A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
When Marty is left alone with Zachariah for his first encounter with a psychopath setup by Billie, Zachariah speaks of having an idea that he and Maggie would travel the country killing people. This idea is all too familiar as Woody Harrelson (Charlie) starred as Mickey Knox in Natural Born Killers, a film with the plot of a couple traveling the country killing people. See more »
The type of flare gun Billy fires is clearly single charge - so Charlie Costello would know it was empty when Billy comes down from the rocks, with the flare gun at the dog's head. Unless Charlie brought spare flares that Billy found when quickly rummaging through the convertible - or Billy coincidentally brought flares with him. Both highly unlikely. See more »
An eye for an eye leaves the whole world blind.
No, it doesn't. There'll be one guy left with one eye. How's the last blind guy gonna take out the eye of the last guy left?
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A surprise final scene interrupts the closing credits a few seconds after they start. See more »
An intricate film with genuine laughs centered around a solid script
When I was driving to the theater, I was doubting my choice in Seven Psychopaths, because the trailer made it seem like so many films I'd seen before that looked edgy and wry, and showed so much promise in the previews yet fell short because of flat characters and muddled plots. This one, however, did not let me down.
I suggest that you see this film purely because it tries to do more with a movie than anything you've seen in a while, and it manages to actually succeeds on all levels, while dangerously romancing the clichés of toying with clichés, movies about writing movies, and gangsters with a soft side. Every time the story started to get even a little generic, wild cards came firing in from all sides.
The actors played their parts well, but Rockwell gave the best performance. I was impressed by Woody and Walken's abilities to shed their skins and get deeper into character than I've seen them be in years.
This is a writer's film--the subplots (really, borderline vignettes) about the various psychopaths that Marty encounters are well done, their back stories unfold at different paces, and their details that connect them to the central plot are creatively deployed, while the momentum of the film clearly hinges in the here and now and does not make the mistake of merely chaining together several subplots to produce one "dog" of a story.
I enjoyed almost everything about Seven Psychopaths. 10/10 to offset the 2 that someone without a brain will rate this.
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