Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping ... See full summary »
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
A documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
At the beginning of the film, Frédéric Bourdin's hair line is very defined and has dark hair. But by the end of the film he has a noticeable receding hairline. However, the film portrays his talking scenes as one long interview as his shirt never changes. See more »
Written by Edwards/Tola
Performed by 16 Horsepower See more »
In the first couple of minutes of The Imposter, we hear a recorded call with captions placing the call in time; then the film is rewound and we hear it again. The Imposter is a fairly straightforward tale of identity theft but a tale that needs this constant revision. Everything one hears in its turn requires closer scrutiny. Bart Layton's triumph is to follow each thread of the story through, only increasing the layers of information when the tale demands it.
There's more to the composition than this of course. Layton's interviews are impeccably collated so that one has the feeling that at all times the individual telling their story is being honest, even when they might look a bit silly. It's also a great achievement to end with a greater mystery than those that tumble forward as the story rolls on.
Frederic Bourdin is the great draw of the show, as candid as Joe Simpson in Touching The Void. The editing helps make the point where others would have resorted to interpolated exposition. There's also a nice, unobtrusive soundtrack by Anne Nikitin which follows almost exactly the emotional temperature of the film. 8/10
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