A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A corrupt, junkie cop with Borderline Personality Disorder attempts to manipulate his way through a promotion in order to win back his wife and daughter while also fighting his own borderline-fueled inner demons.
Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
The screenplay for this film was featured in the 2006 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
In the desert, Marty brings Billy the two guns after Hans leaves. Billy takes both guns in his right hand when he starts to stand. When the camera angle changes, though, he twirls just one gun in his right hand. See more »
I watched this movie last week and I am still returning to re watch because it contains some of the most fascinating scenes I have ever watched.
I think the casting was very good. Sam Rockwell, who had already pulled off a slowly degrading and paranoid character living in moon alone, really succeeds in bearing the weight of the story. He is essentially causes almost all the progress single handedly and the parts really fit together.
Colin Farrell, who is a favorite of the director is another good flavor but I didn't really get impressed with his acting or his character. Because his character has almost no impact, he is dragged along to different situations and usually has no bearing in the movie. Maybe it supposed to represent the director in some level but it is very interesting to see the story teller who doesn't even realize how little control he has on his own story.
But I am mainly reviewing this title to praise Christopher Walken. Every one of is scenes are perfect, he is just brilliant. I have always liked him but I could never imagine that I would be impressed this much with his acting. I think the character is very interesting, his dialogs really fit the atmosphere and in general it was a very essential part of a good story.
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