Director, Best Achievement in Production and Best British Independent Film.
The Best Actor prize went to James McAvoy for Filth, while Le Week-End's Lindsay Duncan took home the Best Actress award. Imogen Poots collected the Supporting Actress gong for The Look of Love and Ben Mendelsohn won Best Supporting Actor for Starred Up.
Special awards on the night were handed to Julie Walters, who took the Richard Harris Award for outstanding contribution to British film, and Paul Greengrass, recipient of the Variety Award for helping to shine the world spotlight on the UK.
The Bifa winners in full are as follows:
Best British Independent Film
Metro Manila -...
- 12/9/2013
- Digital Spy
This evening in London the winners of the 2013 British Independent Film Awards were announced and we were on hand to interview the great and good as they arrived to one of the highlights of the British film year.
Once again it was a major showcase for the wealth of emerging talent in this country with some of the year’s best films getting a shout-out in the awards. Each year the British Independent scene grows stronger and there is a greater spotlight shone on it each year, these awards are an indication of that strength.
Stefan Pape was our man on the red carpet and you can find his interviews below. More interviews will be added throughout the night.
Julie Walters
Tom Hardy
Eddie Marsan
Jim Broadbent
Ken Loach
Paul Greengrass
Steve Coogan
Will Poulter
Lesley Manville
Mark Strong
Saoirse Ronan
Shaun Thomas and Conner Chapman
Shirley Henderson
Tina Gharavi...
Once again it was a major showcase for the wealth of emerging talent in this country with some of the year’s best films getting a shout-out in the awards. Each year the British Independent scene grows stronger and there is a greater spotlight shone on it each year, these awards are an indication of that strength.
Stefan Pape was our man on the red carpet and you can find his interviews below. More interviews will be added throughout the night.
Julie Walters
Tom Hardy
Eddie Marsan
Jim Broadbent
Ken Loach
Paul Greengrass
Steve Coogan
Will Poulter
Lesley Manville
Mark Strong
Saoirse Ronan
Shaun Thomas and Conner Chapman
Shirley Henderson
Tina Gharavi...
- 12/9/2013
- by Jon Lyus
- HeyUGuys.co.uk
It’s a very important night for British film. Celebrating, in a way the BAFTAs can’t, the vital new talents emerging in this country. The British Independent Film Awards is one of our favourite nights of the year, as much a routemap for the people to watch over the next year as it is a celebration of them.
The sheer variety of films nominated is evidence of the potent creative landscape of Britain. From the crowd pleasing and inspirational journey of Steve Coogan and Judi Dench in Philomena, through the haunted and surreal discovery of Jonathan Glazer’s Under the Skin, to the barren urban clash of Clio Barnard’s The Selfish Giant this country has an independent film industry to be proud of.
There was a great swell of support for one film in particular but the awards point to many successes here. It’s great to see...
The sheer variety of films nominated is evidence of the potent creative landscape of Britain. From the crowd pleasing and inspirational journey of Steve Coogan and Judi Dench in Philomena, through the haunted and surreal discovery of Jonathan Glazer’s Under the Skin, to the barren urban clash of Clio Barnard’s The Selfish Giant this country has an independent film industry to be proud of.
There was a great swell of support for one film in particular but the awards point to many successes here. It’s great to see...
- 12/8/2013
- by Jon Lyus
- HeyUGuys.co.uk
Judi Dench, Scarlett Johansson: 2013 British Independent Film Awards nominations (photo: Judi Dench in ‘Philomena’) Since the likes of Judi Dench, Scarlett Johansson, James McAvoy, and Tom Hardy are in the running for the 2013 British Independent Film Awards, expect at least a little overlapping between the determinedly indie-oriented BIFAs and other awards season nominees and/or winners elsewhere. (See also: “Judi Dench Sole Bifa Nominee Surely to Get BAFTA, Oscar Nominations.”) Judi Dench and Scarlett Johansson are competing in the Best Actress category; Dench for Stephen Frears’ Philomena, Johansson for Jonathan Glazer’s Under the Skin. Tom Hardy and James McAvoy are in the running for the Best Actor British Independent Film Award; Hardy for Steven Knight’s Locke, McAvoy for Jon S. Baird’s Filth. The top Bifa 2013 movie, however, is David Mackenzie’s Starred Up, with a total of eight nominations including Best British Independent Film, Best Director,...
- 11/14/2013
- by Zac Gille
- Alt Film Guide
While the Oscars and BAFTAs take up a fair share of the awards spotlight the British Independent Film Awards (or the BIFAs as they are lovingly referred to) are, to our mind, a far more exciting and precise barometer of the state of British film.
It matters not how many La-based golden statues are picked up by the British each February, it is the winners and nominees of the BIFAs which point, once again, to a thrilling year in British film with invention and stark, raving talent at the forefront.
Clio Barnard’s The Selfish Giant is rightly garlanded with nominations, as is David Mackenzie’s Lff-choice for many, Starred Up. Perhaps the more noticeable names of the Philomena cast and crew are present an dcorrect however it’s the slew of nominations for Jon Baird’s Filth and Jonathan Glazer’s Under the Skin which are very gratifying. Scarlett Johansson...
It matters not how many La-based golden statues are picked up by the British each February, it is the winners and nominees of the BIFAs which point, once again, to a thrilling year in British film with invention and stark, raving talent at the forefront.
Clio Barnard’s The Selfish Giant is rightly garlanded with nominations, as is David Mackenzie’s Lff-choice for many, Starred Up. Perhaps the more noticeable names of the Philomena cast and crew are present an dcorrect however it’s the slew of nominations for Jon Baird’s Filth and Jonathan Glazer’s Under the Skin which are very gratifying. Scarlett Johansson...
- 11/11/2013
- by Jon Lyus
- HeyUGuys.co.uk
Prison drama starring Jack O'Connell leads the field with eight nods, with The Selfish Giant just behind with seven
• The Selfish Giant trailer
• First look review: Under the Skin
Starred Up, the prison drama starring Jack O'Connell and directed by David Mackenzie, has emerged somewhat unexpectedly at the head of the pack of the nominations for the British Independent film awards (BIFAs).
Starred Up, which received its world premiere at the Toronto film festival, but has yet to be released in the UK, received eight nominations, including best British independent film, best director for Mackenzie, and best actor for O'Connell.
Close behind with seven nominations came The Selfish Giant, the acclaimed Oscar Wilde adaptation directed by Clio Barnard, which included a most promising newcomer nod for its two young lead actors, Conner Chapman and Shaun Thomas.
More established names in the nominations list included Judi Dench and Steve Coogan for...
• The Selfish Giant trailer
• First look review: Under the Skin
Starred Up, the prison drama starring Jack O'Connell and directed by David Mackenzie, has emerged somewhat unexpectedly at the head of the pack of the nominations for the British Independent film awards (BIFAs).
Starred Up, which received its world premiere at the Toronto film festival, but has yet to be released in the UK, received eight nominations, including best British independent film, best director for Mackenzie, and best actor for O'Connell.
Close behind with seven nominations came The Selfish Giant, the acclaimed Oscar Wilde adaptation directed by Clio Barnard, which included a most promising newcomer nod for its two young lead actors, Conner Chapman and Shaun Thomas.
More established names in the nominations list included Judi Dench and Steve Coogan for...
- 11/11/2013
- by Andrew Pulver
- The Guardian - Film News
World War Z | Before Midnight | Spike Island | Fire In The Night | Like Someone In Love | Snitch | I Am Nasrine | The Seasoning House | Shun Li and The Poet | Black Rock | I Am Breathing | A Haunted House
World War Z (15)
(Marc Forster, 2013, Us/Mal) Brad Pitt, Mireille Enos, James Badge Dale. 116 mins
In the end, the much-reported delays, reshoots and overspend have at least resulted in a watchable disaster epic, even if this brings little to the zombie apocalypse party save for a huge guest list. Forster's film finds Pitt pitted against insect-like hordes of the sprinting dead, as his Un agent trots round the globe trying to trace the source of the epidemic, save his family and avoid getting chomped. Mild spoiler alert: blame Wales.
Before Midnight (15)
(Richard Linklater, 2013, Us) Ethan Hawke, Julie Delpy, Walter Lassally. 109 mins
A satisfying return for the comfortable screen couple, now together but burdened by history,...
World War Z (15)
(Marc Forster, 2013, Us/Mal) Brad Pitt, Mireille Enos, James Badge Dale. 116 mins
In the end, the much-reported delays, reshoots and overspend have at least resulted in a watchable disaster epic, even if this brings little to the zombie apocalypse party save for a huge guest list. Forster's film finds Pitt pitted against insect-like hordes of the sprinting dead, as his Un agent trots round the globe trying to trace the source of the epidemic, save his family and avoid getting chomped. Mild spoiler alert: blame Wales.
Before Midnight (15)
(Richard Linklater, 2013, Us) Ethan Hawke, Julie Delpy, Walter Lassally. 109 mins
A satisfying return for the comfortable screen couple, now together but burdened by history,...
- 6/22/2013
- by Steve Rose
- The Guardian - Film News
Reading this on mobile? Click here to watch video
This first feature by the exiled Iranian documentarist Tina Gharavi begins in Tehran in early 2001, when a middle-class father decides (from mixed motives) to pay for his lively teenage daughter, Nasrine, and her older brother, Ali, to be smuggled into England after she's been raped by the morality police and her brother has been showing signs of being a closet gay. On Tyneside on the eve of 9/11, while awaiting their recognition as asylum seekers, both become involved with fellow outsiders. Nasrine gets into school and takes up with a handsome traveller, brother of a big-hearted fellow pupil.
Meanwhile, Ali gets a day job cleaning cars, moonlights in an Indian takeaway, re-engages with Islam and, rather too late in the day, embraces his sexuality with a local gay man, slightly older than him. It's a sad, highly schematic movie, with far too much incidental music,...
This first feature by the exiled Iranian documentarist Tina Gharavi begins in Tehran in early 2001, when a middle-class father decides (from mixed motives) to pay for his lively teenage daughter, Nasrine, and her older brother, Ali, to be smuggled into England after she's been raped by the morality police and her brother has been showing signs of being a closet gay. On Tyneside on the eve of 9/11, while awaiting their recognition as asylum seekers, both become involved with fellow outsiders. Nasrine gets into school and takes up with a handsome traveller, brother of a big-hearted fellow pupil.
Meanwhile, Ali gets a day job cleaning cars, moonlights in an Indian takeaway, re-engages with Islam and, rather too late in the day, embraces his sexuality with a local gay man, slightly older than him. It's a sad, highly schematic movie, with far too much incidental music,...
- 6/15/2013
- by Philip French
- The Guardian - Film News
Open City Docs fest | I Am Nasrine | Future Cinema Presents Saturday Night Fever | Edinburgh International Film Festival
Open City Docs fest, London
A compact festival bringing 30 premieres, plus masterclasses, guests, and awards chaired by Jeremy Irons. The emphasis is on issues, be they politics, protest or urban life. Titles include Indonesian doc The Act Of Killing, Georgian Sundance-winner The Machine Which Makes Everything Disappear and 12 O'Clock Boys, about Baltimore's dirt-bike gangs, and Quentin Cooper leads a debate on nuclear power, alongside films on energy issues.
University College London, WC1, Thu to 23 Jun
I Am Nasrine, Nationwide
British-Iranian film-maker Tina Gharavi's powerful feature collides the two cultures she knows best. The Nasrine of the title is a Tehran teenager who's suddenly forced to flee to the UK with her brother as a result of a very minor offence. But having escaped one repressive environment, she's faced with another, in the...
Open City Docs fest, London
A compact festival bringing 30 premieres, plus masterclasses, guests, and awards chaired by Jeremy Irons. The emphasis is on issues, be they politics, protest or urban life. Titles include Indonesian doc The Act Of Killing, Georgian Sundance-winner The Machine Which Makes Everything Disappear and 12 O'Clock Boys, about Baltimore's dirt-bike gangs, and Quentin Cooper leads a debate on nuclear power, alongside films on energy issues.
University College London, WC1, Thu to 23 Jun
I Am Nasrine, Nationwide
British-Iranian film-maker Tina Gharavi's powerful feature collides the two cultures she knows best. The Nasrine of the title is a Tehran teenager who's suddenly forced to flee to the UK with her brother as a result of a very minor offence. But having escaped one repressive environment, she's faced with another, in the...
- 6/15/2013
- by Steve Rose
- The Guardian - Film News
The Bafta-nominated debut tells its story of Iranian emigrants to Britain with integrity and feeling
Tina Gharavi's I Am Nasrine is a movie that first emerged last year on a limited release. A Bafta nomination for outstanding debut got it wider attention, and a well-deserved tour of UK cinemas begins this week. It is obviously an intensely personal film, flawed in some ways, with some plot issues, but acted with integrity and openness, and made with courage and a sense of melancholy in exile. Gharavi's crew for the Iranian scenes have not been named in the credits, evidently for their own safety. Micsha Sadeghi plays Nasrine, a young woman in Tehran, a free spirit who encounters brutality and misogyny from the authorities. Her father sends her away, along with her brother, Ali (Shiraz Haq), to the UK, which means entrusting them to a dangerous illegal-immigrant trail. The siblings emerge from a container lorry,...
Tina Gharavi's I Am Nasrine is a movie that first emerged last year on a limited release. A Bafta nomination for outstanding debut got it wider attention, and a well-deserved tour of UK cinemas begins this week. It is obviously an intensely personal film, flawed in some ways, with some plot issues, but acted with integrity and openness, and made with courage and a sense of melancholy in exile. Gharavi's crew for the Iranian scenes have not been named in the credits, evidently for their own safety. Micsha Sadeghi plays Nasrine, a young woman in Tehran, a free spirit who encounters brutality and misogyny from the authorities. Her father sends her away, along with her brother, Ali (Shiraz Haq), to the UK, which means entrusting them to a dangerous illegal-immigrant trail. The siblings emerge from a container lorry,...
- 6/13/2013
- by Peter Bradshaw
- The Guardian - Film News
Ben Affleck's "Argo" is not only being celebrated in the U.S., it has also been receiving love abroad particularly at the recently concluded BAFTA Awards (British Academy of Film and Television), the U.K. equivalent to the Oscars.
"Argo" took home the Best Film of the Year trophy, as well as the Best Director Award for Affleck. Once again, take that Academy -- the Academy of Motion Pictures Arts and Sciences, that is...
In the acting categories, Daniel Day-Lewis won for "Lincoln" (surprise, surprise), while Emmanuelle Riva (love her!!!!) won the Best Actress award for "Amour." Now, call me crazy, but I have a sneaky feeling that Riva will win the Best Actress Oscar as well. She's beloved, a classic, an icon, a legend -- everything a Best Actress Oscar winner should be!
In the supporting acting categories, my favorite, Anne Hathaway took home the Best Supporting Actress...
"Argo" took home the Best Film of the Year trophy, as well as the Best Director Award for Affleck. Once again, take that Academy -- the Academy of Motion Pictures Arts and Sciences, that is...
In the acting categories, Daniel Day-Lewis won for "Lincoln" (surprise, surprise), while Emmanuelle Riva (love her!!!!) won the Best Actress award for "Amour." Now, call me crazy, but I have a sneaky feeling that Riva will win the Best Actress Oscar as well. She's beloved, a classic, an icon, a legend -- everything a Best Actress Oscar winner should be!
In the supporting acting categories, my favorite, Anne Hathaway took home the Best Supporting Actress...
- 2/11/2013
- by Manny
- Manny the Movie Guy
On Sunday the Ee British Academy Film Awards were held at London’s Royal Opera House and hosted by the always delightful Stephen Fry. The show was televised here in the States on BBC America. In a continuation of what Awards watchers have witnessed over the past weeks, Argo was named Best Film, Ben Affleck won the Director BAFTA and the film also took the Editing award.
Les Misérables did win four BAFTAs for Production Design, Sound, Make Up & Hair and Supporting Actress for Anne Hathaway.
Amour won the award for Film Not in the English Language and Emmanuelle Riva won Leading Actress. Leading Actor was awarded to Daniel Day-Lewis for Lincoln. Christoph Waltz won Supporting Actor for his performance in Django Unchained and the film’s writer/director Quentin Tarantino won the Original Screenplay BAFTA.
Outstanding British Film and Original Music were awarded to Skyfall. Life of Pi won...
Les Misérables did win four BAFTAs for Production Design, Sound, Make Up & Hair and Supporting Actress for Anne Hathaway.
Amour won the award for Film Not in the English Language and Emmanuelle Riva won Leading Actress. Leading Actor was awarded to Daniel Day-Lewis for Lincoln. Christoph Waltz won Supporting Actor for his performance in Django Unchained and the film’s writer/director Quentin Tarantino won the Original Screenplay BAFTA.
Outstanding British Film and Original Music were awarded to Skyfall. Life of Pi won...
- 2/11/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Honoring the best in the biz, the 2013 Orange British Academy Film Awards (BAFTA) took place in London, England earlier this evening (February 10).
During the event held inside the historic Royal Opera House, many stars walked home with big trophies including the cast and producers of "Argo" who took home the award for Best Film.
Meanwhile, Emmanuelle Riva was names Best Actress for her role in "Amour", while Daniel Dawy-Lewis took home Best Actor for his work in "Lincoln."
Other winners included "Skyfall" taking home Best British Film and Anne Hathaway taking home the award for Best Supporting Actress, while Juno Temple took home the Rising Star Award and Ben Affleck took home the prize for Best Director.
See below for the complete list of 2013 BAFTA winners:
Best Film
Winner Argo Grant Heslov, Ben Affleck, George Clooney
Les MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life Of Pi Gil Netter,...
During the event held inside the historic Royal Opera House, many stars walked home with big trophies including the cast and producers of "Argo" who took home the award for Best Film.
Meanwhile, Emmanuelle Riva was names Best Actress for her role in "Amour", while Daniel Dawy-Lewis took home Best Actor for his work in "Lincoln."
Other winners included "Skyfall" taking home Best British Film and Anne Hathaway taking home the award for Best Supporting Actress, while Juno Temple took home the Rising Star Award and Ben Affleck took home the prize for Best Director.
See below for the complete list of 2013 BAFTA winners:
Best Film
Winner Argo Grant Heslov, Ben Affleck, George Clooney
Les MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life Of Pi Gil Netter,...
- 2/11/2013
- GossipCenter
The ceremony is over here in London, bringing together some of the finest and most talented people in the film industry under the same roof for one night. The BAFTAs are this country’s highest honour in film, and they have handed out their awards for the 66th time to those whom they deem the most deserving in the past year in film.
And since Ben Affleck is one of my favourite filmmakers of all time, I have been in a brilliant mood tonight, because he’s won (and very much earned) Best Director for Argo, and taken home the Best Film prize alongside his co-producers George Clooney and Grant Heslov. If you haven’t yet seen Argo, I can’t recommend enough how much you should see it as soon as possible.
If you were following Jon’s liveblog, or if you watched the BBC’s almost-live coverage of tonight’s proceedings,...
And since Ben Affleck is one of my favourite filmmakers of all time, I have been in a brilliant mood tonight, because he’s won (and very much earned) Best Director for Argo, and taken home the Best Film prize alongside his co-producers George Clooney and Grant Heslov. If you haven’t yet seen Argo, I can’t recommend enough how much you should see it as soon as possible.
If you were following Jon’s liveblog, or if you watched the BBC’s almost-live coverage of tonight’s proceedings,...
- 2/10/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
Argo was named Best Film at tonight’s Ee British Academy Film Awards hosted by Stephen Fry, held at London’s Royal Opera House. And the British Academy of Film and Television Arts award winners are… Best Film Winner – Argo Grant Heslov, Ben Affleck, George Clooney Les MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh Life Of Pi Gil Netter, Ang Lee, David Womark Lincoln Steven Spielberg, Kathleen Kennedy Zero Dark Thirty Mark Boal, Kathryn Bigelow, Megan Ellison Outstanding British Film Anna Karenina Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard The Best Exotic Marigold Hotel John Madden, Graham Broadbent, Pete Czernin, Ol Parker Les MISÉRABLES Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer Seven Psychopaths Martin McDonagh, Graham Broadbent, Pete Czernin Winner – Skyfall Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan...
- 2/10/2013
- by hnblog@hollywoodnews.com (Hollywood News Team)
- Hollywoodnews.com
![Les Miserables (1978)](https://m.media-amazon.com/images/M/MV5BNjFhNDI4YmUtOWI3OC00YjI1LTlkZjUtOTMwNjU3YWY5MDg0XkEyXkFqcGdeQXVyMTA0MTM5NjI2._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Les Miserables (1978)](https://m.media-amazon.com/images/M/MV5BNjFhNDI4YmUtOWI3OC00YjI1LTlkZjUtOTMwNjU3YWY5MDg0XkEyXkFqcGdeQXVyMTA0MTM5NjI2._V1_QL75_UX140_CR0,1,140,207_.jpg)
'Skyfall' has taken the first Award of the evening at the 2013 Baftas, currently taking place at London's Royal Opera House.
This caps a thrilling year for the James Bond franchise, celebrating its 50th year, with a record-breaking box office taking for 'Skyfall', which has become the most successful British film ever.
All The Winners Below... As Soon As They're Announced!
But the evening's big winner remains very much undecided, with awards being shared out between 'Argo', 'Life of Pi' and 'Les Miserables' - and nothing yet for the nominations leader 'Lincoln'.
Pictures just in from the press room at the Royal Opera House, where the winners go straight after collecting their gongs..
Sam Mendes' 007 film beat Tom Hooper's 'Les Miserables' to take the first gong of the night. And 'Skyfall' has just taken another award, for Best Original Music.
But...
This caps a thrilling year for the James Bond franchise, celebrating its 50th year, with a record-breaking box office taking for 'Skyfall', which has become the most successful British film ever.
All The Winners Below... As Soon As They're Announced!
But the evening's big winner remains very much undecided, with awards being shared out between 'Argo', 'Life of Pi' and 'Les Miserables' - and nothing yet for the nominations leader 'Lincoln'.
Pictures just in from the press room at the Royal Opera House, where the winners go straight after collecting their gongs..
Sam Mendes' 007 film beat Tom Hooper's 'Les Miserables' to take the first gong of the night. And 'Skyfall' has just taken another award, for Best Original Music.
But...
- 2/10/2013
- by The Huffington Post UK
- Huffington Post
Best Film Argo - Winner Les Misérables Life of Pi Lincoln Zero Dark Thirty Outstanding British Film Anna Karenina The Best Exotic Marigold Hotel Les Miserables Seven Psychopaths Skyfall - Winner Outstanding Debut by a British Writer, Director or Producer Bart Layton (director), Dimitri Doganis (producer) - The Imposter - Winner David Morris (director), Jacqui Morris (director/producer) - McCullin Dexter Fletcher (director/writer), Danny King (writer) - Wild Bill James Bobin (director) - The Muppets Tina Gharavi (director/writer) - I Am Nasrine Film Not in the English Language Amour - Winner Headhunters The Hunt Rust and Bone Untouchable Documentary The Imposter Marley McCullin Searching for Sugarman - Winner West of Memphis Animated Film Brave - Winner Frankenweenie Paranorman Director Michael Haneke - Amour Ben Affleck - Argo - Winner Quentin Tarantino - Django Unchained Ang Lee - Life of Pi Kathryn Bigelow - Zero Dark Thirty Original Screenplay...
- 2/10/2013
- ComicBookMovie.com
The Oscars of the United Kingdom were held Sunday, Feb. 10 in London. Here are the winners of the 2013 BAFTA Awards (updating as the show goes along).
Best Film
Argo - Grant Heslov, Ben Affleck, George Clooney
Les MISÉRABLES - Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life Of Pi - Gil Netter, Ang Lee, David Womark
Lincoln - Steven Spielberg, Kathleen Kennedy
Zero Dark Thirty - Mark Boal, Kathryn Bigelow, Megan Ellison
Outstanding British Film
Anna Karenina - Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard
The Best Exotic Marigold Hotel - John Madden, Graham Broadbent, Pete Czernin, Ol Parker
Les MISÉRABLES - Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer
Seven Psychopaths - Martin McDonagh, Graham Broadbent, Pete Czernin
Skyfall - Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan
Outstanding Debut By A British Writer,...
Best Film
Argo - Grant Heslov, Ben Affleck, George Clooney
Les MISÉRABLES - Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life Of Pi - Gil Netter, Ang Lee, David Womark
Lincoln - Steven Spielberg, Kathleen Kennedy
Zero Dark Thirty - Mark Boal, Kathryn Bigelow, Megan Ellison
Outstanding British Film
Anna Karenina - Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard
The Best Exotic Marigold Hotel - John Madden, Graham Broadbent, Pete Czernin, Ol Parker
Les MISÉRABLES - Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer
Seven Psychopaths - Martin McDonagh, Graham Broadbent, Pete Czernin
Skyfall - Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan
Outstanding Debut By A British Writer,...
- 2/10/2013
- by editorial@zap2it.com
- Pop2it
![Daniel Craig in Skyfall (2012)](https://m.media-amazon.com/images/M/MV5BMWZiNjE2OWItMTkwNy00ZWQzLWI0NTgtMWE0NjNiYTljN2Q1XkEyXkFqcGdeQXVyNzAwMjYxMzA@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Daniel Craig in Skyfall (2012)](https://m.media-amazon.com/images/M/MV5BMWZiNjE2OWItMTkwNy00ZWQzLWI0NTgtMWE0NjNiYTljN2Q1XkEyXkFqcGdeQXVyNzAwMjYxMzA@._V1_QL75_UX140_CR0,0,140,207_.jpg)
The winners of this year's Ee British Academy Film Awards were unveiled tonight (February 10) at London's Royal Opera House, in a ceremony hosted by Stephen Fry. Argo emerged as the big winner on the night taking home three awards, while Les Miserables and Skyfall also took home BAFTAs.
> BAFTAs: The winners in pictures
> BAFTAs: Red carpet pictures
Digital Spy presents the winners in full below:
Best Film
Argo - Winner
Les Misérables
Life of Pi
Lincoln
Zero Dark Thirty
Outstanding British Film
Anna Karenina
The Best Exotic Marigold Hotel
Les Miserables
Seven Psychopaths
Skyfall - Winner
Outstanding Debut by a British Writer, Director or Producer
Bart Layton (director), Dimitri Doganis (producer) - The Imposter - Winner
David Morris (director), Jacqui Morris (director/producer) - McCullin
Dexter Fletcher (director/writer), Danny King (writer) - Wild Bill
James Bobin (director) - The Muppets
Tina Gharavi (director/writer) - I Am Nasrine
Film...
> BAFTAs: The winners in pictures
> BAFTAs: Red carpet pictures
Digital Spy presents the winners in full below:
Best Film
Argo - Winner
Les Misérables
Life of Pi
Lincoln
Zero Dark Thirty
Outstanding British Film
Anna Karenina
The Best Exotic Marigold Hotel
Les Miserables
Seven Psychopaths
Skyfall - Winner
Outstanding Debut by a British Writer, Director or Producer
Bart Layton (director), Dimitri Doganis (producer) - The Imposter - Winner
David Morris (director), Jacqui Morris (director/producer) - McCullin
Dexter Fletcher (director/writer), Danny King (writer) - Wild Bill
James Bobin (director) - The Muppets
Tina Gharavi (director/writer) - I Am Nasrine
Film...
- 2/10/2013
- Digital Spy
The Guardian film team predict who will win what at this year's ceremony
On Friday Xan Brooks assessed the field of this year's Bafta contenders and found it "a hazy huddle of frontrunners, all seemingly bobbing back and forth in front of the finish line".
Lincoln is first among equals with 10 nominations. Les Misérables, Life of Pi, Skyfall and Argo all crowd in behind.
The awards momentum has swung from Life of Pi to Lincoln to Argo over the past few weeks. In a competition this close there could be upsets. There should be tears. There must be winners.
So here's what we think will take home scary award masks this year. We've listed all the nominees. Our predicted winners are in bold.
Best picture
Argo
Les Misérables
Life of Pi
Lincoln
Zero Dark Thirty
Best British film
Anna Karenina
The Best Exotic Marigold Hotel
Les Misérables
Seven Psychopaths
Skyfall
Best director
Ben Affleck,...
On Friday Xan Brooks assessed the field of this year's Bafta contenders and found it "a hazy huddle of frontrunners, all seemingly bobbing back and forth in front of the finish line".
Lincoln is first among equals with 10 nominations. Les Misérables, Life of Pi, Skyfall and Argo all crowd in behind.
The awards momentum has swung from Life of Pi to Lincoln to Argo over the past few weeks. In a competition this close there could be upsets. There should be tears. There must be winners.
So here's what we think will take home scary award masks this year. We've listed all the nominees. Our predicted winners are in bold.
Best picture
Argo
Les Misérables
Life of Pi
Lincoln
Zero Dark Thirty
Best British film
Anna Karenina
The Best Exotic Marigold Hotel
Les Misérables
Seven Psychopaths
Skyfall
Best director
Ben Affleck,...
- 2/10/2013
- The Guardian - Film News
The 66th annual British Academy Film Awards are here! And there was much rejoicing.
We’re here at the Royal Opera House in London to bring you all the up to the minute news on who won, who looked really annoyed when they lost, and who knows what else will be in store for us tonight?
Lord Stephen of Fry is leading proceedings once again and I’ll be updating you fine people with the winners as they are announced.
The full list of awards and nominees can be found here, and as the awards are announced I’ll update the liveblog below with the nominees and the winners.
The ceremony is due to start at around 7pm and if you’re hungry for all the red carpeting then head over here to see the arrivals from around 5pm.
Updates will be added at the top…But not anymore as we’ve finished.
We’re here at the Royal Opera House in London to bring you all the up to the minute news on who won, who looked really annoyed when they lost, and who knows what else will be in store for us tonight?
Lord Stephen of Fry is leading proceedings once again and I’ll be updating you fine people with the winners as they are announced.
The full list of awards and nominees can be found here, and as the awards are announced I’ll update the liveblog below with the nominees and the winners.
The ceremony is due to start at around 7pm and if you’re hungry for all the red carpeting then head over here to see the arrivals from around 5pm.
Updates will be added at the top…But not anymore as we’ve finished.
- 2/10/2013
- by Jon Lyus
- HeyUGuys.co.uk
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