A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive. Written by
Kenneth Chisholm (firstname.lastname@example.org)
The film was inspired by a documentary on PBS' Frontline about how changes in US drug laws has given deals of a minimum sentence to those guilty if they snitched on their accomplices. See more »
When John Matthews and Daniel James are picking up the first test-run of drugs, the cargo at the rear of the semi-trailer switches from a pallet of shrink-wrapped 5-gallon buckets of paint to a stacked pair of pallets of rolls of insulation. See more »
That party we just threw, there were over a thousand people there, bro.
No way. Oh, my God. I can't wait to get up there.
See more »
I have never been much of a fan of The Rock. My love of professional wrestling tapered off around the time I was about 15 years old, and that was before The Rock's heydey. His movies (the ones I have seen) have been marginal at best in my opinion. But for a guy who was ushered into the field of acting to capitalize on his popularity and not to win Academy Awards, he has come a long way from The Scorpion King. What I liked about "Snitch" is it's the anti-action movie. I expected a movie like the terrible "Last Stand" starring Ah-nold Schwarzenegger. I expected fabricated car chases and shootouts where the bad guys must be shooting blanks because they are unable to shoot the good guy even when they have a clear shot. I expected scenes where The Rock would beat up 10 guys who all take turns coming at him instead of simply jumping him. But "Snitch" was different. It's a story of the lengths a father will go to help his son. I don't want to give away any spoilers but he goes very far. The Rock -- he's credited as Dwayne Johnson (I guess so viewers take the movie seriously) -- is very believable and does himself proud with some consistent good acting. He shows the trepidation and vulnerability of a father who puts his life on the line to save his son, who is imprisoned after committing a dumb crime. But the actor who steals the movie is John Bernthal, who plays an ex-con trying to live an honest life but is dragged back to the dark side in order to help The Rock, whom he works for doing construction. Michael Kenneth Williams will forever be known as "Omar" and is typecast but does a good turn as a drug dealer. The other supporting cast, including Susan Sarandon as a district attorney, are excellent. "Snitch" moves at a deliberate pace, which gives it more of a natural and believable feel. The few action sequences are good and do not seem overly exaggerated. I will go out on a limb and say this movie will not be nominated for Best Picture, but compared with the junk I've seen so far this year (including the latest Die Hard), I recommend "Snitch".
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