The lives of numerous people over the course of 20 years in 19th century France, weaved together by the story of an ex-convict named Jean Valjean on the run from an obsessive police inspector, who pursues him for only a minor offense.
Henri Fortin is poor and iliterate former boxer. Ziman is rich Jewish lawyer from Paris. During WWII they meet when Fortin agrees to drive Ziman's family to Switzerland. Intrigued by Victor... See full summary »
Jean Valjean, pursued through the years for a minor infraction by the implacable policeman Javert, attempts to create a life for himself and for his adopted daughter Cosette amid the ... See full summary »
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Norman Bates is still running his little motel, and he has kept the dressed skeleton he calls mother. One of his guests is a young girl who has left the convent where she lived. To get some... See full summary »
The scene is set during the French Restoration at the beginning of the 19th century. Jean Valjean, a galley slave who was sent to prison for stealing food, is now released after serving ... See full summary »
Bice is a secretary, Antonella and Mara are models. The three of them are close friends and when they win a million in a lottery, they decide to go to a winter resort to find a rich husband... See full summary »
Filippo Walter Ratti
Peppino Di Capri,
In the book, Monsieur Thenardier identifies himself as "Napoleon's Sergeant." Ian Holm has actually played Napoleon himself in several films. See more »
At one point, Javert and his officers wade through the sewers up to their waists in raw sewage. when they emerge, their light-coloured trousers have barely a stain on them, and are essentially clean. See more »
There is no God. There is only the law. Good and evil do not exist outside the law.
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This is a great story and for me this is the best screen adaptation of it. Although Geoffrey Rush puts in a decent performance in the newer film release (1998), Anthony Perkins' Javert simply cannot be bettered with his steely, cold personality and determination. Jordon also does well with the Valjean character, emitting a personality of pride and restraint in the face of adversity. The story moves on at a decent pace and provides good characterisation without too much lagging.
Overall this is a fine production and I personally find it vastly superior to the latest film incarnation with Liam Neeson and Geoffrey Rush where I didn't particularly like either of the portrayals of the leading characters, even though they were well-acted. This version may have the obligatory TV Movie feel to it, but it still manages to rise above its Big-screen counterpart.
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