A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
This series tells the true stories that would be any traveler's worst nightmare - when moments of madness or desperation in paradise becomes a journey into hell that ends up in prison ... See full summary »
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
High mountains visible in background in at least five scenes including sister's airport departure, Nicholas boarding school bus, kids hanging out in vacant lot. Supposedly set in San Antonio which is in the Texas 'Hill Country' but we see real mountains in the background. End credits reveal recreated scenes were shot in Arizona including Phoenix, Buckeye and Avondale where there are numerous mountain ranges often visible in any direction you look at varying distances. See more »
In the first couple of minutes of The Imposter, we hear a recorded call with captions placing the call in time; then the film is rewound and we hear it again. The Imposter is a fairly straightforward tale of identity theft but a tale that needs this constant revision. Everything one hears in its turn requires closer scrutiny. Bart Layton's triumph is to follow each thread of the story through, only increasing the layers of information when the tale demands it.
There's more to the composition than this of course. Layton's interviews are impeccably collated so that one has the feeling that at all times the individual telling their story is being honest, even when they might look a bit silly. It's also a great achievement to end with a greater mystery than those that tumble forward as the story rolls on.
Frederic Bourdin is the great draw of the show, as candid as Joe Simpson in Touching The Void. The editing helps make the point where others would have resorted to interpolated exposition. There's also a nice, unobtrusive soundtrack by Anne Nikitin which follows almost exactly the emotional temperature of the film. 8/10
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