The Guardian (1990)

Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sheridan's friend and neighbor, Ned, takes a liking to... See full summary »

Director:

William Friedkin

Writers:

Dan Greenburg (novel), Stephen Volk (screenplay),

Stars:

Jenny Seagrove, Dwier Brown, Carey Lowell

3 nominations.

Cast

Cast overview, first billed only:
Jenny Seagrove	...	Camilla
Dwier Brown	...	Phil
Carey Lowell	...	Kate
Brad Hall	...	Ned Runcie
Miguel Ferrer	...	Ralph Hess
Natalija Nogulich	...	Molly Sheridan (as Natalia Nogulich)
Pamela Brull	...	Gail Krasno
Gary Swanson	...	Allan Sheridan
Jack David Walker	...	Punk
Willy Parsons	...	Punk
Frank Noon	...	Punk
Theresa Randle	...	Arlene Russell
Xander Berkeley	...	Detective
Ray Reinhardt	...	Dr. Klein
Jacob Gelman	...	Scotty

Storyline

Phil and Kate have a baby boy named Jake. They hire a baby-sitter, Camilla, to look after Jake and she becomes part of the family. The Sheridan's friend and neighbor, Ned, takes a liking to Camilla and asks her out. She refuses, but Ned follows her and discovers that she is not quite human. Camilla discovers that she has been followed and Phil is pursued. He leaves a desperate message for Phil and Kate which reveals that Camilla has special plans for baby Jake.

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Plot Keywords:

baby | neighbor | druid | friend | nanny | 

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Taglines:

Tonight, while the world is asleep... an ancient evil is about to awaken.

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Genres:

Drama | Horror | Mystery | Thriller

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

27 April 1990 (USA)

Also Known As:

A vérszomjas dada

Filming Locations:

Valencia, California, USA

Box Office

Gross:

$17,037,887 (USA)

Company Credits

Production Co:

Universal Pictures, Nanny Productions

Technical Specs

Runtime:

92 min

Sound Mix:

Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

A cable TV version of the film is not billed to director William Friedkin but to Alan Smithee, a generic name which is used by directors when they don't want to be associated with a picture. This is despite the fact that Friedkin co-voices on the film's audio-commentary. There are two versions of "The Guardian": the theatrical cut, credited to Friedkin, and a modified cut, credited to Smithee. The Smithee cut has never been released on home video or DVD and has only been shown on cable. It includes new scenes including another scene in the hospital; different dream sequences; a scene of the nanny waking the wife up and alternate angles for other scenes. Also, the ending of the cable cut is different and omits much of the gore.

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Goofs

Sometimes the wall mural in the baby's room is the trees the mother was painting at the beginning of the movie, but in other scenes it's a bunch of flowers.

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Connections

Referenced in The Directors: The Films of William Friedkin

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Soundtracks

"Palau"
Music by Not Drowning Waving (as Not Drowning, Waving)
Lyrics by David Bridie
Performed by Not Drowning Waving (as Not Drowning, Waving)
Courtesy of Mighty Boy Records

User Reviews

Silly, but quite enjoyable horror/thriller.

** 1/2 out of ****

I always enjoy a good splatter flick and while I wouldn't necessarily call The Guardian a "good" film, it sure as hell is an entertaining one. The plot's pretty silly, with Jenny Seagrove as Camilla, a newly hired caretaker of a young couple's (Dwier Brown and Cary Lowell) infant son. Camilla appears to be the perfect nanny, sweet and loving, but actually, she's a Druid who needs the baby to prolong her immortal life, or something to that effect (the movie really didn't explain too much, and if you think I gave anything away by mentioning her as a Druid, the opening subtitles already state that info). She's also got a weird relationship with a big tree in the forest.

The film's got a lot of stupidity here and there, especially the young couple, who don't bother checking Camilla's references before hiring her, or the fact that this caretaker happens to be able to move around so many residences freely without too much suspicion (okay, for a while, at least). And considering the fact Camilla's a Druid, where'd she get this tree? This is set in L.A., not Europe. As I said before, not much is answered, and I guess I should be grateful because I can't imagine any answers that wouldn't delve the material into further silliness.

But I credit director William Friedkin for handling all this with a straight face. Some of this stuff (particularly the scenes with the tree) could have been played as camp, but I'm rather glad Friedkin plays this seriously and, as he did with The Exorcist, he manages to craft some truly suspenseful and frightening moments. Still, the film does slide into scenes that are too silly to be taken very seriously; you'll know what I mean when you see the chainsaw scene near the end of the movie.

Unlike The Exorcist, he shows no restraint with violence, preferring to give us several enjoyably gory death scenes and a LOT of blood spattering everywhere. There's also a decent amount of nudity present, courtesy of the rather lovely Jenny Seagrove. She's not quite as effective a horror villainess as, say, Mathilda May in Lifeforce, but gets the job done. Dwier Brown and Cary Lowell are okay, a little flat during some scenes and certainly not aided by a script that makes them act like idiots, but are convincing enough as caring and concerned parents.

Surprisingly very little music is used, with Friedkin trying to use the sounds of the wind and other such natural elements to create goosebumps. It's a good attempt, and while it works during two very lengthy, suspenseful sequences, he's still no M. Night Shyamalan. Considering the rather negative critical response The Guardian received, it's easy to see why Friedkin hasn't made a genre film since. But I enjoyed almost every minute of it would recommend it to horror fans seeking a quick-paced, gory thriller.