In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
Director:
Martin Scorsese
Stars:
Leonardo DiCaprio,
Jonah Hill,
Margot Robbie
An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more.
Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner. Written by
BenLobel
The screenplay for this film was featured in the 2011 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
Goofs
In Calvin Candie's villa, a decorative copy of the Nefertiti Bust can be seen. However, the movie is set in the year 1858, while the bust wasn't discovered until 1912. See more »
Quotes
[first lines]
Dicky Speck:
[cocks rifle]
Who's that stumblin' around in the dark? State your business or prepare to get winged!
See more »
Crazy Credits
There is a small additional scene with the 3 men in a cage at the very end of the credits. See more »
One out of the worst money-movies these times. Quentin is keeping exterminating his own film-making; burnt out, there's little chance of recovery. He lost his innocence and the genuine investment of the real geniuses that have lived. That's it. I have already written about that not long ago; there's nothing more to do for Tarantino than to laugh his way to the bank. What a loss for all involved. I can understand that Christoph Waltz, Leonardo Di Caprio, Morgan Freeman and Jamie Foxx and many others allow themselves to become involved in the making of a new film and, perhaps, in a performance, in a project with a filmmaker who proved he was somebody... but this garbage is denigrating the art of cinematic storytelling, this is compromising the ability for the young moviegoers to never enjoy in the future any resource and representation of life. What's your name? Django Can you spell it? An exchange between Jamie Foxx and Franco Nero, the man who first played Django in 1966, a Damned Great Movie, that time has left behind, which happened, for a sterile profit-only engagement, to fit the name. Today, Quentin Tarantino is not and probably ever will, be able to spell 'Movie' once again The 'Director' is silent I know that, strikes Corbucci's Django.
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One out of the worst money-movies these times. Quentin is keeping exterminating his own film-making; burnt out, there's little chance of recovery. He lost his innocence and the genuine investment of the real geniuses that have lived. That's it. I have already written about that not long ago; there's nothing more to do for Tarantino than to laugh his way to the bank. What a loss for all involved. I can understand that Christoph Waltz, Leonardo Di Caprio, Morgan Freeman and Jamie Foxx and many others allow themselves to become involved in the making of a new film and, perhaps, in a performance, in a project with a filmmaker who proved he was somebody... but this garbage is denigrating the art of cinematic storytelling, this is compromising the ability for the young moviegoers to never enjoy in the future any resource and representation of life. What's your name? Django Can you spell it? An exchange between Jamie Foxx and Franco Nero, the man who first played Django in 1966, a Damned Great Movie, that time has left behind, which happened, for a sterile profit-only engagement, to fit the name. Today, Quentin Tarantino is not and probably ever will, be able to spell 'Movie' once again The 'Director' is silent I know that, strikes Corbucci's Django.