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Django Unchained (2012)

R  |   |  Western  |  25 December 2012 (USA)
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Ratings: 8.5/10 from 833,213 users   Metascore: 81/100
Reviews: 1,154 user | 750 critic | 42 from Metacritic.com

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.


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Cast overview, first billed only:
Big Fred's Opponent


Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner. Written by BenLobel

Plot Summary | Plot Synopsis


The "D" is Silent. Payback Won't Be. See more »



Motion Picture Rating (MPAA)

Rated R for strong graphic violence throughout, a vicious fight, language and some nudity | See all certifications »

Parents Guide:



Official Sites:

| |  »



| |

Release Date:

25 December 2012 (USA)  »

Also Known As:

Django sin cadenas  »

Filming Locations:


Box Office


$100,000,000 (estimated)

Opening Weekend:

$30,122,888 (USA) (28 December 2012)


$162,804,648 (USA) (10 May 2013)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Joseph Gordon-Levitt was cast in a minor role as Jano, but had to drop out due to scheduling conflicts with his directorial debut, Don Jon (2013). See more »


When Dr. Schultz is casually mentioning to Hildy that there is a "friend" on the other side of the door behind her, many reflections of activity by the crew and camera are seen reflected in the glossy bedpost behind Schultz, as he sits in his chair. Neither character, in this scene, is moving. See more »


[first lines]
Dicky Speck: [Cocks rifle] Who's that stumblin' around in the dark? State your business or prepare to get winged!
See more »

Crazy Credits

The Columbia logo is a pre-1976 version with slightly distorted colors. See more »


References Little Lord Fauntleroy (1936) See more »


Rito finale
(from "The Family (1970)")
Written by Ennio Morricone
Conducted by Ennio Morricone and Bruno Nicolai
Universal Music Publishing Records, S.R.L.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Tarantino Epic
26 December 2012 | by (USA) – See all my reviews

By incorporating a multitude of thematic Tarantino elements Django is the best Tarantino movie SINCE Pulp Fiction. Not as good as that great movie since this one is a little more bloated and less novel, it nonetheless is Tarantino's second best movie. This was great because it used many of the best aspects of the other Tarantino films. Such as the friendship between a black and white antihero (a hit-man like in Pulp Fiction but now the male bonding is as bounty hunters), also the violence art similar to Kill Bill and the Gut Warming, heart pounding, pulpy thrill of revenge against an evil like in Inglorious Bastards. There were many other aspects of Tarantino's movie in this one.

To start off the complete unpredictability is what really draws you in. You really do not know what is going to happen next which is refreshing to those that frequently see movies. The episodic scenes have such a high degree of unpredictability that it mesmerizingly keeps us on the edge of our seats.

There were some really amazing characters created which was not wholly due to the writer/director but the great actors who infused their talent into the roles. These characters' eccentricities were so unique that you might have never seen characters like this before. A trademark oddity in how they spoke, what they said and their ultimate actions reflected without any creative barriers the moviemaker's soul. If you thought Christopher Waltzes and Jamie Foxx's character were great wait till you get to DiCaprios and Samuel L Jacksons. You really wanted to see more of these characters despite the nearly 3 hour length of this Tarantino epic. Dicaprio's character was probably the best; he was so amusing with his warped, semi-depraved, megalomaniac eccentricity. DiCaprios acting was really good here too. Samuel L Jackson can blurt out the necessary profanities with the appropriate rawness making him the perfect actor for some of Tarantino's parts.

The greatest thing is the psychological aspects to these characters and how that plays out in the scenes. There is actually a lot of psychology going on which builds multi-dimensional characters and creates scenes of intense unpredictability. There were other scenes of brilliant hilarity mocking the dark side of the old south, or genre film itself.

As the movie progressed and where it could have ended well and uniquely alas a contrived scene was thrown in to showcase Tarantino's signature brand of violence art, reminiscent of Kill Bill. This weakened the movie as a whole and made it drag however it was pure fun to witness the slow motion blood splattering and detailed depiction of body parts being shot with blood shooting out like geysers drenching the place in red.

I think I heard Tarantino is criticized for rehashing old movies or copying from other films. I guarantee whether or not that is the case you've never seen something like this before.

176 of 327 people found this review helpful.  Was this review helpful to you?

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